Introduction to The Vision Bleak
The Vision Bleak, formed by Markus Stock and Tobias Schönemann, also known as Schwadorf and Konstanz respectively, has been a household name in the gothic metal genre. Known for their theatrical and dark orchestral metal, the duo’s music is a perfect blend of drama, heaviness, melancholy, and symphonic elements. The German duo’s seventh full-length “Weird Tales” is a massive tribute to the eponymous American magazine and other tales of mystery and dark imagination.
The Story Behind “Weird Tales”
“Weird Tales” is a unique album in The Vision Bleak’s discography. It is a single track, divided into twelve internal chapters, each inspired by various tales, poems, and literature of horror and the macabre. The album constitutes a monumental tribute to the eponymous American pulp magazine and other tales of mystery and dark imagination. On “Weird Tales”, THE VISION BLEAK are referring to H. P. Lovecraft and Clark Ashton Smith, in addition to Edgar Allen Poe and Lafcadio Hearn, whose “Fantastics and Other Fancies” was influential for this album.
The Making of “Weird Tales”
The making of “Weird Tales” was not a small feat. The duo had to work meticulously to ensure that each chapter was distinct yet flowed seamlessly into the next. They utilized a variety of instruments, from haunting bells to violins, guitars, and keyboards, to create a rich and atmospheric sound that complements the dark and eerie tales they narrate.
Noteworthy Chapters in “Weird Tales”Note
Several chapters in “Weird Tales” stand out for their exceptional storytelling and musical composition. “Chapter II: In Rue d’Auseil,” “Chapter IV: Once I Was a Flower,” and “Chapter VIII: The Undying One” are notable sections of the album.
Chapter 1: Introduction
A short moody track to set the stage, with synth mixed with dark tones. The track melts directly into the next chapter.
Chapter 2: In Rue d’Auseil
This track is directly inspired by H.P. Lovecraft’s The Music of Erich Zann. It has a powerful metal vibe based on a straight-ahead catchy riff. The Goth vocal stylings of Konstanz might remind of Bauhaus or Sisters of Mercy. The synth tones blend with the heavier metal to create a dream like state. A very interesting track to introduce The Vision Bleak’s blend of Goth and metal.
Chapter 3: In Gardens Red, Satanical
Dark piano tones start this track, driving into a hammer of doom metal riff. This isa very heavy song in addition to having an eerie haunting style of atmospherics.
Chapter 4: Once I Was a Flower
A more melodic and accessible track with piano and acoustic guitar at the start of the song., which lead into more aggressive and harder edged parts. The Gothic influences of the band are on full display, especially in the vocals. The Lafcadio Hearn short story is the inspiration for this song. It’s the narration of a flower that accompanies a dying girl to her tomb.
Conclusion
“Weird Tales” is a testament to The Vision Bleak’s innovative approach to music. The album is a captivating blend of horror tales and gothic metal that takes the listener on an unforgettable journey. Whether you’re a longtime fan of The Vision Bleak or new to their music, “Weird Tales” is a must-listen.
Tracklist
1. Weird Tales
Chapter I: Introduction
Chapter II: In Rue d’Auseil
Chapter III: In Gardens Red, Satanical
Chapter IV: Once I Was a Flower
Chapter V: The Premature Burial
Chapter VI: Mother of Toads
Chapter VII: The Graveyard by Nyght in a Thunderstorm
Chapter VIII: The Undying One
Chapter IX: Evil Dreams Run Deep
Chapter X: The Witch with Eyes of Amber
Chapter XI: Canticle
Chapter XII: To Drink from Lethe
Line-up
Markus “Schwadorf” Stock – harsh vocals, guitars, bass, keyboard
Tobias “Konstanz” Schönemann – vocals, drums
Guest musicians
Aline Deinert (NEUN WELTEN, EMPYRIUM live) – violin, viola
For more information about The Vision Bleak and their music, visit their official website The Vision Bleak Official Website and follow them on their social media platforms Facebook, Instagram, and Twitter. You can also listen to their music on Bandcamp and Spotify.