Jack Harlon & The Dead Crows – Inexorable Opposites

A Dark, Psychedelic Western Rock Odyssey from Australia’s Heavy Underground

Jack Harlon & The Dead Crows return with their fourth full‑length album, Inexorable Opposites, delivering their most dynamic and emotionally resonant release yet. Known for their atmospheric blend of psychedelic western rock, stoner fuzz, and doom‑tinged desert vibes, the Australian quartet pushes their sound into deeper, more human territory.

This is a record built for fans of heavy, cinematic storytelling — and for anyone who loves their riffs dust‑covered, sun‑scorched, and dripping with mood.

A Bold Evolution in Sound

One of the most significant shifts on Inexorable Opposites is the introduction of drummer Brayden Becher, whose explosive performance injects new life into the band’s sonic identity. For the first time, Jack Harlon & The Dead Crows brought in an outside engineer — Lewis Noke‑Edwards — to track drums, stepping beyond their traditional DIY workflow.

The payoff is immediate:

  • Bigger dynamics
  • Heavier peaks
  • Softer, more vulnerable lows
  • A wider emotional and sonic palette

Lyrics Rooted in Real‑World Duality

While the fictional sci‑fi western outlaw Jack Harlon still casts a long shadow, vocalist Tim Coutts‑Smith shifts toward more personal and contemporary themes. Influenced by lived experiences and his work in mental health, the lyrics explore the contradictions of modern life — the tension between light and dark, hope and despair, creation and destruction.

The album title, Inexorable Opposites, draws inspiration from Carl Jung’s Man and His Symbols, emphasizing the idea that human existence is defined by opposing forces. This philosophical backbone gives the record a depth that sets it apart from typical stoner‑rock fare.

A Sound That Connects Australia to the American Desert

Even though the band hails from Australia, their music feels spiritually connected to the American Southwest. Fans of desert rock, spaghetti‑western soundscapes, and lo‑fi fuzz will feel right at home.

Their signature blend includes:

  • Psychedelic Western rock
  • Stoner rock & fuzz
  • Blues‑infused grit
  • Doom metal undertones
  • Cinematic Western ambience

It’s a uniquely atmospheric style that bridges the Outback and the Mojave.

From Side Project to Heavy Underground Mainstay

Formed around 2015 as a side project for Coutts‑Smith, Jack Harlon & The Dead Crows have grown into one of Australia’s most compelling underground heavy acts. Their DIY ethos has shaped everything from recording to visual art, and their live presence has earned them stages alongside Greenleaf, Sasquatch, Wo Fat, and Whores.

A Mature, Expansive Fourth Album

Inexorable Opposites showcases a band fully in command of their craft. The record balances introspection with crushing heaviness, offering a refined yet adventurous take on their signature sound. It’s a meditation on the contradictions of life — delivered through titanic riffs, haunting melodies, and cinematic atmosphere.

For fans of psychedelic western rock, stoner metal, and heavy desert soundscapes, this album is essential listening.

Album Details

Tracklist

  1. Moss
  2. Venomous
  3. Mt. Macedon
  4. Dave Is Done
  5. Junior Fiction
  6. Seer
  7. On the Overwhelm
  8. To Die

Line‑up

  • Tim Coutts‑Smith – vocals, guitar
  • Jordan Richardson – guitar
  • Brayden Becher – drums
  • Liam Barry – bass

Desert Spotlight: Yawning Man – Pavement Ends

When you talk about “Desert Rock,” you eventually end up talking about Yawning Man. For nearly four decades, the trio has been the sonic architects of the generator party scene, influencing everyone from Kyuss to various stoner rock bands throughout the world. Where their 2023 release, Long Walk of the Navajo, felt like a spiritual drifting across open sands, their latest offering, Pavement Ends, feels like the sun going down and the temperature dropping across the desert landscape.

Released earlier this month via Heavy Psych Sounds, Pavement Ends sees the legendary lineup of Gary Arce (guitar), Mario Lalli (bass), and Bill Stinson (drums) returning to the studio with a darker, heavier, and more cinematic intent. It is arguably their most “shoegaze” record to date—bleak, beautiful, and drenched in a tension that rarely resolves the way you expect.

The Sound of the End of the Road

The album opens with “Burrito Power,” a track that immediately signals a shift in tone. Stinson’s drums are muscular and punchy here, driving a doom-laden riff that feels surprisingly heavy for a band known for airy, reverb-soaked jams. It’s a grounded, gritty start that contrasts sharply with the ethereal floating of their past work.

However, the signature Yawning Man shimmer isn’t gone; it has just evolved. On “Gestapo Pop,” Arce’s guitar work takes center stage. It is less about the “surf” vibe this time and more about creating a melancholic, starry atmosphere. The interplay between Lalli’s deep, grooving bass and Arce’s shimmering delay creates a hypnotic loop that feels like watching a time-lapse of a desert night.

Emotional Undertow

The emotional core of the record sits in the middle with “Bomba Negra.” This track is a masterclass in tension and release. It digs deep into an emotional undertow, trading the “jam band” feel for something more composed and cinematic. It’s atmospheric, moody, and arguably one of the most beautiful pieces of music the band has released in years.

“Dust Suppression” lightens the mood slightly with a leisurely cosmic swagger, but it serves mostly as a bridge to the album’s massive finale.

The Final Stretch

The album closes with a one-two punch that might be the best sequence in their discography. The title track, “Pavement Ends,” stretches toward the ten-minute mark. It is pure desert hypnosis—a mid-tempo drive into nowhere that feels infinite. It captures that specific feeling of running out of road, where the physical world stops and the psychological landscape begins.

Finally, “Bad Time To Be Alive” wraps up the experience. Despite the cynical title, the track is strangely uplifting—a melancholic, introspective piece that feels like an acknowledgment of the world’s chaos, processed through the band’s meditative filter. It’s a poignant closer that leaves you staring at the horizon long after the needle lifts.

The Verdict

Pavement Ends is not just “another Yawning Man album.” It is a focused, disciplined, and emotionally resonant evolution of their sound. Arce, Lalli, and Stinson sound locked in, not just jamming, but conversing through their instruments.

If you are a fan of instrumental rock, this is essential listening. The pavement might end here, but Yawning Man proves they still have plenty of new territory to explore.

GAUPA’s FYR: Where Doom Rock Meets Swedish Psychedelia

 

 

 

 

 

 

 

 

 

Since releasing their self-titled EP in 2018, GAUPA has continuously broken new ground within the Swedish psych rock and stoner rock communities. Their unique blend of doom metal and groove rock has earned them significant recognition, with their track ‘Exoskeleton’ surpassing one million Spotify streams and their EP accumulating over 4 million streams to date. Following the release of their 2022 album “Myriad,” the band delivered unforgettable performances at major festivals including Sweden Rock, Hellfest, Wacken, Mystic, and Desert Fest. Set for release on July 4th via Nuclear Blast Records, FYR promises to take listeners on a genre-bending journey through enthralling psychedelia and heavy prog metal.

The Band’s Evolution Leading to FYR

From Underground Sensation to Genre-Bending Force

GAUPA’s musical journey has been anything but conventional. The Uppsala-based quintet first emerged on the Swedish underground scene with their self-titled debut EP in 2018, immediately capturing attention with their distinctive sound. This initial release showcased the band’s knack for blending heavy riffs with ethereal vocals, establishing a foundation for their evolving musical identity.

After their impressive debut, the band continued refining their unique approach to doom the rock genre. Their sophomore release, 2020’s “Feberdröm,” marked a significant step forward in their sonic exploration. During this period, GAUPA began incorporating more experimental elements into their music, further distinguishing themselves from contemporaries in the Swedish psych rock scene.

The release of “Myriad” in 2022 represented a watershed moment for the band. This full-length album demonstrated remarkable growth in both songwriting and production quality. Throughout this evolutionary phase, vocalist Emma Näslund’s haunting, versatile voice became increasingly central to GAUPA’s sonic signature – weaving between delicate whispers and powerful wails over the band’s groove rock foundation.

Recent months have brought significant changes to GAUPA’s lineup. The departure of guitarist Erik Sävström created both challenges and opportunities for the remaining members. Rather than viewing this shift as a setback, the band channeled the transition into creative energy for their upcoming EP. This period of adjustment allowed them to reassess their sound and push into even more adventurous territory.

“FYR” emerges as the culmination of this creative evolution. The four-track EP represents both a continuation of GAUPA’s established sound and a bold step into new realms of doom metal experimentation. Interestingly, the band opted for a shorter format following their full-length release, allowing them to create a more concentrated and focused artistic statement.

Over time, GAUPA has masterfully balanced accessibility with avant-garde sensibilities. While maintaining the core elements that first attracted their fanbase, they’ve consistently pushed against genre boundaries. This willingness to evolve while honoring their roots has positioned them as one of the most intriguing bands in modern stoner rock.

Inside FYR: Sound, Style, and Production

A Heavier Sonic Landscape Emerges

Taking a dramatic sonic shift, GAUPA’s “FYR” stands as their heaviest material to date. This transformation didn’t happen by accident — the band enlisted new mixing engineer Karl Daniel Lidén, who gave the tracks a significantly grittier, more aggressive sound compared to their previous releases. Gone is the slick, bright production of earlier works, replaced by a rawer, dirtier sonic palette that intensifies their doom the rock foundations.

Despite downsizing to a four-piece following guitarist Daniel Nygren’s 2024 departure to focus on family life, the band sounds anything but diminished on this mini-album. Recorded in autumn 2024 across two locations — Svenska Grammofonstudion in Göteborg and Estethuset studios in Falun — the EP retains GAUPA’s core elements while pushing into new territory.

The swedish psych rock outfit describes “FYR” as a “patchwork of parts” where each member contributes equally. This collaborative approach yields impressive results across the four tracks. Opening with “Lion’s Thorn” (7:37), the album immediately establishes its credentials with mesmerizing bagpipes that introduce spacious, tripped-out verses before waves of hard stoner rock riffs crash through. “Heavy Lord” (3:58) delivers one of 2025’s most hypnotic choruses, while “Ten Of Twelve” (4:21) dazzles with astounding guitar work and weighty percussion.

Perhaps most impressive is closer “Elastic Sleep” (8:10), a genre-flipping masterpiece where enthralling psychedelia swells into crests of ripping djent metal and cosmic doom. Throughout these tracks, the band maintains their signature elements: enchanting intricacy, trippy verses, and a steady stream of groove rock sensibility.

The title itself carries multiple meanings in Swedish — “four” (this being their fourth release), “lighthouse,” “beacon,” and “fire” — all fitting the musical and lyrical content in various ways. This multi-layered approach extends to the sound itself, where doom metal heaviness coexists alongside surreal lyricism and atmospheric passages, creating a seamless blend that feels both cohesive and exploratory.

Themes and Surrealism in the Lyrics

Dreamscapes and Reality Blur in GAUPA’s Poetic Universe

At the heart of GAUPA’s entrancing doom metal soundscape lies vocalist Emma Näslund’s playfully perplexing and surreal lyricism. Throughout “FYR,” the band loosely explores the concept of time alongside the fundamental question of “what is real, what is not, and what is a dream”. This philosophical approach perfectly complements the swedish psych rock instrumentals that define their sonic identity.

Inspired largely by Ursula K. Le Guin’s award-winning science fiction novel “The Word for World Is Forest,” the EP draws from themes of anti-colonialism and environmentalism. Näslund’s lyrics often contemplate mankind’s destructive relationship with the environment, yet she maintains an intentionally abstract approach to her writing.

“I want people to use their fantasy and imagination,” Näslund explains about her cryptic writing style. “You need to go through the lyrics, and you need to think, what does it mean to you?”. This deliberate ambiguity invites listeners to discover personal meaning behind her dreamlike poetry instead of being handed explicit interpretations.

The band’s fascination with animal imagery continues throughout “FYR,” most notably in “Ten Of Twelve,” which references the rooster’s position as the 10th animal in the Chinese zodiac. Näslund playfully subverts folklore by transforming the traditionally lucky rooster into “a bad luck rooster instead of a lucky charm”.

GAUPA’s enthralling psychedelia extends beyond musical elements into their lyrical approach. Näslund’s writing process varies considerably – sometimes lines spontaneously emerge, while others require careful crafting. She draws inspiration from diverse literary sources including sci-fi, dystopian fiction, magic realism, and poetry.

The surreal quality of groove rock is enhanced by lyrics that maintain a certain mystique. “I don’t enjoy lyrics when it’s obvious,” Näslund notes. “The lyrics that speak to me the most are lyrics that I can choose to think are for me”. This approach creates a stoner rock experience where listeners can find themselves within the music’s intentionally nebulous narrative landscape.

Conclusion

FYR: A Defining Chapter in GAUPA’s Sonic Evolution

GAUPA stands poised to deliver something truly special with “FYR” on July 4th via Nuclear Blast Records. Throughout their journey from underground sensation to recognized force within the doom rock scene, this Swedish outfit has consistently defied genre expectations. Certainly, the departure of their guitarist could have derailed lesser bands, yet GAUPA has transformed this challenge into creative fuel for their heaviest material to date.

What makes “FYR” particularly compelling lies in its perfect balance between accessibility and artistic exploration. The four tracks showcase a band comfortable with their identity while still pushing boundaries – heavier production alongside dreamlike verses, surreal lyrics paired with crushing riffs. Furthermore, Emma Näslund’s enigmatic vocal approach adds another layer of mystery, allowing us as listeners to find our own meaning within their musical universe.

The multi-layered meaning behind the EP’s title – representing both their fourth release and concepts of fire, light, and guidance – perfectly encapsulates GAUPA’s artistic approach. Similarly, their willingness to blend Swedish psych rock elements with heavier doom metal textures creates something genuinely fresh in today’s music landscape.

Despite functioning as a four-piece now, GAUPA sounds more potent than ever before. The collaborative spirit evident throughout “FYR” demonstrates a band hitting their creative stride rather than struggling with transition. Subsequently, tracks like “Elastic Sleep” and “Lion’s Thorn” reveal a group unafraid to experiment while maintaining the core elements that first attracted their growing fanbase.

For fans of enthralling psychedelia, groove rock, or innovative metal, “FYR” promises to be an essential listening experience of 2025. Though only four tracks long, this mini-album appears ready to cement GAUPA’s place as one of the most intriguing bands emerging from Sweden’s fertile rock scene today.

Onioroshi – Shrine

 

 

 

 

 

 

 

 

 

Background of the Band 

Onioroshi is a progressive-psych power trio hailing from Cervia, Italy. The three members of Onioroshi met for the first time in early 2014 during the Kimono Lights project, a dreampop-shoegaze independent band which recorded 2 LPs and an EP in three years and played in venues around Italy. In early 2018 Kimono Lights called it quits and soon after Onioroshi was formed and their debut album Beyond These Mountains was created.

While the band was trying to find its place in the music industry the pandemic struck the world of music and forced them to change their plans. In early 2020 Onioroshi started working on a new LP, investing the next three years into creating music with passion and a new sonic direction. The new LP “Shrine” is the result of this meticulous work of sound and structured research, with the three musicians searching for ways beyond limits, trying to create a completely new experience for the listener. Similar to their debut album, their second LP was recorded, mixed and mastered at Dunastudio by Andrea Scardovi.

Introduction to Onioroshi’s “Shrine”

Lasting 54 minutes while featuring 3 tracks focusing various sound layers, shifting time signatures, auditory dynamics.

Musical Style and Influences

A blend of experimental, psychedelic, noise rock and progressive riffing that creates an immersive auditory trip through the vastness of space and time. According to the band, “We like mind trips, odd times, drowning in noise and partial darkness.” Fans of desert denizens Big Scenic Nowhere will most likely enjoy this release as there are long psychedelic passages, many guitar riffs/solos with various phase, reverb and delay effects.

Track Analysis

Opening Track: “Pyramid”

Opening up with a clean flanger/phase guitar line with heavy reverb played various times with crashing cymbals with a rumbling distorted bass line. At around 4 minutes in the vocals begin with an up-tempo noise rock vibe until the vocals become more aggressive with drummer Enrico Piraccini forcing the issue with crashing cymbals and drum fills working to create a wall of sound. At 5:50 the time signature shifts to a heavy arpeggio riff and then shifting again the music stops entirely with a distorted bass line coming in with the phase effected guitar line and various tom fills and aggressive vocals to bring up the intensity again. The band really enjoys dynamics with calm slow passages building to massive and aggressive crescendos.

Opening Track: “Laborintus”

At 15 minutes this is the shortest track of the album. The track gets started right away with a treble sounding bass line with and lead guitar line with high pitched vocals leading to a phaser effect washing over the track which morphs into dark aggressive vocals and the familiar crashing cymbal fills. The vocal in this section has some similarity to Tomahawk era Mike Patton. As the track moves along the vocals become more ethereal with an underlying synth taking center stage. With this section starting around 9 minutes in the band moves in a more melodic way that give way to the outgoing section of guitar solos and driving rhythms until the track closes out.

Closing Track: “Egg”

Album closer begins with the heaviest riff of the release with a crunching guitar riff with the vocals a little more out in front and more direct than other sections during the album.
Ay 2 minutes in a wave of phaser effects and tom drum fills take center stage. Next the music starts to fade out and starts up again with a repetitive reverb heavy guitar line and haunting vocals along with distorted bass notes play in the background. At approximately the 11 minutes in the band ups the intensity with a driving drum beat and propulsive bass layered with a driving reverb heavy guitar riff. At 15 minutes in a long passage with a guitar solo takes over with drummer Piraccini using his China cymbal as a crash and beating it into submission. As this is the longest track on the album with various movement of sonic bombast, at the end you may want to take a break to ground yourself and return to sanity!

Track List

1.Pyramid-18:19

2.Laborintus-15:36

3. Egg-20:32

Manuel Fabbri: Bass, Vocals
Enrico Piraccini: Drums, Vocals
Matteo Sama: Guitar

https://onioroshi.bandcamp.com/

Warped Vision by Psychlona: 2024’s Must-Hear Stoner Rock Album

From the industrial landscapes of Bradford, Yorkshire emerges a sonic force that defies geographical expectations. Psychlona, despite hailing from one of England’s rainiest regions, has masterfully crafted their distinctive brand of desert rock, proving that the genre’s spirit transcends physical boundaries.

The band’s journey, which began in 2016, emerged from an innovative experiment blending California’s sun-drenched sounds with raw UK punk energy, NWOBHM intensity, and classic British psychedelia.

This unique fusion has evolved through four remarkable albums, each showcasing the band’s growing mastery of their craft. The band’s rise in the international stoner rock scene has been nothing short of remarkable. Their previous releases, including Mojo Rising (2018), Venus Skytrip (2020), and Palo Verde (2022), have consistently earned critical acclaim, with Venus Skytrip notably reaching number one on the Doom Charts. This consistent excellence has established Psychlona as one of the need-to-know acts in the entire scene.

What sets Psychlona apart is their ability to seamlessly blend diverse musical elements. Heavy psychedelic foundations with stoner/desert rock flavoring. Influences ranging from Hawkwind and Pink Floyd to modern desert rock pioneers. A distinctive mix of British punk energy and classic psychedelia.

The current lineup, featuring Phil Hey on vocals/guitar, Martin Wiseman on guitar, Izak Gloom on bass, and Scott Frankling on drums. The band demonstrates remarkable cohesion despite recent personnel changes. The integration of new members has added fresh dynamics to both writing and recording processes, contributing to the band’s evolving sound.

Warped Vision represents a significant milestone in Psychlona’s journey. The album showcases their most complete and thrilling work to date, with the band taking calculated risks while maintaining their signature sound. Their approach has become notably more psychedelic, featuring Floydian elements while retaining their capacity for powerful, riff-driven rock. The album features 8 tracks with Track 2 “Let’s Go” coming in as the feel-good stoner party anthem to make you feel the good vibes. Fans of Southern California stoners Fu Manchu will definitely enjoy the groove of this track. Track 8 “Magic Carpet” which is the album closer shows off a more chill, laid-back jazz vibe before launching into a distortion heavy chorus and is a worthy close of the album.

Track 4 “Cut Loose” is one of the heavier tracks on the album with the band moving into Sludge Rock sounds with intense vocals forging a path ahead to victory. The fuzz and distortion guitar lines have a level aggression and bombast to them especially when the mood moves in a heavier direction.

Their music demonstrates a remarkable versatility, shifting effortlessly between gentle, thoughtful passages and hard-hitting rock segments without losing coherence. This dynamic range, combined with their distinctive sound, has earned them spots at prestigious events like Desertfest and established their presence across European tours.

In an era where authenticity often takes a backseat to commerciality, Psychlona stands as a testament to genuine musical craftsmanship. Their ability to create deeply passionate music while maintaining their artistic integrity has positioned them at the forefront of the contemporary heavy psych sound. The band’s evolution represents not just growth in musicianship, but a deepening understanding of their artistic vision, making them one of the most compelling acts in modern stoner rock.