SOLACE – Further (2025 Reissue)

 

 

 

 

 

 

 

 

 

When Further first dropped in 2000, it marked the arrival of Solace as one of the East Coast’s most punishing and inventive stoner doom outfits. Twenty-five years later, Magnetic Eye Records has given the record a new lease on life, remastering the band’s debut and pairing it with a treasure trove of bonus material. Sadly, this reissue doubles as an unintended tribute to original frontman Jason L., who passed away earlier this year. His presence looms large across the record—raw, feral, and commanding—and this edition ensures his voice will continue to rattle speakers for years to come.

If Further were released as a brand-new album today, it would still feel like a major statement. The remaster sharpens its edges without sanding down the grit, giving the riffs more bite and the low end more weight.

The album’s opening run of songs sets the tone brilliantly:

“Man Dog” erupts with chugging riffs and Jason’s throat-tearing vocals, a track that feels halfway between Motörhead’s reckless charge and Sabbath’s oppressive stomp. It’s the kind of opener that makes a mission statement loud and clear.

“Black Unholy Ground” follows with a darker, more lumbering feel. The riffs here are suffocating, crushing down like concrete slabs, while Jason’s vocal delivery leans into apocalyptic sermon territory.

“Followed” drags things into the swamp. The tempo sinks, the distortion thickens, and the song oozes menace—perfect for fans who prefer their doom with an extra layer of grime.

“Whistle Pig” kicks the energy back up, riding a surging groove with a riff that borders on classic rock swagger, though twisted through Solace’s dirt-metal filter. It’s one of the album’s more driving tracks.

“Hungry Mother” pivots again, starting with a slow, foreboding build before exploding into one of the record’s heaviest climaxes. The song embodies Solace’s signature push-and-pull between sludge and fury.

This pendulum swing between ferocity and sludge, between heavy rock swagger and doom-laden crawl, is what keeps Further gripping even as it stretches past the hour mark.

Highlights from the remainder of the set include “Suspicious Towers,” which slips in a spoken-word lift from the cult sci-fi flick The Creation of Humanoids. Normally a gimmick, here it lands with eerie effectiveness, a perfect prelude to the song’s lurching menace.

The reissue doesn’t stop at polishing the core album. Six bonus tracks expand the picture, including covers of Iron Maiden (“Another Life”), Lynyrd Skynyrd (“On the Hunt”), Misfits (“We Bite”), and James Gang (“Funk #49,” captured live in Tokyo back in ’98). Far from throwaways, these renditions showcase Solace’s ability to bend other genres into their own brand of what they once called “dirt metal”—part doom, part hardcore muscle, part Jersey grit.

The remastered Further clocks in at over 90 minutes, but it never feels bloated. Instead, it plays like a reminder of just how vital this band was at the turn of the millennium—and how much Jason L.’s guttural roar defined their sound. This reissue doesn’t just honor an album; it honors a legacy.

Verdict: A powerhouse debut given new fire, Further (2025) is both a fitting tribute and a record that still competes with the best of the genre today. Pour one out for Jason, crank this loud, and let Solace’s dirt metal thunder roll.

Tracklist
1. Man Dog (2025 Remaster)
2. Black Unholy Ground (2025 Remaster)
3. Followed (2025 Remaster)
4. Whistle Pig (2025 Remaster)
5. Hungry Mother (2025 Remaster)
6. Angels Dreaming (2025 Remaster)
7. Suspicious Tower (2025 Remaster)
8. Heavy Birth/2-Fisted (2025 Remaster)
9. Another Life
10. We Bite
11. On the Hunt
12. Heavy Birth/2-Fisted (Distanced from Reality version)
13. Dirt
14. Funk #49 (Live in Tokyo ’98)

Recording line-up
Jason – voice, lyrics
Tommy Southard – guitars
Bill “Bixby” Belford – drums
Rob Hultz – bass

Christopher Thomas Interview

DRU: Who are your biggest influences?

Oh, man. Well, considering I would call my music desert rock, I’d have to start with Queens of the Stone Age. Josh Homme is my biggest inspiration. After that, you’ve got Black Label Society, Pantera, Nirvana, Iggy Pop…the weirdos that can write a catchy tune. I love a catchy tune.

DRU: Any specific guitar player, bass player, or drummer influences?

For guitar, I’ve got to go Josh Homme–I’d be lucky to write riffs half as catchy as he does. Marc Ribot for sure, and my bassist, Michael, loves the hell out of that guy from Hum. He also loves Chi Cheng from Deftones; he listens to a lot of their music. Drummer boy Brad owes his talents to Phil Collins, Dave Grohl, Phil Selway, and Jaki Liebezeit.

DRU: How would you describe your sound?

Little noisy, little melodic, little stoner. I’ve got ADHD so I have a hard time sticking to just one vibe, haha. It’s for sure all over the place, but then, so am I, so it works!

DRU: How did the band form and come together?

My bassist Michael is my younger brother, so he signed the contract when he was born. It would be really cool if our other brother played drums, but by serendipity our drummer Brad is actually a lot cooler. I’ve been working with him on random local projects here and there for years, and he just works so well. He mixes and masters all our stuff too, actually, which for me is super awesome because it gives us a tighter grip on the “vision”.

DRU: What’s your songwriting process?

Most of the time, I stick a random drum track from YouTube on in the background, sometimes from a song that’s stuck in my head or a drummer I particularly dig. I riff off of that until it sounds at least something like a song, and from there, I bring it to practice and evolve it. I think songs come out best when a few different people have put their paws in the pot because it pulls together sounds you never would have thought of on your own.

DRU: Best format? Vinyl records, cassettes, CDs or downloads? (Regardless of current popularity)

Vinyl definitely has in irrevocable swagger too it, especially because I’ll never be able to wrap my mind around the tech for it. That being said, I do have to pay my thanks to the convenience of downloads, I’d be nowhere as a guitarist or songwriter without my iPod Nano back in the day.

DRU: One or two artists/bands you would like to collaborate with?

Locally, there’s another band out of New Jersey called Swansun that I’d kill to take the stage with. Not exactly the same sound, but I think it would just be a really fun lineup overall. In the realm of “never going to happen”, though, I think you can guess that I’m going to say I would sell my limbs to open for Josh Homme. Just, like, a five-minute set, that’s all I need!

DRU: Any plans for an upcoming tour?

No tour plans at the moment, but I might be open to it in the future. I love the NJ/Philadelphia scene too much to stray too far from it just yet…I’ve got a lot more on my list I’d like to accomplish here first before I take my music on the road.

DRU: Describe the recording process, is it completed by sending files to each other or is everyone in the studio?

My brother and I actually record guitar and bass on an $80 iRig running into Garageband on the iPhone. No joke, that’s all it is. Maybe a pedal or two in front…it’s a whole big, wired mess in our living room but I swear to God it works magic. After that, we send it over to our drummer Brad and he records drums over top using a drum pad, and from there we take it to a studio for the vocals so we can really get into the nitty and gritty of the mix. Then Brad casts some spells and mixes and masters it all to perfection.

DRU: Describe the New Jersey music scene, do the local artists influence it?

Oh, absolutely and without a doubt. There’s so much local love here, it’s a really lucky place to be a musician starting out. You’d be hard-pressed to not find a show to go to, and fortunately, one to play as well. There are lots of independent venues, bookers, promoters, it’s really cool. Not only bars, but houses, too. Like in people’s basements. It’s honestly such a blast and I’m really grateful to be from here!

DRU: Any social channels or band sites fans should check out for release, merchandise or tour information?

Our Instagram handle is @christopherthomas.nj , our updates all go straight through there with some bonus content of course. We’re actually working on getting a site up and running and by the time you’re reading this it will definitely be somewhat functional (we’re musicians, and unfortunately not very great IT guys). That domain’s https.//christopherthomasnj.wixsite.com/info. That has pretty much everything, music, pictures, videos, lore…I’m hoping to get a newsletter up and running too, just because, why not make ‘em read, too? Our music is accessible on streaming everywhere. Our second EP, In My Eyes is out July 17th, and we’re really excited for you all to hear it.

Monster Magnet – A Better Dystopia (2021)

“These were not the popular hits of the time. This was like a playlist from the 4th dimension… strange bits of musical obscurity, mostly dredged up from that inglorious and freaky “twilight zone” time that preceded Arena Rock, Heavy Metal, Reggae and Disco. A no-man’s land of hard rock that still had remnants of psychedelia and garage punk but had abandoned any notion of “flower power” or frat house fun. And of course, they rocked. Yeah, these songs were it.

The great bands whose music we lovingly interpret here were (and some still are) on the fringe, underrated, and in our opinion, really, really cool. I think that’s reason enough for us to do this album. Furthermore, A Better Dystopia is a collection of songs that I think reflect (knowingly or unknowingly) a paranoid time in history, but also deflect that same paranoia by owning it, fully. And of course, it ROCKS.”

— Dave Wyndorf, Official Statement via The Obelisk

Track “Mr. Destroyer” (Poo-Bah) has big riffs and swirling vocal stylings that fuse a blend of hard rock and psychedelia. “Motorcycle (Straight To Hell)” (Table Scraps) is straight old school punk, sounding like a cross between Iggy Pop and Motörhead. The Magnet takes off on the hard rock classic “”Learning To Die”” (Dust) and a rocking version of a Stooges style Goth jam, “”Solid Gold Hell”” (The Scientists).

Lineup

Dave Wyndorf – Guitar, Keyboards, Vocals, Producer
Phil Caivano – Guitar, Bass, Backing Vocals, Engineer, Producer
Bob Pantella – Drums, Percussion, Engineer, Producer
Garrett Sweeny – Guitar
Alec Morton – Bass
Carrie Wyndorf – Additional Vocals (3)
Betty Wyndorf – Additional Vocals (13)

Track List

  1. The Diamond Mine (1:58) (Dave Diamond)
  2. Born to Go (5:47) (Hawkwind)
  3. Epitaph for a Head (2:08) (JD Blackfoot)
  4. Solid Gold Hell (3:27) (The Scientists)
  5. Be Forewarned (3:26) (Macabre)
  6. Mr. Destroyer (5:41) (Poobah)
  7. When The Wolf Sits (4:58) (Jerusalem)
  8. Death (2:58) (The Pretty Things)
  9. Situation (2:16) (Josefus)
  10. It’s Trash (2:10) (The Cave Men)
  11. Motorcycle (Straight to Hell) (3:24) (Table Scraps)
  12. Learning to Die (6:28) (Dust)
  13. Welcome to The Void (3:21) (Morgen)