JESSE STILETTÖ – Self‑Titled (2025)

Jesse Stilettö didn’t just drop a debut — they materialized out of a Minneapolis snowstorm like two fuzz‑wielding warlocks and slammed a meteor straight into the desert rock landscape. This record is 35 minutes of hard‑’70s swagger, psychedelic haze, and stoner‑grunge muscle, delivered by a duo that somehow sounds like they’re running a full‑scale sonic demolition crew.

This is the kind of album that makes you want to buy a leather jacket, light a candle to the riff gods, and drive into the night with no destination except louder.

TRACK‑BY‑TRACK: THE DUST‑CHOKED BREAKDOWN

1. As The Portal Opens

The opener doesn’t “start” — it erupts. A fuzz‑quake of groove, space‑rock shimmer, and vocals that feel like a ritual chant echoing off canyon walls. The track swings between full‑throttle riff carnage and cosmic drift, like Kyuss hitchhiking through a wormhole.

2. The Plaid Man

Clean guitars, tribal percussion, and a grunge‑blues backbone thick enough to chew on. This one feels like Soundgarden wandered into a peyote ceremony. Acoustic textures bloom into mammoth riffs, and the hook is so sticky it should come with a warning label.

3. Devil’s Lunch

Wind. Maracas. Psychedelic smoke swirling in the air. Then — BOOM — the riff hits like a celebratory punch to the jaw. Classic‑metal harmonies, ’70s elegance, and a quick psych‑phasing detour that feels like someone spiked your lemonade with stardust. It’s jubilant, heavy, and weirdly uplifting.

4. Feed The Moon

Six minutes of cosmic fuzz worship. Clean melodies melt into thick, syrupy distortion. The drum tone is massive — like someone mic’d up a thunderstorm — and the guitar layering is pure headphone candy. This is the track that makes you close your eyes and drift.

5. Spectre

A punk‑fueled rocket punch. Fast, feral, and built for sweaty basement shows where the ceiling is too low and the amps are too hot. The duo sounds like they’re trying to outrun their own riffs.

6. Stairway to the Stars (Blue Öyster Cult cover)

They don’t just cover BÖC — they drag it through the desert, give it a tan, and hand it a beer. Crunchy groove, blues‑rock swagger, and vocals that fit the song like a well‑worn leather glove. It’s reverent without being precious.

7. Dream Into The Future

A dreamy, psychedelic closer that slowly mutates into a fuzz‑drenched monolith. Clean guitars shimmer, drums pound like distant artillery, and the vocals float above it all like a ghost with good intentions. When the distortion finally blooms, it feels like sunrise through smoke.

THE VERDICT

Jesse Stilettö’s debut is shockingly dialed‑in — a fully formed, fuzz‑dripping beast that understands the roots of stoner, psych, and ’70s hard rock but refuses to sit still long enough to be categorized. It’s catchy. It’s heavy. It’s cosmic. It’s dangerous in all the right ways.

 

Warped Vision by Psychlona: 2024’s Must-Hear Stoner Rock Album

From the industrial landscapes of Bradford, Yorkshire emerges a sonic force that defies geographical expectations. Psychlona, despite hailing from one of England’s rainiest regions, has masterfully crafted their distinctive brand of desert rock, proving that the genre’s spirit transcends physical boundaries.

The band’s journey, which began in 2016, emerged from an innovative experiment blending California’s sun-drenched sounds with raw UK punk energy, NWOBHM intensity, and classic British psychedelia.

This unique fusion has evolved through four remarkable albums, each showcasing the band’s growing mastery of their craft. The band’s rise in the international stoner rock scene has been nothing short of remarkable. Their previous releases, including Mojo Rising (2018), Venus Skytrip (2020), and Palo Verde (2022), have consistently earned critical acclaim, with Venus Skytrip notably reaching number one on the Doom Charts. This consistent excellence has established Psychlona as one of the need-to-know acts in the entire scene.

What sets Psychlona apart is their ability to seamlessly blend diverse musical elements. Heavy psychedelic foundations with stoner/desert rock flavoring. Influences ranging from Hawkwind and Pink Floyd to modern desert rock pioneers. A distinctive mix of British punk energy and classic psychedelia.

The current lineup, featuring Phil Hey on vocals/guitar, Martin Wiseman on guitar, Izak Gloom on bass, and Scott Frankling on drums. The band demonstrates remarkable cohesion despite recent personnel changes. The integration of new members has added fresh dynamics to both writing and recording processes, contributing to the band’s evolving sound.

Warped Vision represents a significant milestone in Psychlona’s journey. The album showcases their most complete and thrilling work to date, with the band taking calculated risks while maintaining their signature sound. Their approach has become notably more psychedelic, featuring Floydian elements while retaining their capacity for powerful, riff-driven rock. The album features 8 tracks with Track 2 “Let’s Go” coming in as the feel-good stoner party anthem to make you feel the good vibes. Fans of Southern California stoners Fu Manchu will definitely enjoy the groove of this track. Track 8 “Magic Carpet” which is the album closer shows off a more chill, laid-back jazz vibe before launching into a distortion heavy chorus and is a worthy close of the album.

Track 4 “Cut Loose” is one of the heavier tracks on the album with the band moving into Sludge Rock sounds with intense vocals forging a path ahead to victory. The fuzz and distortion guitar lines have a level aggression and bombast to them especially when the mood moves in a heavier direction.

Their music demonstrates a remarkable versatility, shifting effortlessly between gentle, thoughtful passages and hard-hitting rock segments without losing coherence. This dynamic range, combined with their distinctive sound, has earned them spots at prestigious events like Desertfest and established their presence across European tours.

In an era where authenticity often takes a backseat to commerciality, Psychlona stands as a testament to genuine musical craftsmanship. Their ability to create deeply passionate music while maintaining their artistic integrity has positioned them at the forefront of the contemporary heavy psych sound. The band’s evolution represents not just growth in musicianship, but a deepening understanding of their artistic vision, making them one of the most compelling acts in modern stoner rock.

(Desert Spotlight) STÖNER–Boogie to Baja

You ever want to let your hair down, crank up the volume, and just ride the riff? The latest EP from stoner rock trio STÖNER is here to scratch that itch. Their new record Boogie to Baja packs a punch of fuzzy, hard-driving rock that’ll get your head nodding and foot tapping in no time. STÖNER knows how to lay down gnarly desert rock grooves that sound like the open highway at sunset. 5 tracks of sun-baked guitars and punchy drums, Boogie to Baja is a nonstop ticket to good times. So buckle up, turn it up, and get ready to boogie – the riff ride of the summer is here.

STÖNER: The Supergroup Bringing Back Vintage Stoner Rock STÖNER is a stoner rock supergroup made up of legendary musicians Brant Bjork and Nick Oliveri. Their new album ‘Boogie to Baja’ brings back the vintage stoner rock sound of the 90’s and early 2000’s. Bjork and Oliveri were both members of Kyuss, widely considered pioneers of the stoner rock genre. After Kyuss broke up, Bjork went on to play drums for Fu Manchu and front his own band Brant Bjork and the Bros. Oliveri played bass for Queens of the Stone Age and fronted Mondo Generator.

This release has a raw, gritty sound with fuzzy, distorted guitars, melodic basslines, and pounding drums. The power trio of Nick Oliveri, Brant Bjork, and Ryan Güt churn out an irresistible set of stoner rock anthems guaranteed to get your head bobbing. From the opening licks of “Stöner Theme” you know you’re in for a good time. The hard-charging rhythm section provides the perfect backdrop for Oliveri and Bjork to unleash wave after wave of fuzzed-out riffs. Tracks like “Night Tripper vs No Brainer” and “It Ain’t Free” call to mind desert highways and hazy memories of rocking out at secret generator parties. Gut’s pounding drums and Oliveri’s distorted bass form a wall of sound for Bjork’s guitar grooves. His solos are typically more melodic meanderings than all-out shred fests. The album reaches its peak during the sprawling ten-minute jam “Boogie to Baja.” After a few minutes of ominous bass throbs and tribal drumbeats, the full band explodes into a monster riff that tears through the rest of the song. The interplay between the musicians is telepathic, with sudden bursts of speed and changes in rhythm and tempo that showcase their talent. The chunky bassline and soulful guitar licks provide the perfect backdrop for Bjork’s raw, emotive singing and Oliveri’s punk influenced vocal stylings. Infectious percussion and a groovy bass groove transport you to sunny Mexico in this funky, feel-good song. Memorable lyrics like “We’re gonna boogie to Baja, leave all the madness behind” evoke a sense of escapism and wanderlust. The minimalist production and laid-back tempo make this track perfect for zoning out or chilling under the stars. With its mix of hard-driving rock, bluesy soul, and psychedelic dream pop, “Boogie to Baja” has something for any STÖNER fan or casual listener in the mood for an epic soundtrack to adventure, escapism or just rocking out.

The Bottom Line: Does Boogie to Baja Deliver the Riffs? In short, yes – Boogie to Baja brings the riffs and then some. The variation in tempo and style gives the album a nice flow and balance. The stripped-down production and lo-fi quality add to the overall gritty, old-school vibe. It sounds like it was recorded live in Bjork’s desert studio, which gives the album an authenticity and rawness. The focus here is really on the instrumentation. Boogie to Baja is a solid debut that delivers a heavy dose of what STÖNER is all about – massive riffs, hard rock jams, and psychedelic desert grooves. Bjork and Oliveri haven’t lost their touch, and this new project allows them to return to their roots. The band has said ‘Boogie to Baja’ was inspired by the laid-back lifestyle and natural beauty of Baja California. STÖNER invites listeners to shake off their worries, hop in their ride of choice and boogie on down to Baja with them.

El Astronauta – Snakes and Foxes

El Astronauta’s new EP, “Snakes & Foxes,” was released June 23rd, 2023 on Snow Wolf Records. This release showcases the band’s blend of doom/stoner metal, in the vain of Sleep or Super Judge era Monster Magnet. The band also draws some inspiration from bands such as High on Fire, Black Sabbath, and Sleep. The music can best be described as lo-fi doom/stoner rock with additional accents and flousihes of space rock. The vocals on the EP can best be described as “in your face”, with a Buzz Osbourne (Melvins) or Page Hamilton (Helmet) style aggression. The guitar riffs are definitely at the fore front and the “star of the show”.

Track 3 the Gambler and the General could fit right in with mid 90’s era doom/sludge rock of the Melvins or Acid King. Interesting to note the hi-hat count in for the song has a bass note or two and guitar feedback before the intro of the song begins. Whether by design or not it gives the track a raw, DIY. The guitar solo at about 2:40 into the song is direct and to the point without any wasted notes and fits well within the confines of the track.

The closing track, “The Axe of the Hammer” is the standout track on the release. The intro of the song begins with a clean delay effected guitar tone over a reverb and delay heavy vocal line building to the aggressive verse, before transitioning back to a slowed down vocal passage. With the guitar effects and changes in tempo this track is a solid closer for the EP.

Release Date: June 23rd 2023. Record Label: Snow Wolf Records

For more info on the band check out their Bandcamp page.

Track List

1. The Mountain and The Feather 05:08
2. The Corenne and The Prophecy Fulfilled 03:44
3. The Gambler and The General 03:47
4. The Axe or The Hammer 05:12

Lineup

Seth Wilson – Vocals, Guitar, Bass, Drums

Zoltar – Bury

Zoltar is a down to earth stoner metal trio from three cities in Sweden: Gothenburg, Uppsala and Östersund. Starting out as a local riff-o-rama-project in East coastal city of Uppsala just before the start of the COVID pandemic, soon the project turned into something too good to disappear into nothingness, the two founding members called for sibling backup and Kara Kusack joined to complete the lineup.

Shortly after completing the trio lineup, the two first tracks were produced, the vocals recorded and sent from the West coast of Sweden, all the composing and communication done via file transfer and digital means. In under two months the bands first two tracks were released independently; presenting fuzz grinding guitars partnered with fierce female vocals and anthemic choruses.

Striving for a genuine, distorted rock sound with a fresh context, the trio brings in elements from Black Sabbath and Kyuss as well as more sludge metal acts like Melvins and Red Fang with some overtones of early 90’s Olympia, Washington grunge. Zoltar brings you a punchy and powerful vibe to get your juices going. With influences rooted in punk, death, and rock ‘n roll Zoltar’s brand of dark stoner influenced jams have a pragmatic and powerful sound with loads of energy. The songs with synth bring a space rock element and along with Kara Kusack’s vocal range and different stylings there is a lot to like with the jams.

Th most recent track released August 18th, “Bury”, according to bassist and vocalist Kara Kusack was inspired by and a tribute to former Entombed singer (R.I.P) Lars-Göran Petrov. With a distorted phaser guitar line and a gravely growling vocal and a heavy anvil powered drum groove you can’t help but feel ready to rock. About three minutes in there is a synth solo before going back to the verse and makes for a really interesting transition.

There are some recent tracks available to listen to here and more music is on the way in the near future. Check out an interview with Kara Kusack for more band info and stay tuned!

Lineup:
Kara Kusack, Vocals, Bass, Synth
Crille Lampa, Guitar
Patrik, Drums

(DESERT SPOTLIGHT) STÖNER – STONERS RULE

Released in 2021 on the Heavy Psych Sounds label, this is the first project for stoner rock veterans Brant Bjork (Vocals, Guitar) and Nick Oliveri (Vocals, Bass). Rounding out the trio is drummer Ryan Gut. If you follow these dudes you’d know with a rock resume including Kyuss, QOTSA, Fu Manchu, Mondo Generator, Vista Chino, and many solo releases the question of whether stoners rule or not has been decided. Coming in at 43 minutes with 7 songs you get more than an EP, but maybe not quite a full release.

Recorded in one day in the high desert rock mecca of Joshua Tree in late 2020, the album has a live show feel to it much more than overly produced studio creation. Brant Bjork’s vocal style is reminiscent of Phil Lynott of Thin Lizzy fame, more laid back vocals that complement the music more than overpowering it. With the power trio format there is the need to lock in and groove without wasting time. The bass and drums do exactly that, locked in with fuzz guitar licks layered on and with lines like, “Shit don’t change, rad stays rad”, you can’t but help to rock out! What better way to experience the desert vibes in 2022 than the current tour with desert vets Yawning Man.

Track Listing

1. Rad Stays Rad (6:27)

2. The Older Kids (5:09)

3. Own Yer Blues (6:00)

4. Nothin’ (2:37)

5. Evel Never Dies (2:51)

6. Stand Down (6:19)

7. Tribe / Fly Girl (13:19)