Category: Music Reviews

Check out some new releases and classic jams.

Desert Collider – Generation Ship: Endless Drift Through Infinity

by desertrockunited3960, posted in Music Reviews

Background of the Band 

Desert Collider out of Cesena Italy was conceived in 2023 as a convergence of the individual and diverse experiences of Federico C (Deploy the Cowcatcher, FR), Federico G (So Long, IT), Andrea, and Manuel (Moon Circle, IT). From the very beginning, the band’s primary focus has been the search for a distinctive sound, finding in stoner rock the perfect answer to the emotional and musical needs that emerged from the band members previous individual projects.

Desert Collider’s “Generation Ship Endless Drift Through Infinity” offers a mesmerizing musical journey that transcends boundaries of genre and imagination. In this album review, we delve into the depths of Desert Collider’s sonic universe, exploring their unique blend of influences, intricate instrumentation, and thought-provoking lyrical themes. From the opening track to the final notes, this album captivates listeners with its artistry and innovation, leaving a lasting impact that resonates through infinity.

Introduction to Desert Collider’s “Generation Ship Endless Drift Through Infinity”

Desert Collider’s latest album, “Generation Ship Endless Drift Through Infinity,” is like a musical odyssey through the vast expanse of space. With its cosmic themes and eclectic sounds, this album promises to take listeners on a journey beyond the stars. From the opening track to the final notes, this album captivates listeners with its artistry and innovation, leaving a lasting impact that resonates through infinity.

The album features eight tracks that revolve around themes of self-loss and rediscovery, a yearning for the primordial, and the inner journey as the sole mission and pathway to redemption. The album takes quiet yet deliberate steps on the pages of Robert A.
Heinlein’s masterpiece “Orphans of the Sky” and lays the groundwork for a creative approach that aspires to the “conceptual,” free of artistic limits or preconceptions.

Musical Style and Influences

Drawing inspiration from stoner rock pioneers like Kyuss, and Nebula along with a fusion of genres including the garage/post-punk of Karma to Burn, and Buzzcocks. At times the band delves into subtle psychedelic tones, and space rock undertones which often gives rise to a tight and aggressive sound that evolves into a forceful stoner rock sound: both raw and sophisticated. Desert Collider’s music is a homage to the past while pushing the boundaries of the future.

Exploring the Instrumentation and Arrangements

From swirling synths to pulsating basslines, each track on the album is a masterclass in sonic experimentation. Desert Collider’s attention to detail in their arrangements creates a lush and immersive listening experience. Aside from the heavy punishing stoner type riffs, the band is often slowing things down and developing mellow soundscapes with acoustic guitar, synth and reverb heavy, ethereal vocals.

Track Analysis

Let’s take a cosmic journey through some of the tracks of “Generation Ship Endless Drift Through Infinity.”

Opening Track: “Orphans of the Sky Part I: Generation Ship”

The album kicks off with “Orphans of the Sky Part I: Generation Ship,” a track that sets the tone for the interstellar adventure that lies ahead. With hypnotic rhythms and ethereal melodies, this song captures the essence of space exploration through sound. At a run time of 7:48 this song has various movements beginning with a slow psychedelic clean guitar tone which turns into a full heavy guitar assault with the main riff of the song at around 1:48. At 4 minutes the song takes another turn to a slower passage with synth effects, then begins a slow burn of a repetitive riff overlayed with distorted vocals sung in Italian building to a massive crescendo then fading out into the void.

Orhans of the Sky Part II: Disembark

As the track takes off with a rocket ship launch sound effect into a slow Melvins style stomp with drummer Andrea pounding his ride cymbal into oblivion you might be fearful of what may come next! The band next downshifts to a slow clean melodic guitar riff with reverb heavy vocals then once again turn on the jets with a full blast of aggressive vocals and distorted guitar lines. At 10:54 this track has multiple sections alternating between heavy and slow to psychedelic and slow with synth taking center stage around 6 minutes in.

Nomads of the Red Sun

This track is a mellow atmospheric instrumental that is primarily acoustic guitar with some percussion and synth effects. A great transition from some of the aggressiveness and bombast of earlier tracks.

Nebuchadnezzar

Headbangers unite! The album closer wastes no time getting right to the point with the drums coming in first with a distorted driving riff, guitar feedback and aggressive vocal. About halfway through a wah wah fuzzed out guitar solo is played over the riffing which leads to a slower breakdown with only a phaser or chorus pedal effected bassline. This leads back to the whole band coming back in on the main riff and driving the track home.

Tracklist:
1. Orphans of the Sky Part I: Generation Ship
2. Floating Space Hand
3. Sonic Carver
4. Orphans of the Sky Part II: Disembark
6. ThumpeRRR
7. Nomads of the Red Sun
9. Far Centaurus: Drifting without Guidance through Interstellar Space
10. Nebuchadnezzar

https://desertcollider.bandcamp.com/album/album-preview-generation-ship-endless-drift-through-infinity

 

Tundra Rock: A Sonic Exploration for Stoner Rock Enthusiasts

by desertrockunited3960, posted in Music Reviews

 

 

 

 

 

 

 

 

Tundra Rock: A Sonic Exploration for Stoner Rock Enthusiasts

For fans of stoner rock, the genre has always been rooted in heavy riffs, gritty vocals, and an overall sense of euphoria that invites listeners to drift into a blissful haze. However, SLOMOSA’s latest album, *Tundra Rock,* represents an evolution in the stoner rock landscape, intricately weaving together melody, emotion, and atmospheric depth. With this release, SLOMOSA pushes the boundaries of the genre, offering a listening experience that’s both familiar and refreshingly new.

At its core, *Tundra Rock* captivates the heart with its melodic foundation. Unlike some of their contemporaries who may lean heavily on raw aggression or repetitive structures, SLOMOSA has utilized melody as a key component in their songwriting. This approach transforms the listener’s experience into something more introspective, allowing for a richer exploration of complex emotions and subject matter. Each track serves as an auditory canvas, inviting fans to immerse themselves in the music’s atmospheric qualities.

SLOMOSA has garnered attention for their intriguing blend of grunge and stoner rock elements, and this album sees them embracing these influences more than ever. Drawing palpable inspiration from legendary bands like Nirvana, Soundgarden, and Alice in Chains, the quartet—comprised of Benjamin Berdous (Vocals, Guitar), Marie Moe (vocals, bass), Tor Erik Bye (guitar), and Jard Hole (drums)—crafts a sound that is both nostalgic and innovative. The vocal delivery of Marie Moe echoes the raw emotional power of 90s grunge while melded with the heavy, slow-driving riffs characteristic of the stoner rock genre.

One of the standout aspects of *Tundra Rock* is its ability to balance intensity with atmospheric exploration. The percussion, skillfully executed by Jard Hole, sets a foundation that is both relentless and hypnotic, serving the dual purpose of grounding the listener while also allowing them to drift into the ethereal layers of the music. Tor Erik Bye’s guitar work is outstanding, layering complex riffs and textures that give each song a unique identity. There are moments of outright heaviness, but these are often juxtaposed with segments of quiet reflection that deepen the listener’s emotional engagement.

Furthermore, the lyrical content on *Tundra Rock* should not go overlooked. SLOMOSA bravely delves into themes taken from both personal and universal experiences. These narratives, revealed through Marie Moe’s evocative lyrics, resonate with listeners, making them feel understood and connected. The topics traverse a range of human experiences—from strife and sorrow to moments of euphoria and enlightenment—capturing the essence of being human in a way that is inherently relatable.

In conclusion, *Tundra Rock* is a testament to SLOMOSA’s extraordinary ability to blend the familiar sonic signatures of stoner and grunge rock with innovative melody and atmospheric depth. For stoner rock fans seeking new emotional vistas within the genre, this album is an indispensable addition to any collection. As they explore the intricacies of *Tundra Rock*, listeners will find themselves drawn into its rich layers, ultimately emerging with a deeper appreciation for the artistry that defines SLOMOSA. This is not just music to enjoy; it is music to experience, paving the way for further exploration in the evolving world of stoner rock.

Track List:

1.  Afghansk Rev 03:11
2. Rice 05:25
3. Cabin Fever 05:17
4. Red Thundra 05:23
5. Good Mourning 00:41
6. Battling Guns 04:55
7. Monomann 03:49
8. MJ 04:06
9. Dune 05:27

Line Up:
Benjamin Berdous – Guitar, Vocals
Marie Moe – Bass, Vocals
Tor Erik Bye – Guitar
Jard Hole – Drums

▶︎ Tundra Rock | Slomosa

Warped Vision by Psychlona: 2024’s Must-Hear Stoner Rock Album

by desertrockunited3960, posted in Music Reviews

From the industrial landscapes of Bradford, Yorkshire emerges a sonic force that defies geographical expectations. Psychlona, despite hailing from one of England’s rainiest regions, has masterfully crafted their distinctive brand of desert rock, proving that the genre’s spirit transcends physical boundaries.

The band’s journey, which began in 2016, emerged from an innovative experiment blending California’s sun-drenched sounds with raw UK punk energy, NWOBHM intensity, and classic British psychedelia.

This unique fusion has evolved through four remarkable albums, each showcasing the band’s growing mastery of their craft. The band’s rise in the international stoner rock scene has been nothing short of remarkable. Their previous releases, including Mojo Rising (2018), Venus Skytrip (2020), and Palo Verde (2022), have consistently earned critical acclaim, with Venus Skytrip notably reaching number one on the Doom Charts. This consistent excellence has established Psychlona as one of the need-to-know acts in the entire scene.

What sets Psychlona apart is their ability to seamlessly blend diverse musical elements. Heavy psychedelic foundations with stoner/desert rock flavoring. Influences ranging from Hawkwind and Pink Floyd to modern desert rock pioneers. A distinctive mix of British punk energy and classic psychedelia.

The current lineup, featuring Phil Hey on vocals/guitar, Martin Wiseman on guitar, Izak Gloom on bass, and Scott Frankling on drums. The band demonstrates remarkable cohesion despite recent personnel changes. The integration of new members has added fresh dynamics to both writing and recording processes, contributing to the band’s evolving sound.

Warped Vision represents a significant milestone in Psychlona’s journey. The album showcases their most complete and thrilling work to date, with the band taking calculated risks while maintaining their signature sound. Their approach has become notably more psychedelic, featuring Floydian elements while retaining their capacity for powerful, riff-driven rock. The album features 8 tracks with Track 2 “Let’s Go” coming in as the feel-good stoner party anthem to make you feel the good vibes. Fans of Southern California stoners Fu Manchu will definitely enjoy the groove of this track. Track 8 “Magic Carpet” which is the album closer shows off a more chill, laid-back jazz vibe before launching into a distortion heavy chorus and is a worthy close of the album.

Track 4 “Cut Loose” is one of the heavier tracks on the album with the band moving into Sludge Rock sounds with intense vocals forging a path ahead to victory. The fuzz and distortion guitar lines have a level aggression and bombast to them especially when the mood moves in a heavier direction.

Their music demonstrates a remarkable versatility, shifting effortlessly between gentle, thoughtful passages and hard-hitting rock segments without losing coherence. This dynamic range, combined with their distinctive sound, has earned them spots at prestigious events like Desertfest and established their presence across European tours.

In an era where authenticity often takes a backseat to commerciality, Psychlona stands as a testament to genuine musical craftsmanship. Their ability to create deeply passionate music while maintaining their artistic integrity has positioned them at the forefront of the contemporary heavy psych sound. The band’s evolution represents not just growth in musicianship, but a deepening understanding of their artistic vision, making them one of the most compelling acts in modern stoner rock.

Mountaineer’s Ethereal Journey: Dawn And All That Follows

by desertrockunited3960, posted in Music Reviews

 

 

 

 

 

 

 

 

In the ever-evolving realm of post metal, where atmospheric grandeur intertwines with raw emotional depth, the Bay Area-based ensemble Mountaineer has carved a niche for themselves as masters of introspective and transcendent sonic narratives. Their latest offering, “Dawn And All That Follows,” stands as a testament to their artistic evolution, a poignant voyage through the realms of introspection, longing, and ultimately, cosmic transcendence.

Dreamy Soundscapes, Evocative Melodies
From the opening notes of “Cradlesong,” Mountaineer’s dreamy post metal soundscapes envelop listeners in a captivating embrace. Glistening guitar arpeggios cascade like celestial raindrops, setting the stage for an immersive musical journey. The band’s masterful command of dynamics and melodic motifs is on full display, as each track unfolds with a deliberate pace, allowing the emotional weight of the compositions to resonate deeply.

Emotional Depth and Artistic Restraint
One of the hallmarks of Mountaineer’s artistry is their ability to evoke profound emotions through a delicate balance of melancholy and beauty. “Dawn And All That Follows” exemplifies this duality, with tracks like “Hypnos” and “Prism” seamlessly transitioning between moments of serene introspection and visceral intensity. The band’s artistic restraint is palpable, as they eschew grandiose gestures in favor of nuanced, carefully crafted arrangements that allow each note to resonate with purpose.

Lyrical Resonance and Thematic Parallels
Beyond the captivating instrumentals, Mountaineer’s lyrical prowess shines through on “Dawn And All That Follows.” Poetic phrases and recurring motifs weave a tapestry of thematic parallels, echoing across tracks and albums. The haunting repetition of “This moment will last forever” in “Parallels” strikes a poignant chord, juxtaposing the yearning for eternal moments with the acceptance of finality – a bittersweet reflection on the spectrum of human emotion.

Progressive Songwriting and Emotional Impact
While Mountaineer’s previous release, “Giving up the Ghost,” may have showcased their well-crafted and skillfully executed songwriting, “Dawn And All That Follows” delivers a heightened emotional impact akin to their earlier works. Tracks like “Testimonial” and “You Will Always Be One of Us” captivate with their progressive structures, seamlessly blending heavier elements with atmospheric interludes, leaving an indelible mark on the listener’s psyche.

Cosmic Transcendence and Vivid Artwork
As the album reaches its crescendo with “Parallels,” the celestial synths and climactic moments evoke a sense of cosmic transcendence, transporting the listener to otherworldly realms. The album’s vivid artwork, a kaleidoscope of colors and ethereal imagery, perfectly captures the essence of this transformative journey, inviting listeners to immerse themselves in the multifaceted tapestry of Mountaineer’s sonic universe.

A Masterclass in Atmospheric Storytelling
Throughout “Dawn And All That Follows,” Mountaineer demonstrates their mastery of atmospheric storytelling, crafting compositions that resonate on both emotional and intellectual levels. Each track is a meticulously woven tapestry, inviting listeners to embark on a voyage of self-discovery, where the boundaries between the tangible and the ethereal blur, and the soul finds solace in the embrace of transcendent melodies.

Artistic Evolution and Genre Transcendence
With “Dawn And All That Follows,” Mountaineer has gracefully evolved into their ultimate expression, transcending genre boundaries and cementing their place as visionaries in the realms of dream metal and post metal. Their ability to craft emotionally resonant and artistically cohesive narratives sets them apart from their peers, solidifying their status as torchbearers in the ever-expanding universe of atmospheric and introspective music.

Immersive Soundscapes 
One of the most captivating aspects of “Dawn And All That Follows” is its re-playability. Each listen unveils new layers of depth, inviting listeners to immerse themselves in the album’s immersive soundscapes time and time again. The intricate interplay between the band’s three guitarists, coupled with the nuanced dynamics and atmospheric textures, creates an auditory experience that is both engaging and endlessly captivating.

A Watershed Moment for Post Metal
In the annals of post metal, “Dawn And All That Follows” stands as a watershed moment, a culmination of artistry, skill, and emotional acuity that sets Mountaineer apart from their contemporaries. Like their peers Pallbearer, whose recent release has garnered widespread acclaim, Mountaineer’s latest offering solidifies their position as torchbearers in this intersection of genres, pushing the boundaries of what is possible within the realm of atmospheric and emotionally charged music.

Concluding Thoughts
“Dawn And All That Follows” is a testament to Mountaineer’s unwavering dedication to their craft, a masterful fusion of post metal, dream metal, and atmospheric grandeur. With each note and lyrical phrase, the album invites listeners to embark on a transformative journey, one that transcends the boundaries of genre and awakens the soul to the endless possibilities of sonic exploration. In the ever-evolving landscape of introspective and atmospheric music, Mountaineer’s latest offering stands as a beacon, guiding listeners towards a realm of cosmic transcendence and emotional resonance.

Track List
1. Cradlesong
2. Hypnos
3. Prism
4. Dawn and All That Follows
5. Testimonial
6. You Will Always Be One of Us
7. Dark Passenger
8. Parallels

Lineup:

Clayton Bartholomew Guitars, Bass
Miguel Meza Vocals
Jordan Norton Drums
Forrest Harvey Guitars
Isaac Rigler Guitars
Dillon Variz Bass

Fu Manchu – The Return of Tomorrow

by desertrockunited3960, posted in Music Reviews

 

 

 

 

 

 

 

 

 

In the ever-evolving landscape of stoner rock, few bands have left a mark quite like Fu Manchu. Founded in 1985, this legendary quartet has consistently delivered a potent blend of fuzz-drenched riffs and undeniable grooves, cementing their status as kings of the stoner rock genre. With their latest offering, ‘The Return of Tomorrow,’ Fu Manchu proves that their creative well remains as deep as ever, serving up a double-album that blends their signature heavy sound with more mellow and melodic explorations.

The Stoner Rock Titans’ Triumphant Comeback

After a four-year hiatus since their last full-length release, ‘Clone of the Universe,’ Fu Manchu’s highly anticipated return has been met with excitement from the devoted fanbase of “The Fu”. Comprised of bassist Brad Davis, vocalist/guitarist Scott Hill, guitarist Bob Balch, and drummer Scott Reeder, the band has defied the odds, maintaining their momentum and quality over an impressive nearly four -decade span.

A Daring Dual-Disc Approach

In a bold move, Fu Manchu opted to craft ‘The Return of Tomorrow’ as their inaugural double album, a decision that allowed them to explore two distinct sonic realms. As Hill explained, “We kept both the records to around 25-30 minutes each as to make it a full-length release, but not have each record be too long. We don’t write a lot of mellow(er) stuff in Fu Manchu, but a lot of the riffs worked minus the fuzz.”

Side A: Unleashing the Fuzz Onslaught

The album’s first half is a tour de force of Fu Manchu’s signature stoner rock sound, delivering a barrage of fuzz-drenched riffs and thunderous rhythms that will undoubtedly resonate with their die-hard fans. From the hectic opener “Dehumanize” to the irresistibly anthemic “Loch Ness Wrecking Machine,” this side is a celebration of the band’s ability to craft infectious and hard-hitting tracks.

Standout moments include the unpredictable and complex “(Time Is) Pulling You Under,” which showcases Fu Manchu’s penchant for intricate songwriting, and the feisty “Hands of the Zodiac” and “Roads of the Lowly,” both of which are sure to satisfy the cravings of those seeking unadulterated stoner rock bombast.

Side B: Exploring Mellower Realms

While the first half caters to Fu Manchu’s heavy side, the second disc delves into more mellow and melodic territories, offering a refreshing contrast and showcasing the band’s versatility. The sludgy and psychedelic “Solar Baptized” is a particular highlight, with its enticing timbres and leisurely pace creating an immersive and calming atmosphere.

Elsewhere, “What I Need” seamlessly transitions from a gentle instrumental detour to a more energetic finale, while the closing track, “High Tide,” is a spacey and somewhat jazzy jam that evokes the spirit of iconic 70s acts like Pink Floyd, Soft Machine, The Grateful Dead, and Camel.

A Triumphant Return for the Stoner Rock Legends

‘The Return of Tomorrow’ is a testament to Fu Manchu’s enduring relevance and their ability to continually push the boundaries of their craft. While it may not be a revolutionary departure from their established sound, the album showcases the band at the peak of their powers, delivering a consistently thrilling and commendable collection of tracks.

The decision to divide the album into two distinct stylistic halves was a smart and effective move, allowing each side of Fu Manchu’s artistry to shine in its own dedicated spotlight. With this release, the stoner rock titans have once again demonstrated that they still have plenty of fuel left in their tank, solidifying their status as true legends of the genre.

Track List 

  1. Dehumanize
  2. Loch Ness Wrecking Machine
  3. Hands Of The Zodiac
  4. Haze The Hides
  5. Roads Of The Lowly
  6. (Time Is) Pulling You Under
  7. Destroyin’ Light
  8. Lifetime Waiting
  9. Solar Baptized
  10. What I Need
  11. The Return Of Tomorrow
  12. Liquify
  13. High Tide

Released in 2024 via At The Dojo Records

The Enduring Influence of “The Action Is Go”

For many listeners, Fu Manchu’s seminal 1997 album and one of their best, ‘The Action Is Go,’ served as their introduction to the band’s unique brand of groove/stoner rock. The inclusion of the track “Evil Eye” on the hugely popular Tony Hawk’s Pro Skater 2 video game soundtrack exposed the band to a whole new audience, influencing the musical tastes of millions of gamers and skaters alike.

Maintaining Momentum and Quality

Despite the passage of time, Fu Manchu has managed to keep their momentum and quality going strong, consistently delivering solid releases that never threaten to reinvent the fuzzy wheel. This consistency is part of what makes the band so endearing to their fans, as they can always count on Fu Manchu to deliver the goods, album after album.

Embracing New Sonic Territories

While ‘The Return of Tomorrow’ may not be a radical departure from Fu Manchu’s established sound, it does offer glimpses of the band’s willingness to explore new sonic territories. The inclusion of more mellow and melodic tracks on the album’s second half showcases the band’s versatility and their ability to transcend the confines of their stoner rock roots.

A Celebration of Longevity and Creativity

Ultimately, ‘The Return of Tomorrow’ is a celebration of Fu Manchu’s longevity and their continued creative vitality. With this release, the band has reaffirmed their status as one of the most celebrated and influential acts in the stoner rock genre, while also hinting at the exciting possibilities that lie ahead as they continue to push the boundaries of their sound.

Conclusion: A Triumphant Return for Stoner Rock Royalty

In an era where music trends come and go with dizzying speed, Fu Manchu’s enduring presence and unwavering commitment to their craft are truly remarkable. ‘The Return of Tomorrow’ is a testament to the band’s enduring relevance and their ability to continue delivering fresh and engaging material, even after almost four decades in the game.

While the album may not be a groundbreaking reinvention of the stoner rock genre, it is a triumphant return for a band that has consistently set the standard for others to follow. With their signature blend of fuzz-drenched riffs, undeniable grooves, and a willingness to explore new sonic territories, Fu Manchu has once again solidified their status as stoner rock royalty.

 

Old Painless – Demo Songs

by desertrockunited3960, posted in Music Reviews

INTRODUCTION TO Old Painless

Hailing from Manchester in the UK. Old Painless are in the business of rock and make no excuses and take no prisoners! Currently formed as a four piece they plan to be adding a second guitar player in the near future from maximum guitar shred capacity. Various members of the band have been playing in the Manchester heavy rock scene for a few years including in the popular Blastronaut.

Tracklist

1. Deep and Wide

This one gets started with cowbell and feedback then moving into a driving guitar riff that any Angus Young fan would appreciate. This track has more of an up-tempo hard rock/punk groove to it rather than some of the heavier tracks on the release. After the breakdown around 3:30 the bass takes the stage with Nathan bringing the track home with an extended leads and melodic lines.

2. Fleetfooted Mankiller

Riffs are the main story here as guitarist Nathan pulls out all of the 80’s Marshall JCM 800 riffage anyone can muster. While the main guitar riff is the star of this track the rhythm section of Andy (bass) and Lewis (drums) hold up their end of the deal by laying down the foundation to really drive the track. Vocalist Dave employs a fairly hook laden chorus to keep things moving. This in tandem with the background vocals make this track stand out as the most “Spotify friendly”, as nobody listens to radio anymore!

3. Just Another Case of Bad Luck

Again, guitarist Nathan get things going with heavy feedback driven start. For the guitar fans out there, you will enjoy the crunch of what must surely be a Marshall amp at its best. At around 2:40 the rhythm section is highlighted by Lewis pounding out tom fills and Andy’ propulsive bass providing the foundation under Nathan’s guitar feedback. As the song tempo picks back up it moves into a heavier doom style vibe on the way to a Page Hamilton style noise rock crescendo.

4. Rusty Hammer

This track in very unique in that it is almost two songs in one. The first being a heavy driving stoner/rock song and the second half moving into a more atmospheric section with guitar reverb, delay, and feedback calling to mind the most recent output from 90’s alternative rockers Hum. Nathan plays some very melodic and tasty lines for maximum effect while Andy lays down some mid-range bass lines under the din of guitar effects. Vocalist Dave has a style that can best be described as channeling the baby of Phil Anselmo and King Buzzo of the Melvins.

Lineup
Andy – Bass
Dave – Vocals
Lewis – Drums
Nathan – Guitar

For more information about Old Painless connect with them here.

The Vision Bleak – “Weird Tales”

by desertrockunited3960, posted in Music Reviews

Introduction to The Vision Bleak

The Vision Bleak, formed by Markus Stock and Tobias Schönemann, also known as Schwadorf and Konstanz respectively, has been a household name in the gothic metal genre. Known for their theatrical and dark orchestral metal, the duo’s music is a perfect blend of drama, heaviness, melancholy, and symphonic elements. The German duo’s seventh full-length “Weird Tales” is a massive tribute to the eponymous American magazine and other tales of mystery and dark imagination.

The Story Behind “Weird Tales”

“Weird Tales” is a unique album in The Vision Bleak’s discography. It is a single track, divided into twelve internal chapters, each inspired by various tales, poems, and literature of horror and the macabre. The album constitutes a monumental tribute to the eponymous American pulp magazine and other tales of mystery and dark imagination. On “Weird Tales”, THE VISION BLEAK are referring to H. P. Lovecraft and Clark Ashton Smith, in addition to Edgar Allen Poe and Lafcadio Hearn, whose “Fantastics and Other Fancies” was influential for this album.

The Making of “Weird Tales”

The making of “Weird Tales” was not a small feat. The duo had to work meticulously to ensure that each chapter was distinct yet flowed seamlessly into the next. They utilized a variety of instruments, from haunting bells to violins, guitars, and keyboards, to create a rich and atmospheric sound that complements the dark and eerie tales they narrate.

Noteworthy Chapters in “Weird Tales”Note

Several chapters in “Weird Tales” stand out for their exceptional storytelling and musical composition. “Chapter II: In Rue d’Auseil,” “Chapter IV: Once I Was a Flower,” and “Chapter VIII: The Undying One” are notable sections of the album.

Chapter 1: Introduction

A short moody track to set the stage, with synth mixed with dark tones. The track melts directly into the next chapter.

Chapter 2: In Rue d’Auseil

This track is directly inspired by H.P. Lovecraft’s The Music of Erich Zann.  It has a powerful metal vibe based on a straight-ahead catchy riff. The Goth vocal stylings of Konstanz might remind of Bauhaus or Sisters of Mercy.  The synth tones blend with the heavier metal to create a dream like state. A very interesting track to introduce The Vision Bleak’s blend of Goth and metal.

Chapter 3: In Gardens Red, Satanical

Dark piano tones start this track, driving into a hammer of doom metal riff. This isa very heavy song in addition to having an eerie haunting style of atmospherics.

Chapter 4: Once I Was a Flower

A more melodic and accessible track with piano and acoustic guitar at the start of the song., which lead into more aggressive and harder edged parts.  The Gothic influences of the band are on full display, especially in the vocals. The Lafcadio Hearn short story is the inspiration for this song. It’s the narration of a flower that accompanies a dying girl to her tomb.

Conclusion

“Weird Tales” is a testament to The Vision Bleak’s innovative approach to music. The album is a captivating blend of horror tales and gothic metal that takes the listener on an unforgettable journey. Whether you’re a longtime fan of The Vision Bleak or new to their music, “Weird Tales” is a must-listen.

Tracklist
1. Weird Tales
Chapter I: Introduction
Chapter II: In Rue d’Auseil
Chapter III: In Gardens Red, Satanical
Chapter IV: Once I Was a Flower
Chapter V: The Premature Burial
Chapter VI: Mother of Toads
Chapter VII: The Graveyard by Nyght in a Thunderstorm
Chapter VIII: The Undying One
Chapter IX: Evil Dreams Run Deep
Chapter X: The Witch with Eyes of Amber
Chapter XI: Canticle
Chapter XII: To Drink from Lethe

Line-up
Markus “Schwadorf” Stock – harsh vocals, guitars, bass, keyboard
Tobias “Konstanz” Schönemann – vocals, drums

Guest musicians
Aline Deinert (NEUN WELTEN, EMPYRIUM live) – violin, viola

For more information about The Vision Bleak and their music, visit their official website The Vision Bleak Official Website and follow them on their social media platforms Facebook, Instagram, and Twitter. You can also listen to their music on Bandcamp and Spotify.

Samsara Joyride-The Subtle and The Dense

by desertrockunited3960, posted in Music Reviews

Samsara Joyride, the Vienna Austria-based blues, stoner, psych rock band, has been making waves in the music industry with their unique blend of Psych/Stoner/Blues jams since 2020. Released on February 23rd, 2024 the album is available on most streaming platforms and the band’s Bandcamp page. Let’s take a trip to the desert via Vienna and enjoy the ride as they take us into “The Subtle and The Dense.”

To Capture the Essence 

The limited-edition Vinyl comes in Oxblood color and with an 8-page booklet (Artwork by Daniel Batliner and Laura Fichtenkamm) + additional download card.

Heaviness Found: “I Won’t Sign Pt.1”

The journey begins with high volume yell to call out what is to come next! The distorted bass rumble of Daniel Batliner and drum groove played  by Andi Mittermühlner are the foundation upon which the songs get its drive. Then once the dual riffing and solos of Florian Miehe and Michael Haumer kick in you are in for quite the sonic extravaganza.

The Rising Crescendo: “I Won’t Sign Pt. 2”

The second part of the first track Pt 2. is purely an instrumental affair that starts on a slow boil of atmospheric riffs building to an aggressive crescendo of heavy drum fills and blazing guitar solos until the end of the track.

The Stomp of Doom: “Too Many Preachers”

This track begins with a slow doom style riff and drum beat that has a Black Sabbath/Alice in Chains dirge. As the song progresses there are guitar harmonics, stop and start accents and a general sense that dread is about to befall all who dare to listen. The section from 4:15 to 5:50 is a section that is calling all to bow down to “The Rock”! Any stoner/hard rock fan will clearly know the band means business after listening to this track.

Dark Rhythms Are Calling: “Sliver”

The rhythm section here provides a very solid foundation for the guitars and vocals to shine. Mittermühlner has a great bass drum sound and crack to the snare with a hint of reverb that provides an additional accent to each drum hit. Once again Batliner has the right tone, deep and bass heavy without being muddy. The vocal highlight is at about 2:30 when both Haumer and Miehe are giving it their all and with the dynamics of each it makes for an interesting vocal. The outro is a chug fest that any hard rock/doom fan would enjoy.

The Dream is Real: “Who Tells The Story”

This track highlights SJ at their best. The full sonic palette is on display with tasty guitar fills, reverb enhanced lead guitar lines, distorted bass lines and high-powered vocals. At around the 4 1/2-minute mark the song begins to slow down with Batliner’s distorted and possibly flanger effected bass taking the point to send the song in a new direction. With the lead and background vocals taking center stage to exclaim, “Who Tells The Story”. This section is slowed down with cleaner guitar tones until the dual lead guitar lines break back in for the tempo to pick up and drive the song to its conclusion.

If You Want to Be Free: “No One Is Free”

This track starts out as a slow burn blues rock jam with tasty lead guitar licks before picking up the tempo about halfway thorough to become a hard charging heavy rocker that is certain to get your attention.

Light It Up: “Safe and Sound”

The album closer is a great change of pace from the sonic blast of the previous tracks. With a blues jazz swing type of vibe with saxophone accents and very solid background vocals from Laura Fichtenkamm. The vocal interplay between the deep baritone of Miehe and the higher register of Fichtenkamm works very well here. Tracks like this demonstrate the unique influences and creativity of the band and the ability to stand out among the crowd. For those of you who may be fortunate enough to visit the Southern California high desert of Joshua Tree this is your jam to play while star gazing!

Line Up:

Florian Miehe – Vocals/Guitar

Daniel Batliner – Bass

Andi Mittermühlner – Drums

Michael Haumer – Vocals/Guitar

Conclusion

In “The Subtle and The Dense,” Samsara Joyride has created an album that solidifies their place in the pysch/blues/desert rock landscape. The album takes listeners on a journey through heavy blues rock jams with hints of psychedelia and harder edged rock with enough guitar shredding to make any guitar fan enjoy the proceedings. The band has expanded their sound with a concerted effort to drive songs with heavier riffing, while at the same time knowing when to dial things down and marinate in a slower atmospheric brew of guitar reverb, fuzz bass and even saxophone at times.

The musicianship as expected has only grown stronger since 2022’s self-titled release. The rhythm section of Batliner and Mittermühlner complement each other well and with the addition of some well-placed bass effects adds a subtle heaviness under the guitar lines. With two fully capable players in Miehe and  Haumer the challenge may often be who gets to shine and who would take a backseat as both can craft great lead and melodic lines. There is no shortage of interesting guitar lines and high intensity solos, and yet when called upon both players know when to let the groove take over and give songs room to breathe a bit. Overall this is a great effort by the band that has an appeal to a wide range of listeners.

(Desert Spotlight) WHISKEY & KNIVES VOL 4 – LIVE FROM DE NILE

by desertrockunited3960, posted in Music Reviews

Released in October of 2020, and available in limited press 12” vinyl through http://www.h42records.com. There were only 250 copies made available worldwide on black, clear and turquoise vinyl.  Coming in at 13 minutes with five songs this can be considered more of an EP than a full length but make no mistake, if you want a short blast of punk energy, this is your jam.

Whatcha Get – An energetic start to the album, the band is running full tilt here. Hernández’ is the engine driving the track with his famous hard driving, “4 on the floor” style beats. Arnold’s punk power chording is a highlight, and with the bass fully locked in with Hernández’ the rhythm section is in form to deliver the goods. Baseley’s vocal rasp really fits the song and he stays within his range and does not try to overdo it with vocal gymnastics.

Head Nurse Betty – Another great full-tilt song with a punk vibe and fast-paced, hard-edged melody. Is Nurse Betty a real person? No way to know but this is definitely a good rocking punk jam to get the party started.

Sancha Mirage – This track is more of a midtempo rocker with a catchy chorus that could be the most, “radio friendly” of the release, while still maintaining the punk edge of the other tracks. This song would fit right in with the early 90’s desert punk scene. Arnold is in fine form here and the guitar solo checks all of the punk rock boxes.

Brother Nature – This track has a more slowed down desert/space rock vibe than the straight-ahead punk of some of the other tracks. opening bass line is narcotic. If the album cover were any of these songs, this is it.

Strange Devotion – This song can be considered the most hardcore track of the release with its fast, energetic, high tempo that borders on hardcore. High intensity is the name of the game on this track with Arnold blazing a lead and Baseley barking out the chorus much like a drill sergeant would!

Overview:

Whiskey and Knives is closer to the punk bombast of desert punk heroes Unsound than the more familiar well known desert rock bands. Baseley as vocalist is in fine form as the primary vocalist with his raspy vocal stylings on these songs are gladly received. Arnold’s guitar playing is straight ahead with power that fulfills what is required of each track with short, tasty solos and guitar fills.

Current bass player Armando Flores is not on the record, but has the chops and ability to lay down the original bass lines recorded by Reeder and Arnold respectively. Hernández’ with a pedigree of having played in Kyuss, Yawning Man and various desert rock bands is the beat master who keeps things propelling forward with his hard-hitting style.

You can find Whiskey and Knives on streaming platforms such as Spotify, Apple Music and their Bandcamp page.

Lineup:

Jason Baseley, vocals

Jon Arnold, lead guitar and bass

Alfredo Hernández, drums

Scott Reeder, bass

Green Lung – This Heathen Land: A Journey Into Occult Albion

by desertrockunited3960, posted in Music Reviews

Green Lung, the London-based doom metal band, has been making waves in the music industry with their unique blend of ’70s rock, folklore, and the occult. After the success of their previous albums, “Woodland Rites” and “Black Harvest,” the expectations surrounding their third album, “This Heathen Land,” have been heightened. Let’s take a deep dive into the world of Green Lung and explore the dark and mystical journey they take us on in “This Heathen Land.”

A Complete Manifestation of the Band’s Vision

According to vocalist Tom Templar, “This Heathen Land” is the most complete manifestation of the band’s vision to date. It fulfills their long-held goal of creating the definitive soundtrack to the folk horror film in our heads. The album opens with an atmospheric and mysterious intro, “Prologue,” which immediately sets the stage for the occult-themed journey that lies ahead.

Summoning the Dark Lords: “The Forest Church”

The journey begins with the haunting and mesmerizing track, “The Forest Church.” The song’s sweeping melodies and haunting keyboards create an eerie atmosphere, as if the dark lords themselves are being summoned from the depths of hell. The anthemic chorus adds an element of grandeur and sets the tone for the rest of the album.

A Paean to the Pendle Witches: “Mountain Throne”

Continuing their exploration of folklore and the occult, Green Lung pays homage to the Pendle Witches in “Mountain Throne.” The song begins with a powerful and infectious riff from guitarist Scott Black, instantly captivating the listener. The melodies are sensible and catchy, keeping the song moving with ease. It’s a crowd-pleaser and is sure to be a favorite among fans. The main guitar solo at about 3:30 into the song will make most any fan of metal shredding happy!

The Life of a Real Witch: “Maxine (Witch Queen)”

Green Lung takes inspiration from the life of a real witch in “Maxine (Witch Queen).” The track is based on the story of Maxine Sanders, the High Priestess at the heart of Alexandrian Witchcraft. It moves at a great pace, with eerie swirls of emotion against the backdrop of sinister keyboard wizardry. The song showcases the band’s ability to create a sense of atmosphere and intrigue.

Exploring the Burden of Depression: “One For Sorrow”

“One For Sorrow” delves into the dark and introspective theme of depression. The song’s beginning pays homage to the legendary Hammer House of Horrors series, setting a gloomy and foreboding tone. Fusing traditional doom with a gothic synth atmosphere, Green Lung creates a crushing slow-motion beatdown that perfectly captures the weight of depression. The haunting vocals of Tom Templar add an ethereal touch to the song.

Enchanting and Mesmerizing: “Song Of The Stones”

“Song Of The Stones” takes the listener on a slow and brooding journey. The hypnotic drumming and atmospheric instrumentation create a sense of enchantment and mystery. It’s a track that transports the mind to a faraway land, where ancient stones hold secrets and stories. This song showcases Green Lung’s ability to create immersive and captivating music.

Haughty Grandeur: “The Ancient Ways”

“The Ancient Ways” bursts into life from the very beginning, showcasing the signature Green Lung sound that fans have come to love. The track is filled with energy and a sense of grandeur. It’s a song that stays true to the band’s roots while pushing boundaries and exploring new territories. With each listen, you’ll find yourself fully immersed in their world of doom and occult rock.

Snake-Hipped Shuffle: “Hunters In The Sky”

“Hunters In The Sky” offers a change of pace with its snake-hipped shuffle. The song has a doomy, eerie, and ominous feel, transporting the listener into a world where they become the prey. Green Lung’s ability to create an oppressive atmosphere is on full display here, leaving you with a sense of unease and anticipation.

The Lysergic Furore: “Oceans Of Time”

Closing the album on a high note, “Oceans Of Time” provides a lysergic furore that echoes through the trees. The song slowly releases you back into reality after being a willing participant in Green Lung’s hedonistic party. It’s a mesmerizing and atmospheric track that leaves a lasting impression.

Conclusion
In “This Heathen Land,” Green Lung has created an album that solidifies their place in the rock, doom metal landscape. The album takes listeners on a journey into the occult, folklore, and the mysteries of Albion. With their unique blend of ’70s rock, doom metal, and enchanting melodies, Green Lung has crafted a sound that is both captivating, unique and immersive.