Fu Manchu – The Return of Tomorrow

 

 

 

 

 

 

 

 

 

In the ever-evolving landscape of stoner rock, few bands have left a mark quite like Fu Manchu. Founded in 1985, this legendary quartet has consistently delivered a potent blend of fuzz-drenched riffs and undeniable grooves, cementing their status as kings of the stoner rock genre. With their latest offering, ‘The Return of Tomorrow,’ Fu Manchu proves that their creative well remains as deep as ever, serving up a double-album that blends their signature heavy sound with more mellow and melodic explorations.

The Stoner Rock Titans’ Triumphant Comeback

After a four-year hiatus since their last full-length release, ‘Clone of the Universe,’ Fu Manchu’s highly anticipated return has been met with excitement from the devoted fanbase of “The Fu”. Comprised of bassist Brad Davis, vocalist/guitarist Scott Hill, guitarist Bob Balch, and drummer Scott Reeder, the band has defied the odds, maintaining their momentum and quality over an impressive nearly four -decade span.

A Daring Dual-Disc Approach

In a bold move, Fu Manchu opted to craft ‘The Return of Tomorrow’ as their inaugural double album, a decision that allowed them to explore two distinct sonic realms. As Hill explained, “We kept both the records to around 25-30 minutes each as to make it a full-length release, but not have each record be too long. We don’t write a lot of mellow(er) stuff in Fu Manchu, but a lot of the riffs worked minus the fuzz.”

Side A: Unleashing the Fuzz Onslaught

The album’s first half is a tour de force of Fu Manchu’s signature stoner rock sound, delivering a barrage of fuzz-drenched riffs and thunderous rhythms that will undoubtedly resonate with their die-hard fans. From the hectic opener “Dehumanize” to the irresistibly anthemic “Loch Ness Wrecking Machine,” this side is a celebration of the band’s ability to craft infectious and hard-hitting tracks.

Standout moments include the unpredictable and complex “(Time Is) Pulling You Under,” which showcases Fu Manchu’s penchant for intricate songwriting, and the feisty “Hands of the Zodiac” and “Roads of the Lowly,” both of which are sure to satisfy the cravings of those seeking unadulterated stoner rock bombast.

Side B: Exploring Mellower Realms

While the first half caters to Fu Manchu’s heavy side, the second disc delves into more mellow and melodic territories, offering a refreshing contrast and showcasing the band’s versatility. The sludgy and psychedelic “Solar Baptized” is a particular highlight, with its enticing timbres and leisurely pace creating an immersive and calming atmosphere.

Elsewhere, “What I Need” seamlessly transitions from a gentle instrumental detour to a more energetic finale, while the closing track, “High Tide,” is a spacey and somewhat jazzy jam that evokes the spirit of iconic 70s acts like Pink Floyd, Soft Machine, The Grateful Dead, and Camel.

A Triumphant Return for the Stoner Rock Legends

‘The Return of Tomorrow’ is a testament to Fu Manchu’s enduring relevance and their ability to continually push the boundaries of their craft. While it may not be a revolutionary departure from their established sound, the album showcases the band at the peak of their powers, delivering a consistently thrilling and commendable collection of tracks.

The decision to divide the album into two distinct stylistic halves was a smart and effective move, allowing each side of Fu Manchu’s artistry to shine in its own dedicated spotlight. With this release, the stoner rock titans have once again demonstrated that they still have plenty of fuel left in their tank, solidifying their status as true legends of the genre.

Track List 

  1. Dehumanize
  2. Loch Ness Wrecking Machine
  3. Hands Of The Zodiac
  4. Haze The Hides
  5. Roads Of The Lowly
  6. (Time Is) Pulling You Under
  7. Destroyin’ Light
  8. Lifetime Waiting
  9. Solar Baptized
  10. What I Need
  11. The Return Of Tomorrow
  12. Liquify
  13. High Tide

Released in 2024 via At The Dojo Records

The Enduring Influence of “The Action Is Go”

For many listeners, Fu Manchu’s seminal 1997 album and one of their best, ‘The Action Is Go,’ served as their introduction to the band’s unique brand of groove/stoner rock. The inclusion of the track “Evil Eye” on the hugely popular Tony Hawk’s Pro Skater 2 video game soundtrack exposed the band to a whole new audience, influencing the musical tastes of millions of gamers and skaters alike.

Maintaining Momentum and Quality

Despite the passage of time, Fu Manchu has managed to keep their momentum and quality going strong, consistently delivering solid releases that never threaten to reinvent the fuzzy wheel. This consistency is part of what makes the band so endearing to their fans, as they can always count on Fu Manchu to deliver the goods, album after album.

Embracing New Sonic Territories

While ‘The Return of Tomorrow’ may not be a radical departure from Fu Manchu’s established sound, it does offer glimpses of the band’s willingness to explore new sonic territories. The inclusion of more mellow and melodic tracks on the album’s second half showcases the band’s versatility and their ability to transcend the confines of their stoner rock roots.

A Celebration of Longevity and Creativity

Ultimately, ‘The Return of Tomorrow’ is a celebration of Fu Manchu’s longevity and their continued creative vitality. With this release, the band has reaffirmed their status as one of the most celebrated and influential acts in the stoner rock genre, while also hinting at the exciting possibilities that lie ahead as they continue to push the boundaries of their sound.

Conclusion: A Triumphant Return for Stoner Rock Royalty

In an era where music trends come and go with dizzying speed, Fu Manchu’s enduring presence and unwavering commitment to their craft are truly remarkable. ‘The Return of Tomorrow’ is a testament to the band’s enduring relevance and their ability to continue delivering fresh and engaging material, even after almost four decades in the game.

While the album may not be a groundbreaking reinvention of the stoner rock genre, it is a triumphant return for a band that has consistently set the standard for others to follow. With their signature blend of fuzz-drenched riffs, undeniable grooves, and a willingness to explore new sonic territories, Fu Manchu has once again solidified their status as stoner rock royalty.

 

Fu Manchu – Clone of The Universe

In the vast realm of stoner rock, few bands have left as indelible a mark as Fu Manchu. For over a quarter of a century, this Southern California group has been synonymous with the genre, delivering energetic hard rock that resonates with fans worldwide. With their 12th album, 2018’s “Clone of the Universe,” The Fu as their fans call them, reaffirm their position as one of stoner rock’s most influential bands. Coming in at 36 minutes and with closer, “IL Mostro Atomico taking up 18 of those minutes most of the albums songs are sub 4 minute blasts of riff heavy stoner jams then band is famous for.

A Legacy of Fuzz and Groove

Fu Manchu’s roots can be traced back to their beginnings as a hardcore punk act. However, it was when they embraced a more groove-oriented sound that they truly found their stride. The band’s lineup saw some instability in their early years, with notable figures like Brant Bjork (KYUSS/BRANT BJORK & BROS) and Eddie Glass (NEBULA) contributing to their unique sonic palette. It wasn’t until the new millennium that a consistent crew solidified, with Scott Hill (vocals/guitar), Bob Balch (guitar), Brad Davis (bass), and Scott Reeder (drums) forming the core of Fu Manchu.


A Journey Through Space and Time
Fu Manchu’s music has always had a touch of the cosmic, but in recent years, they have ventured further into the realms of outer space and science fiction. “Clone of the Universe” starts out as mid tempo rocker that morphs into a speed punk jam with Scott Reeder pounding out some rapid fire tom fills over the fuzzed out guitar riffs. The album opens with the high-octane surge of “Intelligent Worship,” immediately immersing listeners in Fu Manchu’s signature sound. The band’s knack for crafting catchy, upbeat rockers is evident in tracks like “(I’ve Been) Hexed” and “Don’t Panic.” These songs represent the first half or “side” of the album, showcasing Fu Manchu’s trademark bombast with a modern twist.


Beyond Boundaries: “Il Mostro Atomico”
Just when you think you have Fu Manchu figured out, they unleash the epic finale, “Il Mostro Atomico.” Clocking in at a staggering 18 minutes, this ambitious composition showcases the band’s willingness to push beyond their self-imposed boundaries. With guest appearance from Rush guitar legend, Alex Lifeson, “Il Mostro Atomico” takes listeners on a psychedelic journey through a universe free from the constraints of traditional stoner rock. The song is divided into four parts, each offering a unique sonic landscape that showcases Fu Manchu’s versatility and artistic growth.


The Evolution of Fu Manchu
Throughout their career, Fu Manchu has displayed an impressive level of tenacity and endurance. Their sound, rooted in the bombast of Black Sabbath, has evolved over time, incorporating elements of prog and psychedelia. While their earlier albums laid the foundation for their groove-oriented style, recent releases have seen Fu Manchu explore new sonic territories. “Clone of the Universe” is a testament to their creative evolution, seamlessly blending their signature fuzz-laden riffs with a willingness to experiment and push the boundaries of their sound.


The Resilience of a Stoner Rock Icon
Fu Manchu’s consistency and resilience are key factors in their enduring legacy. While some may argue that their sound has become predictable, there is a sense of comfort in knowing what to expect from this venerable band. Fu Manchu’s ability to deliver hard-hitting, feel-good rock has endeared them to fans worldwide. However, as “Il Mostro Atomico” demonstrates, they are not content to rest on their laurels. Fu Manchu continues to surprise and captivate listeners, proving that they are more than just a one-trick pony.


Conclusion: A Stellar Addition to Fu Manchu’s Discography
“Clone of the Universe” is a testament to Fu Manchu’s enduring presence in the stoner rock landscape. The rhythm section provides the foundation, Bob Balch can shred with the best of them and Scott Hill’s laid back vocals float above the distorted grinding riffs, this is the essence of “Th Fu” This album showcases their evolution as a band while staying true to their roots. With infectious grooves, cosmic themes, and an epic finale that pushes the boundaries of their sound, Fu Manchu proves once again why they are considered one of the genre’s most significant acts. As they continue their journey through the hazy highway of stoner rock, Fu Manchu remains a shining star in the vast universe of heavy music.

Track List:

  1. Intelligent Worship 03:07
  2. (I’ve Been) Hexed 02:47
  3. Don’t Panic 02:04
  4. Slower Than Light 03:25
  5. Nowhere Left To Hide 04:18
  6. Clone Of The Universe 02:57
  7. IL Mostro Atomico 18:07

Lineup:

Scott Hill – vocals, guitar
Bob Balch – guitar
Brad Davis – bass
Scott Reeder – drums
Alex Lifeson – guitar (Track 7)

(DESERT SPOTLIGHT) BIG SCENIC NOWHERE LAVENDER BLUES

Something about the desert and super groups! This Big Scenic Nowhere release is from 2020, coming in at 24 minutes with only three tracks you can expect some extended jams. The title track Lavender Blues comes in at 13 minutes with multiple guitar solos for both Bob Balch (Fu Manchu) and Gary Arce (Yawning Man). From an audio perspective, it is cool to have two distinctive shredders showcasing their unique guitar styles. Tony Reed (Mos Generator) handles all of the vocals which fit the music perfectly, floating just above the din. Track two is the shortest and has a little Blue Oyster Cult feel to it. Track three has some furious speedy solos, bordering on almost metal sounding. Another sonic surprise throughout was the synth/piano parts by Per Wiberg (Kamchatka).

The lineup:

Bob Balch (Fu Manchu) – Guitar / Bass
Gary Arce (Yawning Man) – Guitar
Tony Reed (Mos Generator) – Bass / Vocals / Synths / Guitar
Bill Stinson (Yawning Man) – Drums
Per Wiberg (Kamchatka, ex-Opeth) – Synths / Piano
Daniel Mongrain (Voivod) – Guitar
Chris Goss (Masters Of Reality) – Guitar