UFO over Lappland Interview

DRU: Who decided on the band name and how did it come about?

UOL: Our bass player came up with the idea, it’s a reference to a small Swedish sci-fi movie from 1959, also refers to a record by a local psychedelic rock band that made a record called “Flying saucers over Lappland” Our new record “Spökraketer” also refers to unknown objects that have been seen over the very huge areas up in Lappland, where there’s almost no people, just huge areas of forests and mountains.

DRU: Who are your biggest influences?

UOL: I think we in the band have different influences and it also changes all the time, but stuff that we all like is for example Neu, Faust, Hawkwind and I also listen a lot to more “modern” post rock and minimal electronic drone/ambient stuff.

DRU: Any specific guitar player, bass player or drummer influences?

UOL: Christer, our bass player has always been a fan of Lemmy, Andreas (the drummer) likes Tool, I don’t think I can choose a guitarist, but I prefer those with a personal style and that can make weird sounds with guitars before perfectly playing.

DRU: What role does synth play in the band? Is it for textural elements to compliment the sound or more in front to complement the guitar lines?

UOL: It’s to complete the sound and also to add the extra “space feeling”.

DRU: How would you describe your sound? Do you hear any similarities to Kraftwerk as is often mentioned?

UOL: I say that we play repetitive minimal psychedelic rock with influences from post-rock. I don’t see much similarities to Kraftwerk (has also seen that mention, we never mentioned them as inspiration, they are great, but not an influence, I guess it has to do with that Kraftwerk was a part of the early German kraut-rock scene).

DRU: How did the band form and come together?

UOL: Three of us was already playing together in a band called the magic lantern, some of us have been making music together in different constellations for more than twenty years now.

DRU: What’s your songwriting process?

UOL: Most of the times we just go down to the rehearsal space and jam, we record and listen and choose parts we like and then we work on those parts, add stuff or remove stuff, sometimes someone has a riff or a rhythm to start with but not always.

DRU: Best format? Vinyl records, cassettes, CDs or downloads? (Regardless of current popularity)

UOL: Vinyl, three of us are vinyl collectors, I also run a small tape label, so I like tapes too, but vinyl is like “the real thing”.

DRU: One or two artists/bands you would like to collaborate with.

UOL: If we could do something like that, I think it would be fun to make something with someone that does something completely different from what we do, like Joanna Newsome on harp or with Loscil (minimal electronics).

DRU: How has the natural environment in Northern Sweden influenced your sound if at all?

UOL: Hard to say, but I think out long dark winters sets us in another mood than if you’re living, we’re the sun is shining all of the year.

DRU: Any plans for an upcoming European tour?

UOL: No plans for touring right now.

DRU: Describe the Umea music scene, is it influenced by the local college and artists?

UOL: The musical scene in Umeå is diverse and living, the DIY scene is quite big and bands in different genres help each other to organize shows, but during the pandemic some places have been closed and some people have moved, but still have hope for the future and so many people here know that a living musical scene is something worth fighting for.

DRU: Is the recording process completed by sending files to each other or is everyone in the studio?

UOL: We were all together in the studio, most of the records are recorded live in the studio, with just some overdubs.

DRU: How has the band changed or not coming out of COVID now that most countries are open to live music again?

UOL: One of us have moved to another town quite far away and that makes it harder both to rehearse and to play live, but let’s just see what the future has to give.

DRU: Any social channels or band sites fans should check out for release, merchandise or tour information?

UOL: Where not too active here, but I try to update at Instagram @ufooverlappland and Facebook.com/ufooverlappland

Peace/Krister, guitars in UFO över Lappland.

(Desert Spotlight) Unsound – Melt

Active from 1987-1994 desert punk rockers Unsound were one of a handful of bands who defined the late 80’s – mid 90’s Coachella Valley rock scene. With a DIY, play anywhere ethos the band frequented all of the historical non-venues such as The Colony, and the famous desert generator parties.

Released in 1993 on the Hemi Music label this was to be Unsound’s swan song, but what a way to go out. This release was a 7″ EP recorded at Westbeach Studios in Los Angeles. The band played for another year and in 1994 broke up except for a few one-off shows in 2010, 2012 and 2019. While earlier releases were more straight up raw, speed punk, this release has the band moving in a direction that mixed their familiar punk sound with a hardcore driven twin guitar attack along with time shifting progressions and Ian Taylor’s fast vocal blitz delivery. Donnell Cameron was the producer here, who went on to work with such artists as Sublime and Blink-182; as well as producing the Avenged Sevenfold album Sounding the Seventh Trumpet.

One of the aspects of seeing Unsound live was that you had to be ready to have your face melted off. There were no half efforts here, it was full tilt all the way through with Jeff Bowman hitting the drums hard enough to break his drumheads, Brian Maloney’s blazing leads through the loudest Randall amp in the universe, Ian Taylor’s high energy stage presence and (R.I.P) Britt Killen’s mid-range bass blasts.

While this release is likely out of print select one the song links below for a sample of the jams.

Lineup:
Brian Maloney – Guitar
Ian Taylor – Vocals, Guitar

Britt Killen – Bass
Jeff Bowman – Drums

Track list:

StoryTime
Product
Between
Outrage Is