Christopher Thomas Interview

DRU: Who are your biggest influences?

Oh, man. Well, considering I would call my music desert rock, I’d have to start with Queens of the Stone Age. Josh Homme is my biggest inspiration. After that, you’ve got Black Label Society, Pantera, Nirvana, Iggy Pop…the weirdos that can write a catchy tune. I love a catchy tune.

DRU: Any specific guitar player, bass player, or drummer influences?

For guitar, I’ve got to go Josh Homme–I’d be lucky to write riffs half as catchy as he does. Marc Ribot for sure, and my bassist, Michael, loves the hell out of that guy from Hum. He also loves Chi Cheng from Deftones; he listens to a lot of their music. Drummer boy Brad owes his talents to Phil Collins, Dave Grohl, Phil Selway, and Jaki Liebezeit.

DRU: How would you describe your sound?

Little noisy, little melodic, little stoner. I’ve got ADHD so I have a hard time sticking to just one vibe, haha. It’s for sure all over the place, but then, so am I, so it works!

DRU: How did the band form and come together?

My bassist Michael is my younger brother, so he signed the contract when he was born. It would be really cool if our other brother played drums, but by serendipity our drummer Brad is actually a lot cooler. I’ve been working with him on random local projects here and there for years, and he just works so well. He mixes and masters all our stuff too, actually, which for me is super awesome because it gives us a tighter grip on the “vision”.

DRU: What’s your songwriting process?

Most of the time, I stick a random drum track from YouTube on in the background, sometimes from a song that’s stuck in my head or a drummer I particularly dig. I riff off of that until it sounds at least something like a song, and from there, I bring it to practice and evolve it. I think songs come out best when a few different people have put their paws in the pot because it pulls together sounds you never would have thought of on your own.

DRU: Best format? Vinyl records, cassettes, CDs or downloads? (Regardless of current popularity)

Vinyl definitely has in irrevocable swagger too it, especially because I’ll never be able to wrap my mind around the tech for it. That being said, I do have to pay my thanks to the convenience of downloads, I’d be nowhere as a guitarist or songwriter without my iPod Nano back in the day.

DRU: One or two artists/bands you would like to collaborate with?

Locally, there’s another band out of New Jersey called Swansun that I’d kill to take the stage with. Not exactly the same sound, but I think it would just be a really fun lineup overall. In the realm of “never going to happen”, though, I think you can guess that I’m going to say I would sell my limbs to open for Josh Homme. Just, like, a five-minute set, that’s all I need!

DRU: Any plans for an upcoming tour?

No tour plans at the moment, but I might be open to it in the future. I love the NJ/Philadelphia scene too much to stray too far from it just yet…I’ve got a lot more on my list I’d like to accomplish here first before I take my music on the road.

DRU: Describe the recording process, is it completed by sending files to each other or is everyone in the studio?

My brother and I actually record guitar and bass on an $80 iRig running into Garageband on the iPhone. No joke, that’s all it is. Maybe a pedal or two in front…it’s a whole big, wired mess in our living room but I swear to God it works magic. After that, we send it over to our drummer Brad and he records drums over top using a drum pad, and from there we take it to a studio for the vocals so we can really get into the nitty and gritty of the mix. Then Brad casts some spells and mixes and masters it all to perfection.

DRU: Describe the New Jersey music scene, do the local artists influence it?

Oh, absolutely and without a doubt. There’s so much local love here, it’s a really lucky place to be a musician starting out. You’d be hard-pressed to not find a show to go to, and fortunately, one to play as well. There are lots of independent venues, bookers, promoters, it’s really cool. Not only bars, but houses, too. Like in people’s basements. It’s honestly such a blast and I’m really grateful to be from here!

DRU: Any social channels or band sites fans should check out for release, merchandise or tour information?

Our Instagram handle is @christopherthomas.nj , our updates all go straight through there with some bonus content of course. We’re actually working on getting a site up and running and by the time you’re reading this it will definitely be somewhat functional (we’re musicians, and unfortunately not very great IT guys). That domain’s https.//christopherthomasnj.wixsite.com/info. That has pretty much everything, music, pictures, videos, lore…I’m hoping to get a newsletter up and running too, just because, why not make ‘em read, too? Our music is accessible on streaming everywhere. Our second EP, In My Eyes is out July 17th, and we’re really excited for you all to hear it.

UFO over Lappland Interview

DRU: Who decided on the band name and how did it come about?

UOL: Our bass player came up with the idea, it’s a reference to a small Swedish sci-fi movie from 1959, also refers to a record by a local psychedelic rock band that made a record called “Flying saucers over Lappland” Our new record “Spökraketer” also refers to unknown objects that have been seen over the very huge areas up in Lappland, where there’s almost no people, just huge areas of forests and mountains.

DRU: Who are your biggest influences?

UOL: I think we in the band have different influences and it also changes all the time, but stuff that we all like is for example Neu, Faust, Hawkwind and I also listen a lot to more “modern” post rock and minimal electronic drone/ambient stuff.

DRU: Any specific guitar player, bass player or drummer influences?

UOL: Christer, our bass player has always been a fan of Lemmy, Andreas (the drummer) likes Tool, I don’t think I can choose a guitarist, but I prefer those with a personal style and that can make weird sounds with guitars before perfectly playing.

DRU: What role does synth play in the band? Is it for textural elements to compliment the sound or more in front to complement the guitar lines?

UOL: It’s to complete the sound and also to add the extra “space feeling”.

DRU: How would you describe your sound? Do you hear any similarities to Kraftwerk as is often mentioned?

UOL: I say that we play repetitive minimal psychedelic rock with influences from post-rock. I don’t see much similarities to Kraftwerk (has also seen that mention, we never mentioned them as inspiration, they are great, but not an influence, I guess it has to do with that Kraftwerk was a part of the early German kraut-rock scene).

DRU: How did the band form and come together?

UOL: Three of us was already playing together in a band called the magic lantern, some of us have been making music together in different constellations for more than twenty years now.

DRU: What’s your songwriting process?

UOL: Most of the times we just go down to the rehearsal space and jam, we record and listen and choose parts we like and then we work on those parts, add stuff or remove stuff, sometimes someone has a riff or a rhythm to start with but not always.

DRU: Best format? Vinyl records, cassettes, CDs or downloads? (Regardless of current popularity)

UOL: Vinyl, three of us are vinyl collectors, I also run a small tape label, so I like tapes too, but vinyl is like “the real thing”.

DRU: One or two artists/bands you would like to collaborate with.

UOL: If we could do something like that, I think it would be fun to make something with someone that does something completely different from what we do, like Joanna Newsome on harp or with Loscil (minimal electronics).

DRU: How has the natural environment in Northern Sweden influenced your sound if at all?

UOL: Hard to say, but I think out long dark winters sets us in another mood than if you’re living, we’re the sun is shining all of the year.

DRU: Any plans for an upcoming European tour?

UOL: No plans for touring right now.

DRU: Describe the Umea music scene, is it influenced by the local college and artists?

UOL: The musical scene in Umeå is diverse and living, the DIY scene is quite big and bands in different genres help each other to organize shows, but during the pandemic some places have been closed and some people have moved, but still have hope for the future and so many people here know that a living musical scene is something worth fighting for.

DRU: Is the recording process completed by sending files to each other or is everyone in the studio?

UOL: We were all together in the studio, most of the records are recorded live in the studio, with just some overdubs.

DRU: How has the band changed or not coming out of COVID now that most countries are open to live music again?

UOL: One of us have moved to another town quite far away and that makes it harder both to rehearse and to play live, but let’s just see what the future has to give.

DRU: Any social channels or band sites fans should check out for release, merchandise or tour information?

UOL: Where not too active here, but I try to update at Instagram @ufooverlappland and Facebook.com/ufooverlappland

Peace/Krister, guitars in UFO över Lappland.