Jack Harlon & The Dead Crows – Inexorable Opposites

A Dark, Psychedelic Western Rock Odyssey from Australia’s Heavy Underground

Jack Harlon & The Dead Crows return with their fourth full‑length album, Inexorable Opposites, delivering their most dynamic and emotionally resonant release yet. Known for their atmospheric blend of psychedelic western rock, stoner fuzz, and doom‑tinged desert vibes, the Australian quartet pushes their sound into deeper, more human territory.

This is a record built for fans of heavy, cinematic storytelling — and for anyone who loves their riffs dust‑covered, sun‑scorched, and dripping with mood.

A Bold Evolution in Sound

One of the most significant shifts on Inexorable Opposites is the introduction of drummer Brayden Becher, whose explosive performance injects new life into the band’s sonic identity. For the first time, Jack Harlon & The Dead Crows brought in an outside engineer — Lewis Noke‑Edwards — to track drums, stepping beyond their traditional DIY workflow.

The payoff is immediate:

  • Bigger dynamics
  • Heavier peaks
  • Softer, more vulnerable lows
  • A wider emotional and sonic palette

Lyrics Rooted in Real‑World Duality

While the fictional sci‑fi western outlaw Jack Harlon still casts a long shadow, vocalist Tim Coutts‑Smith shifts toward more personal and contemporary themes. Influenced by lived experiences and his work in mental health, the lyrics explore the contradictions of modern life — the tension between light and dark, hope and despair, creation and destruction.

The album title, Inexorable Opposites, draws inspiration from Carl Jung’s Man and His Symbols, emphasizing the idea that human existence is defined by opposing forces. This philosophical backbone gives the record a depth that sets it apart from typical stoner‑rock fare.

A Sound That Connects Australia to the American Desert

Even though the band hails from Australia, their music feels spiritually connected to the American Southwest. Fans of desert rock, spaghetti‑western soundscapes, and lo‑fi fuzz will feel right at home.

Their signature blend includes:

  • Psychedelic Western rock
  • Stoner rock & fuzz
  • Blues‑infused grit
  • Doom metal undertones
  • Cinematic Western ambience

It’s a uniquely atmospheric style that bridges the Outback and the Mojave.

From Side Project to Heavy Underground Mainstay

Formed around 2015 as a side project for Coutts‑Smith, Jack Harlon & The Dead Crows have grown into one of Australia’s most compelling underground heavy acts. Their DIY ethos has shaped everything from recording to visual art, and their live presence has earned them stages alongside Greenleaf, Sasquatch, Wo Fat, and Whores.

A Mature, Expansive Fourth Album

Inexorable Opposites showcases a band fully in command of their craft. The record balances introspection with crushing heaviness, offering a refined yet adventurous take on their signature sound. It’s a meditation on the contradictions of life — delivered through titanic riffs, haunting melodies, and cinematic atmosphere.

For fans of psychedelic western rock, stoner metal, and heavy desert soundscapes, this album is essential listening.

Album Details

Tracklist

  1. Moss
  2. Venomous
  3. Mt. Macedon
  4. Dave Is Done
  5. Junior Fiction
  6. Seer
  7. On the Overwhelm
  8. To Die

Line‑up

  • Tim Coutts‑Smith – vocals, guitar
  • Jordan Richardson – guitar
  • Brayden Becher – drums
  • Liam Barry – bass

GAUPA’s FYR: Where Doom Rock Meets Swedish Psychedelia

 

 

 

 

 

 

 

 

 

Since releasing their self-titled EP in 2018, GAUPA has continuously broken new ground within the Swedish psych rock and stoner rock communities. Their unique blend of doom metal and groove rock has earned them significant recognition, with their track ‘Exoskeleton’ surpassing one million Spotify streams and their EP accumulating over 4 million streams to date. Following the release of their 2022 album “Myriad,” the band delivered unforgettable performances at major festivals including Sweden Rock, Hellfest, Wacken, Mystic, and Desert Fest. Set for release on July 4th via Nuclear Blast Records, FYR promises to take listeners on a genre-bending journey through enthralling psychedelia and heavy prog metal.

The Band’s Evolution Leading to FYR

From Underground Sensation to Genre-Bending Force

GAUPA’s musical journey has been anything but conventional. The Uppsala-based quintet first emerged on the Swedish underground scene with their self-titled debut EP in 2018, immediately capturing attention with their distinctive sound. This initial release showcased the band’s knack for blending heavy riffs with ethereal vocals, establishing a foundation for their evolving musical identity.

After their impressive debut, the band continued refining their unique approach to doom the rock genre. Their sophomore release, 2020’s “Feberdröm,” marked a significant step forward in their sonic exploration. During this period, GAUPA began incorporating more experimental elements into their music, further distinguishing themselves from contemporaries in the Swedish psych rock scene.

The release of “Myriad” in 2022 represented a watershed moment for the band. This full-length album demonstrated remarkable growth in both songwriting and production quality. Throughout this evolutionary phase, vocalist Emma Näslund’s haunting, versatile voice became increasingly central to GAUPA’s sonic signature – weaving between delicate whispers and powerful wails over the band’s groove rock foundation.

Recent months have brought significant changes to GAUPA’s lineup. The departure of guitarist Erik Sävström created both challenges and opportunities for the remaining members. Rather than viewing this shift as a setback, the band channeled the transition into creative energy for their upcoming EP. This period of adjustment allowed them to reassess their sound and push into even more adventurous territory.

“FYR” emerges as the culmination of this creative evolution. The four-track EP represents both a continuation of GAUPA’s established sound and a bold step into new realms of doom metal experimentation. Interestingly, the band opted for a shorter format following their full-length release, allowing them to create a more concentrated and focused artistic statement.

Over time, GAUPA has masterfully balanced accessibility with avant-garde sensibilities. While maintaining the core elements that first attracted their fanbase, they’ve consistently pushed against genre boundaries. This willingness to evolve while honoring their roots has positioned them as one of the most intriguing bands in modern stoner rock.

Inside FYR: Sound, Style, and Production

A Heavier Sonic Landscape Emerges

Taking a dramatic sonic shift, GAUPA’s “FYR” stands as their heaviest material to date. This transformation didn’t happen by accident — the band enlisted new mixing engineer Karl Daniel Lidén, who gave the tracks a significantly grittier, more aggressive sound compared to their previous releases. Gone is the slick, bright production of earlier works, replaced by a rawer, dirtier sonic palette that intensifies their doom the rock foundations.

Despite downsizing to a four-piece following guitarist Daniel Nygren’s 2024 departure to focus on family life, the band sounds anything but diminished on this mini-album. Recorded in autumn 2024 across two locations — Svenska Grammofonstudion in Göteborg and Estethuset studios in Falun — the EP retains GAUPA’s core elements while pushing into new territory.

The swedish psych rock outfit describes “FYR” as a “patchwork of parts” where each member contributes equally. This collaborative approach yields impressive results across the four tracks. Opening with “Lion’s Thorn” (7:37), the album immediately establishes its credentials with mesmerizing bagpipes that introduce spacious, tripped-out verses before waves of hard stoner rock riffs crash through. “Heavy Lord” (3:58) delivers one of 2025’s most hypnotic choruses, while “Ten Of Twelve” (4:21) dazzles with astounding guitar work and weighty percussion.

Perhaps most impressive is closer “Elastic Sleep” (8:10), a genre-flipping masterpiece where enthralling psychedelia swells into crests of ripping djent metal and cosmic doom. Throughout these tracks, the band maintains their signature elements: enchanting intricacy, trippy verses, and a steady stream of groove rock sensibility.

The title itself carries multiple meanings in Swedish — “four” (this being their fourth release), “lighthouse,” “beacon,” and “fire” — all fitting the musical and lyrical content in various ways. This multi-layered approach extends to the sound itself, where doom metal heaviness coexists alongside surreal lyricism and atmospheric passages, creating a seamless blend that feels both cohesive and exploratory.

Themes and Surrealism in the Lyrics

Dreamscapes and Reality Blur in GAUPA’s Poetic Universe

At the heart of GAUPA’s entrancing doom metal soundscape lies vocalist Emma Näslund’s playfully perplexing and surreal lyricism. Throughout “FYR,” the band loosely explores the concept of time alongside the fundamental question of “what is real, what is not, and what is a dream”. This philosophical approach perfectly complements the swedish psych rock instrumentals that define their sonic identity.

Inspired largely by Ursula K. Le Guin’s award-winning science fiction novel “The Word for World Is Forest,” the EP draws from themes of anti-colonialism and environmentalism. Näslund’s lyrics often contemplate mankind’s destructive relationship with the environment, yet she maintains an intentionally abstract approach to her writing.

“I want people to use their fantasy and imagination,” Näslund explains about her cryptic writing style. “You need to go through the lyrics, and you need to think, what does it mean to you?”. This deliberate ambiguity invites listeners to discover personal meaning behind her dreamlike poetry instead of being handed explicit interpretations.

The band’s fascination with animal imagery continues throughout “FYR,” most notably in “Ten Of Twelve,” which references the rooster’s position as the 10th animal in the Chinese zodiac. Näslund playfully subverts folklore by transforming the traditionally lucky rooster into “a bad luck rooster instead of a lucky charm”.

GAUPA’s enthralling psychedelia extends beyond musical elements into their lyrical approach. Näslund’s writing process varies considerably – sometimes lines spontaneously emerge, while others require careful crafting. She draws inspiration from diverse literary sources including sci-fi, dystopian fiction, magic realism, and poetry.

The surreal quality of groove rock is enhanced by lyrics that maintain a certain mystique. “I don’t enjoy lyrics when it’s obvious,” Näslund notes. “The lyrics that speak to me the most are lyrics that I can choose to think are for me”. This approach creates a stoner rock experience where listeners can find themselves within the music’s intentionally nebulous narrative landscape.

Conclusion

FYR: A Defining Chapter in GAUPA’s Sonic Evolution

GAUPA stands poised to deliver something truly special with “FYR” on July 4th via Nuclear Blast Records. Throughout their journey from underground sensation to recognized force within the doom rock scene, this Swedish outfit has consistently defied genre expectations. Certainly, the departure of their guitarist could have derailed lesser bands, yet GAUPA has transformed this challenge into creative fuel for their heaviest material to date.

What makes “FYR” particularly compelling lies in its perfect balance between accessibility and artistic exploration. The four tracks showcase a band comfortable with their identity while still pushing boundaries – heavier production alongside dreamlike verses, surreal lyrics paired with crushing riffs. Furthermore, Emma Näslund’s enigmatic vocal approach adds another layer of mystery, allowing us as listeners to find our own meaning within their musical universe.

The multi-layered meaning behind the EP’s title – representing both their fourth release and concepts of fire, light, and guidance – perfectly encapsulates GAUPA’s artistic approach. Similarly, their willingness to blend Swedish psych rock elements with heavier doom metal textures creates something genuinely fresh in today’s music landscape.

Despite functioning as a four-piece now, GAUPA sounds more potent than ever before. The collaborative spirit evident throughout “FYR” demonstrates a band hitting their creative stride rather than struggling with transition. Subsequently, tracks like “Elastic Sleep” and “Lion’s Thorn” reveal a group unafraid to experiment while maintaining the core elements that first attracted their growing fanbase.

For fans of enthralling psychedelia, groove rock, or innovative metal, “FYR” promises to be an essential listening experience of 2025. Though only four tracks long, this mini-album appears ready to cement GAUPA’s place as one of the most intriguing bands emerging from Sweden’s fertile rock scene today.

Desert Collider – Generation Ship: Endless Drift Through Infinity

Background of the Band 

Desert Collider out of Cesena Italy was conceived in 2023 as a convergence of the individual and diverse experiences of Federico C (Deploy the Cowcatcher, FR), Federico G (So Long, IT), Andrea, and Manuel (Moon Circle, IT). From the very beginning, the band’s primary focus has been the search for a distinctive sound, finding in stoner rock the perfect answer to the emotional and musical needs that emerged from the band members previous individual projects.

Desert Collider’s “Generation Ship Endless Drift Through Infinity” offers a mesmerizing musical journey that transcends boundaries of genre and imagination. In this album review, we delve into the depths of Desert Collider’s sonic universe, exploring their unique blend of influences, intricate instrumentation, and thought-provoking lyrical themes. From the opening track to the final notes, this album captivates listeners with its artistry and innovation, leaving a lasting impact that resonates through infinity.

Introduction to Desert Collider’s “Generation Ship Endless Drift Through Infinity”

Desert Collider’s latest album, “Generation Ship Endless Drift Through Infinity,” is like a musical odyssey through the vast expanse of space. With its cosmic themes and eclectic sounds, this album promises to take listeners on a journey beyond the stars. From the opening track to the final notes, this album captivates listeners with its artistry and innovation, leaving a lasting impact that resonates through infinity.

The album features eight tracks that revolve around themes of self-loss and rediscovery, a yearning for the primordial, and the inner journey as the sole mission and pathway to redemption. The album takes quiet yet deliberate steps on the pages of Robert A.
Heinlein’s masterpiece “Orphans of the Sky” and lays the groundwork for a creative approach that aspires to the “conceptual,” free of artistic limits or preconceptions.

Musical Style and Influences

Drawing inspiration from stoner rock pioneers like Kyuss, and Nebula along with a fusion of genres including the garage/post-punk of Karma to Burn, and Buzzcocks. At times the band delves into subtle psychedelic tones, and space rock undertones which often gives rise to a tight and aggressive sound that evolves into a forceful stoner rock sound: both raw and sophisticated. Desert Collider’s music is a homage to the past while pushing the boundaries of the future.

Exploring the Instrumentation and Arrangements

From swirling synths to pulsating basslines, each track on the album is a masterclass in sonic experimentation. Desert Collider’s attention to detail in their arrangements creates a lush and immersive listening experience. Aside from the heavy punishing stoner type riffs, the band is often slowing things down and developing mellow soundscapes with acoustic guitar, synth and reverb heavy, ethereal vocals.

Track Analysis

Let’s take a cosmic journey through some of the tracks of “Generation Ship Endless Drift Through Infinity.”

Opening Track: “Orphans of the Sky Part I: Generation Ship”

The album kicks off with “Orphans of the Sky Part I: Generation Ship,” a track that sets the tone for the interstellar adventure that lies ahead. With hypnotic rhythms and ethereal melodies, this song captures the essence of space exploration through sound. At a run time of 7:48 this song has various movements beginning with a slow psychedelic clean guitar tone which turns into a full heavy guitar assault with the main riff of the song at around 1:48. At 4 minutes the song takes another turn to a slower passage with synth effects, then begins a slow burn of a repetitive riff overlayed with distorted vocals sung in Italian building to a massive crescendo then fading out into the void.

Orhans of the Sky Part II: Disembark

As the track takes off with a rocket ship launch sound effect into a slow Melvins style stomp with drummer Andrea pounding his ride cymbal into oblivion you might be fearful of what may come next! The band next downshifts to a slow clean melodic guitar riff with reverb heavy vocals then once again turn on the jets with a full blast of aggressive vocals and distorted guitar lines. At 10:54 this track has multiple sections alternating between heavy and slow to psychedelic and slow with synth taking center stage around 6 minutes in.

Nomads of the Red Sun

This track is a mellow atmospheric instrumental that is primarily acoustic guitar with some percussion and synth effects. A great transition from some of the aggressiveness and bombast of earlier tracks.

Nebuchadnezzar

Headbangers unite! The album closer wastes no time getting right to the point with the drums coming in first with a distorted driving riff, guitar feedback and aggressive vocal. About halfway through a wah wah fuzzed out guitar solo is played over the riffing which leads to a slower breakdown with only a phaser or chorus pedal effected bassline. This leads back to the whole band coming back in on the main riff and driving the track home.

Tracklist:
1. Orphans of the Sky Part I: Generation Ship
2. Floating Space Hand
3. Sonic Carver
4. Orphans of the Sky Part II: Disembark
6. ThumpeRRR
7. Nomads of the Red Sun
9. Far Centaurus: Drifting without Guidance through Interstellar Space
10. Nebuchadnezzar

https://desertcollider.bandcamp.com/album/album-preview-generation-ship-endless-drift-through-infinity

 

El Astronauta – Snakes and Foxes

El Astronauta’s new EP, “Snakes & Foxes,” was released June 23rd, 2023 on Snow Wolf Records. This release showcases the band’s blend of doom/stoner metal, in the vain of Sleep or Super Judge era Monster Magnet. The band also draws some inspiration from bands such as High on Fire, Black Sabbath, and Sleep. The music can best be described as lo-fi doom/stoner rock with additional accents and flousihes of space rock. The vocals on the EP can best be described as “in your face”, with a Buzz Osbourne (Melvins) or Page Hamilton (Helmet) style aggression. The guitar riffs are definitely at the fore front and the “star of the show”.

Track 3 the Gambler and the General could fit right in with mid 90’s era doom/sludge rock of the Melvins or Acid King. Interesting to note the hi-hat count in for the song has a bass note or two and guitar feedback before the intro of the song begins. Whether by design or not it gives the track a raw, DIY. The guitar solo at about 2:40 into the song is direct and to the point without any wasted notes and fits well within the confines of the track.

The closing track, “The Axe of the Hammer” is the standout track on the release. The intro of the song begins with a clean delay effected guitar tone over a reverb and delay heavy vocal line building to the aggressive verse, before transitioning back to a slowed down vocal passage. With the guitar effects and changes in tempo this track is a solid closer for the EP.

Release Date: June 23rd 2023. Record Label: Snow Wolf Records

For more info on the band check out their Bandcamp page.

Track List

1. The Mountain and The Feather 05:08
2. The Corenne and The Prophecy Fulfilled 03:44
3. The Gambler and The General 03:47
4. The Axe or The Hammer 05:12

Lineup

Seth Wilson – Vocals, Guitar, Bass, Drums