Onioroshi Unleash Two New Singles and Announce March 2026 European Tour

Onioroshi, the heavy psych force from Italy active since 2019, step into 2026 with a double strike: two new singles and a full European tour. After the release of their second LP Shrine in 2025 through Bitume Productions, the band spent the past year sharpening their live presence across Italy and quietly reshaping their sound in the studio. The result is a pair of new tracks—Wicked Child and Eris—that mark a turning point in their evolution.

A New Sonic Direction

Both singles, released on February 25, 2026, show Onioroshi embracing a more concise, flowing approach without abandoning the noise-driven experimentation that defines their identity. Clocking in at just over five minutes each, Wicked Child (5:04, vocals by Enrico) and Eris (5:21, vocals by Manuel) are the shortest compositions the band has ever released. The shift toward tighter structures brings a new urgency to their sound—leaner, sharper, and more immediate—while still carrying the dense textures and hypnotic heaviness that fans expect.

The release is accompanied by two visually striking videos shot by filmmaker Jacopo Gioacchini, featuring actress and dancer Rebecca Piraccini. Her presence adds a physical, expressive layer to the music, amplifying the tension and movement embedded in the new material.

March 2026 European Tour

To celebrate this new chapter, Onioroshi are hitting the road for a European tour running from March 12 to March 27, 2026. The itinerary spans seven countries and ten shows, bringing the band’s immersive live energy to a mix of underground venues and independent scenes across the continent.

Tour stops include:

  • Peyrelevade (FR)
  • Uzerche (FR)
  • Geneva (CH)
  • Subotica (SRB)
  • Budapest (HU)
  • Bratislava (SK)
  • Vienna (AT)
  • Osijek (CR)

Across these dates, Onioroshi will share the stage with a wide range of local and independent acts, reinforcing their commitment to grassroots collaboration and the DIY spirit that has fueled their growth since 2019.

Looking Ahead

With Shrine still resonating, two new singles expanding their sonic palette, and a European tour underway, 2026 is shaping up to be a defining year for Onioroshi. The band’s shift toward more streamlined compositions hints at a new era—one that keeps their experimental core intact while opening the door to fresh creative territory.

 

Igarka – Dopamine Ocean

Igarka’s Dopamine Ocean isn’t just an EP—it’s a sonic detonation.

Released October 10, 2025, this Italian quintet has unleashed a genre-bending, emotionally charged debut that’s turning heads and melting minds. Formed in Emilia-Romagna, Italy, Igarka is part of a vibrant underground Italian music scene. While bands such as Karnivool, TesseracT, and My Bloody Valentine are not explicitly mentioned by the band as influences, there are sonic elements that call these bands to mind when listening to their EP. The band does mention an affinity for Deftones and Baroness and while Igarka does not explicitly sound similar, there are certain soundscapes and sonic dimensions they share with these influences.

Sound Explosion

Imagine shoegaze colliding with grunge, melodic hardcore, and power metal—all wrapped in a dreamy haze. That’s Igarka. Their sound is heavy, hypnotic, and wildly unpredictable. The dynamic shifts are wild: quiet introspection explodes into chaotic breakdowns. The layering of shoegaze textures with aggressive rhythms often creates a sound that’s both dreamy and devastating. Every track is a mood swing you’ll want to ride.

Vocals That Haunt & Heal

Aisja Baglioni’s voice floats, sings, and soars. From the surreal forest of “Hider” to the shimmering shoegaze of “Follow for More,” her delivery is pure magic. Aisja’s vocals shift from whispery vulnerability to full-throttle fury.

🔥 Tracklist

  • “Hider” – ethereal and eerie
  • “Follow for More” – shoegaze shimmer
  • “Sabotage” – raw and relentless
  • “Self-Similar” – mathy and mesmerizing
  • “Expiration Mark” – emotional gut-punch
  • “Sammarinese Brainrot Animals” – chaotic brilliance
  • “End Well” – a haunting farewell

Lineup:

  • Aisja Baglioni – lead vocals
  • Luca Pasini – guitar, backing vocals, keyboards, mixing
  • Simone Succi – guitar, mastering
  • Elisabetta Paglierani – bass, artwork
  • Giorgio Puzzarini – drums

Onioroshi – Shrine

 

 

 

 

 

 

 

 

 

Background of the Band 

Onioroshi is a progressive-psych power trio hailing from Cervia, Italy. The three members of Onioroshi met for the first time in early 2014 during the Kimono Lights project, a dreampop-shoegaze independent band which recorded 2 LPs and an EP in three years and played in venues around Italy. In early 2018 Kimono Lights called it quits and soon after Onioroshi was formed and their debut album Beyond These Mountains was created.

While the band was trying to find its place in the music industry the pandemic struck the world of music and forced them to change their plans. In early 2020 Onioroshi started working on a new LP, investing the next three years into creating music with passion and a new sonic direction. The new LP “Shrine” is the result of this meticulous work of sound and structured research, with the three musicians searching for ways beyond limits, trying to create a completely new experience for the listener. Similar to their debut album, their second LP was recorded, mixed and mastered at Dunastudio by Andrea Scardovi.

Introduction to Onioroshi’s “Shrine”

Lasting 54 minutes while featuring 3 tracks focusing various sound layers, shifting time signatures, auditory dynamics.

Musical Style and Influences

A blend of experimental, psychedelic, noise rock and progressive riffing that creates an immersive auditory trip through the vastness of space and time. According to the band, “We like mind trips, odd times, drowning in noise and partial darkness.” Fans of desert denizens Big Scenic Nowhere will most likely enjoy this release as there are long psychedelic passages, many guitar riffs/solos with various phase, reverb and delay effects.

Track Analysis

Opening Track: “Pyramid”

Opening up with a clean flanger/phase guitar line with heavy reverb played various times with crashing cymbals with a rumbling distorted bass line. At around 4 minutes in the vocals begin with an up-tempo noise rock vibe until the vocals become more aggressive with drummer Enrico Piraccini forcing the issue with crashing cymbals and drum fills working to create a wall of sound. At 5:50 the time signature shifts to a heavy arpeggio riff and then shifting again the music stops entirely with a distorted bass line coming in with the phase effected guitar line and various tom fills and aggressive vocals to bring up the intensity again. The band really enjoys dynamics with calm slow passages building to massive and aggressive crescendos.

Opening Track: “Laborintus”

At 15 minutes this is the shortest track of the album. The track gets started right away with a treble sounding bass line with and lead guitar line with high pitched vocals leading to a phaser effect washing over the track which morphs into dark aggressive vocals and the familiar crashing cymbal fills. The vocal in this section has some similarity to Tomahawk era Mike Patton. As the track moves along the vocals become more ethereal with an underlying synth taking center stage. With this section starting around 9 minutes in the band moves in a more melodic way that give way to the outgoing section of guitar solos and driving rhythms until the track closes out.

Closing Track: “Egg”

Album closer begins with the heaviest riff of the release with a crunching guitar riff with the vocals a little more out in front and more direct than other sections during the album.
Ay 2 minutes in a wave of phaser effects and tom drum fills take center stage. Next the music starts to fade out and starts up again with a repetitive reverb heavy guitar line and haunting vocals along with distorted bass notes play in the background. At approximately the 11 minutes in the band ups the intensity with a driving drum beat and propulsive bass layered with a driving reverb heavy guitar riff. At 15 minutes in a long passage with a guitar solo takes over with drummer Piraccini using his China cymbal as a crash and beating it into submission. As this is the longest track on the album with various movement of sonic bombast, at the end you may want to take a break to ground yourself and return to sanity!

Track List

1.Pyramid-18:19

2.Laborintus-15:36

3. Egg-20:32

Manuel Fabbri: Bass, Vocals
Enrico Piraccini: Drums, Vocals
Matteo Sama: Guitar

https://onioroshi.bandcamp.com/

Desert Collider – Generation Ship: Endless Drift Through Infinity

Background of the Band 

Desert Collider out of Cesena Italy was conceived in 2023 as a convergence of the individual and diverse experiences of Federico C (Deploy the Cowcatcher, FR), Federico G (So Long, IT), Andrea, and Manuel (Moon Circle, IT). From the very beginning, the band’s primary focus has been the search for a distinctive sound, finding in stoner rock the perfect answer to the emotional and musical needs that emerged from the band members previous individual projects.

Desert Collider’s “Generation Ship Endless Drift Through Infinity” offers a mesmerizing musical journey that transcends boundaries of genre and imagination. In this album review, we delve into the depths of Desert Collider’s sonic universe, exploring their unique blend of influences, intricate instrumentation, and thought-provoking lyrical themes. From the opening track to the final notes, this album captivates listeners with its artistry and innovation, leaving a lasting impact that resonates through infinity.

Introduction to Desert Collider’s “Generation Ship Endless Drift Through Infinity”

Desert Collider’s latest album, “Generation Ship Endless Drift Through Infinity,” is like a musical odyssey through the vast expanse of space. With its cosmic themes and eclectic sounds, this album promises to take listeners on a journey beyond the stars. From the opening track to the final notes, this album captivates listeners with its artistry and innovation, leaving a lasting impact that resonates through infinity.

The album features eight tracks that revolve around themes of self-loss and rediscovery, a yearning for the primordial, and the inner journey as the sole mission and pathway to redemption. The album takes quiet yet deliberate steps on the pages of Robert A.
Heinlein’s masterpiece “Orphans of the Sky” and lays the groundwork for a creative approach that aspires to the “conceptual,” free of artistic limits or preconceptions.

Musical Style and Influences

Drawing inspiration from stoner rock pioneers like Kyuss, and Nebula along with a fusion of genres including the garage/post-punk of Karma to Burn, and Buzzcocks. At times the band delves into subtle psychedelic tones, and space rock undertones which often gives rise to a tight and aggressive sound that evolves into a forceful stoner rock sound: both raw and sophisticated. Desert Collider’s music is a homage to the past while pushing the boundaries of the future.

Exploring the Instrumentation and Arrangements

From swirling synths to pulsating basslines, each track on the album is a masterclass in sonic experimentation. Desert Collider’s attention to detail in their arrangements creates a lush and immersive listening experience. Aside from the heavy punishing stoner type riffs, the band is often slowing things down and developing mellow soundscapes with acoustic guitar, synth and reverb heavy, ethereal vocals.

Track Analysis

Let’s take a cosmic journey through some of the tracks of “Generation Ship Endless Drift Through Infinity.”

Opening Track: “Orphans of the Sky Part I: Generation Ship”

The album kicks off with “Orphans of the Sky Part I: Generation Ship,” a track that sets the tone for the interstellar adventure that lies ahead. With hypnotic rhythms and ethereal melodies, this song captures the essence of space exploration through sound. At a run time of 7:48 this song has various movements beginning with a slow psychedelic clean guitar tone which turns into a full heavy guitar assault with the main riff of the song at around 1:48. At 4 minutes the song takes another turn to a slower passage with synth effects, then begins a slow burn of a repetitive riff overlayed with distorted vocals sung in Italian building to a massive crescendo then fading out into the void.

Orhans of the Sky Part II: Disembark

As the track takes off with a rocket ship launch sound effect into a slow Melvins style stomp with drummer Andrea pounding his ride cymbal into oblivion you might be fearful of what may come next! The band next downshifts to a slow clean melodic guitar riff with reverb heavy vocals then once again turn on the jets with a full blast of aggressive vocals and distorted guitar lines. At 10:54 this track has multiple sections alternating between heavy and slow to psychedelic and slow with synth taking center stage around 6 minutes in.

Nomads of the Red Sun

This track is a mellow atmospheric instrumental that is primarily acoustic guitar with some percussion and synth effects. A great transition from some of the aggressiveness and bombast of earlier tracks.

Nebuchadnezzar

Headbangers unite! The album closer wastes no time getting right to the point with the drums coming in first with a distorted driving riff, guitar feedback and aggressive vocal. About halfway through a wah wah fuzzed out guitar solo is played over the riffing which leads to a slower breakdown with only a phaser or chorus pedal effected bassline. This leads back to the whole band coming back in on the main riff and driving the track home.

Tracklist:
1. Orphans of the Sky Part I: Generation Ship
2. Floating Space Hand
3. Sonic Carver
4. Orphans of the Sky Part II: Disembark
6. ThumpeRRR
7. Nomads of the Red Sun
9. Far Centaurus: Drifting without Guidance through Interstellar Space
10. Nebuchadnezzar

https://desertcollider.bandcamp.com/album/album-preview-generation-ship-endless-drift-through-infinity