Tag: stoner rock

Fu Manchu – The Return of Tomorrow

by desertrockunited3960, posted in Music Reviews

 

 

 

 

 

 

 

 

 

In the ever-evolving landscape of stoner rock, few bands have left a mark quite like Fu Manchu. Founded in 1985, this legendary quartet has consistently delivered a potent blend of fuzz-drenched riffs and undeniable grooves, cementing their status as kings of the stoner rock genre. With their latest offering, ‘The Return of Tomorrow,’ Fu Manchu proves that their creative well remains as deep as ever, serving up a double-album that blends their signature heavy sound with more mellow and melodic explorations.

The Stoner Rock Titans’ Triumphant Comeback

After a four-year hiatus since their last full-length release, ‘Clone of the Universe,’ Fu Manchu’s highly anticipated return has been met with excitement from the devoted fanbase of “The Fu”. Comprised of bassist Brad Davis, vocalist/guitarist Scott Hill, guitarist Bob Balch, and drummer Scott Reeder, the band has defied the odds, maintaining their momentum and quality over an impressive nearly four -decade span.

A Daring Dual-Disc Approach

In a bold move, Fu Manchu opted to craft ‘The Return of Tomorrow’ as their inaugural double album, a decision that allowed them to explore two distinct sonic realms. As Hill explained, “We kept both the records to around 25-30 minutes each as to make it a full-length release, but not have each record be too long. We don’t write a lot of mellow(er) stuff in Fu Manchu, but a lot of the riffs worked minus the fuzz.”

Side A: Unleashing the Fuzz Onslaught

The album’s first half is a tour de force of Fu Manchu’s signature stoner rock sound, delivering a barrage of fuzz-drenched riffs and thunderous rhythms that will undoubtedly resonate with their die-hard fans. From the hectic opener “Dehumanize” to the irresistibly anthemic “Loch Ness Wrecking Machine,” this side is a celebration of the band’s ability to craft infectious and hard-hitting tracks.

Standout moments include the unpredictable and complex “(Time Is) Pulling You Under,” which showcases Fu Manchu’s penchant for intricate songwriting, and the feisty “Hands of the Zodiac” and “Roads of the Lowly,” both of which are sure to satisfy the cravings of those seeking unadulterated stoner rock bombast.

Side B: Exploring Mellower Realms

While the first half caters to Fu Manchu’s heavy side, the second disc delves into more mellow and melodic territories, offering a refreshing contrast and showcasing the band’s versatility. The sludgy and psychedelic “Solar Baptized” is a particular highlight, with its enticing timbres and leisurely pace creating an immersive and calming atmosphere.

Elsewhere, “What I Need” seamlessly transitions from a gentle instrumental detour to a more energetic finale, while the closing track, “High Tide,” is a spacey and somewhat jazzy jam that evokes the spirit of iconic 70s acts like Pink Floyd, Soft Machine, The Grateful Dead, and Camel.

A Triumphant Return for the Stoner Rock Legends

‘The Return of Tomorrow’ is a testament to Fu Manchu’s enduring relevance and their ability to continually push the boundaries of their craft. While it may not be a revolutionary departure from their established sound, the album showcases the band at the peak of their powers, delivering a consistently thrilling and commendable collection of tracks.

The decision to divide the album into two distinct stylistic halves was a smart and effective move, allowing each side of Fu Manchu’s artistry to shine in its own dedicated spotlight. With this release, the stoner rock titans have once again demonstrated that they still have plenty of fuel left in their tank, solidifying their status as true legends of the genre.

Track List 

  1. Dehumanize
  2. Loch Ness Wrecking Machine
  3. Hands Of The Zodiac
  4. Haze The Hides
  5. Roads Of The Lowly
  6. (Time Is) Pulling You Under
  7. Destroyin’ Light
  8. Lifetime Waiting
  9. Solar Baptized
  10. What I Need
  11. The Return Of Tomorrow
  12. Liquify
  13. High Tide

Released in 2024 via At The Dojo Records

The Enduring Influence of “The Action Is Go”

For many listeners, Fu Manchu’s seminal 1997 album and one of their best, ‘The Action Is Go,’ served as their introduction to the band’s unique brand of groove/stoner rock. The inclusion of the track “Evil Eye” on the hugely popular Tony Hawk’s Pro Skater 2 video game soundtrack exposed the band to a whole new audience, influencing the musical tastes of millions of gamers and skaters alike.

Maintaining Momentum and Quality

Despite the passage of time, Fu Manchu has managed to keep their momentum and quality going strong, consistently delivering solid releases that never threaten to reinvent the fuzzy wheel. This consistency is part of what makes the band so endearing to their fans, as they can always count on Fu Manchu to deliver the goods, album after album.

Embracing New Sonic Territories

While ‘The Return of Tomorrow’ may not be a radical departure from Fu Manchu’s established sound, it does offer glimpses of the band’s willingness to explore new sonic territories. The inclusion of more mellow and melodic tracks on the album’s second half showcases the band’s versatility and their ability to transcend the confines of their stoner rock roots.

A Celebration of Longevity and Creativity

Ultimately, ‘The Return of Tomorrow’ is a celebration of Fu Manchu’s longevity and their continued creative vitality. With this release, the band has reaffirmed their status as one of the most celebrated and influential acts in the stoner rock genre, while also hinting at the exciting possibilities that lie ahead as they continue to push the boundaries of their sound.

Conclusion: A Triumphant Return for Stoner Rock Royalty

In an era where music trends come and go with dizzying speed, Fu Manchu’s enduring presence and unwavering commitment to their craft are truly remarkable. ‘The Return of Tomorrow’ is a testament to the band’s enduring relevance and their ability to continue delivering fresh and engaging material, even after almost four decades in the game.

While the album may not be a groundbreaking reinvention of the stoner rock genre, it is a triumphant return for a band that has consistently set the standard for others to follow. With their signature blend of fuzz-drenched riffs, undeniable grooves, and a willingness to explore new sonic territories, Fu Manchu has once again solidified their status as stoner rock royalty.

 

Old Painless – Demo Songs

by desertrockunited3960, posted in Music Reviews

INTRODUCTION TO Old Painless

Hailing from Manchester in the UK. Old Painless are in the business of rock and make no excuses and take no prisoners! Currently formed as a four piece they plan to be adding a second guitar player in the near future from maximum guitar shred capacity. Various members of the band have been playing in the Manchester heavy rock scene for a few years including in the popular Blastronaut.

Tracklist

1. Deep and Wide

This one gets started with cowbell and feedback then moving into a driving guitar riff that any Angus Young fan would appreciate. This track has more of an up-tempo hard rock/punk groove to it rather than some of the heavier tracks on the release. After the breakdown around 3:30 the bass takes the stage with Nathan bringing the track home with an extended leads and melodic lines.

2. Fleetfooted Mankiller

Riffs are the main story here as guitarist Nathan pulls out all of the 80’s Marshall JCM 800 riffage anyone can muster. While the main guitar riff is the star of this track the rhythm section of Andy (bass) and Lewis (drums) hold up their end of the deal by laying down the foundation to really drive the track. Vocalist Dave employs a fairly hook laden chorus to keep things moving. This in tandem with the background vocals make this track stand out as the most “Spotify friendly”, as nobody listens to radio anymore!

3. Just Another Case of Bad Luck

Again, guitarist Nathan get things going with heavy feedback driven start. For the guitar fans out there, you will enjoy the crunch of what must surely be a Marshall amp at its best. At around 2:40 the rhythm section is highlighted by Lewis pounding out tom fills and Andy’ propulsive bass providing the foundation under Nathan’s guitar feedback. As the song tempo picks back up it moves into a heavier doom style vibe on the way to a Page Hamilton style noise rock crescendo.

4. Rusty Hammer

This track in very unique in that it is almost two songs in one. The first being a heavy driving stoner/rock song and the second half moving into a more atmospheric section with guitar reverb, delay, and feedback calling to mind the most recent output from 90’s alternative rockers Hum. Nathan plays some very melodic and tasty lines for maximum effect while Andy lays down some mid-range bass lines under the din of guitar effects. Vocalist Dave has a style that can best be described as channeling the baby of Phil Anselmo and King Buzzo of the Melvins.

Lineup
Andy – Bass
Dave – Vocals
Lewis – Drums
Nathan – Guitar

For more information about Old Painless connect with them here.

Samsara Joyride-The Subtle and The Dense

by desertrockunited3960, posted in Music Reviews

Samsara Joyride, the Vienna Austria-based blues, stoner, psych rock band, has been making waves in the music industry with their unique blend of Psych/Stoner/Blues jams since 2020. Released on February 23rd, 2024 the album is available on most streaming platforms and the band’s Bandcamp page. Let’s take a trip to the desert via Vienna and enjoy the ride as they take us into “The Subtle and The Dense.”

To Capture the Essence 

The limited-edition Vinyl comes in Oxblood color and with an 8-page booklet (Artwork by Daniel Batliner and Laura Fichtenkamm) + additional download card.

Heaviness Found: “I Won’t Sign Pt.1”

The journey begins with high volume yell to call out what is to come next! The distorted bass rumble of Daniel Batliner and drum groove played  by Andi Mittermühlner are the foundation upon which the songs get its drive. Then once the dual riffing and solos of Florian Miehe and Michael Haumer kick in you are in for quite the sonic extravaganza.

The Rising Crescendo: “I Won’t Sign Pt. 2”

The second part of the first track Pt 2. is purely an instrumental affair that starts on a slow boil of atmospheric riffs building to an aggressive crescendo of heavy drum fills and blazing guitar solos until the end of the track.

The Stomp of Doom: “Too Many Preachers”

This track begins with a slow doom style riff and drum beat that has a Black Sabbath/Alice in Chains dirge. As the song progresses there are guitar harmonics, stop and start accents and a general sense that dread is about to befall all who dare to listen. The section from 4:15 to 5:50 is a section that is calling all to bow down to “The Rock”! Any stoner/hard rock fan will clearly know the band means business after listening to this track.

Dark Rhythms Are Calling: “Sliver”

The rhythm section here provides a very solid foundation for the guitars and vocals to shine. Mittermühlner has a great bass drum sound and crack to the snare with a hint of reverb that provides an additional accent to each drum hit. Once again Batliner has the right tone, deep and bass heavy without being muddy. The vocal highlight is at about 2:30 when both Haumer and Miehe are giving it their all and with the dynamics of each it makes for an interesting vocal. The outro is a chug fest that any hard rock/doom fan would enjoy.

The Dream is Real: “Who Tells The Story”

This track highlights SJ at their best. The full sonic palette is on display with tasty guitar fills, reverb enhanced lead guitar lines, distorted bass lines and high-powered vocals. At around the 4 1/2-minute mark the song begins to slow down with Batliner’s distorted and possibly flanger effected bass taking the point to send the song in a new direction. With the lead and background vocals taking center stage to exclaim, “Who Tells The Story”. This section is slowed down with cleaner guitar tones until the dual lead guitar lines break back in for the tempo to pick up and drive the song to its conclusion.

If You Want to Be Free: “No One Is Free”

This track starts out as a slow burn blues rock jam with tasty lead guitar licks before picking up the tempo about halfway thorough to become a hard charging heavy rocker that is certain to get your attention.

Light It Up: “Safe and Sound”

The album closer is a great change of pace from the sonic blast of the previous tracks. With a blues jazz swing type of vibe with saxophone accents and very solid background vocals from Laura Fichtenkamm. The vocal interplay between the deep baritone of Miehe and the higher register of Fichtenkamm works very well here. Tracks like this demonstrate the unique influences and creativity of the band and the ability to stand out among the crowd. For those of you who may be fortunate enough to visit the Southern California high desert of Joshua Tree this is your jam to play while star gazing!

Line Up:

Florian Miehe – Vocals/Guitar

Daniel Batliner – Bass

Andi Mittermühlner – Drums

Michael Haumer – Vocals/Guitar

Conclusion

In “The Subtle and The Dense,” Samsara Joyride has created an album that solidifies their place in the pysch/blues/desert rock landscape. The album takes listeners on a journey through heavy blues rock jams with hints of psychedelia and harder edged rock with enough guitar shredding to make any guitar fan enjoy the proceedings. The band has expanded their sound with a concerted effort to drive songs with heavier riffing, while at the same time knowing when to dial things down and marinate in a slower atmospheric brew of guitar reverb, fuzz bass and even saxophone at times.

The musicianship as expected has only grown stronger since 2022’s self-titled release. The rhythm section of Batliner and Mittermühlner complement each other well and with the addition of some well-placed bass effects adds a subtle heaviness under the guitar lines. With two fully capable players in Miehe and  Haumer the challenge may often be who gets to shine and who would take a backseat as both can craft great lead and melodic lines. There is no shortage of interesting guitar lines and high intensity solos, and yet when called upon both players know when to let the groove take over and give songs room to breathe a bit. Overall this is a great effort by the band that has an appeal to a wide range of listeners.

Fu Manchu – Clone of The Universe

by desertrockunited3960, posted in Uncategorized

In the vast realm of stoner rock, few bands have left as indelible a mark as Fu Manchu. For over a quarter of a century, this Southern California group has been synonymous with the genre, delivering energetic hard rock that resonates with fans worldwide. With their 12th album, 2018’s “Clone of the Universe,” The Fu as their fans call them, reaffirm their position as one of stoner rock’s most influential bands. Coming in at 36 minutes and with closer, “IL Mostro Atomico taking up 18 of those minutes most of the albums songs are sub 4 minute blasts of riff heavy stoner jams then band is famous for.

A Legacy of Fuzz and Groove

Fu Manchu’s roots can be traced back to their beginnings as a hardcore punk act. However, it was when they embraced a more groove-oriented sound that they truly found their stride. The band’s lineup saw some instability in their early years, with notable figures like Brant Bjork (KYUSS/BRANT BJORK & BROS) and Eddie Glass (NEBULA) contributing to their unique sonic palette. It wasn’t until the new millennium that a consistent crew solidified, with Scott Hill (vocals/guitar), Bob Balch (guitar), Brad Davis (bass), and Scott Reeder (drums) forming the core of Fu Manchu.


A Journey Through Space and Time
Fu Manchu’s music has always had a touch of the cosmic, but in recent years, they have ventured further into the realms of outer space and science fiction. “Clone of the Universe” starts out as mid tempo rocker that morphs into a speed punk jam with Scott Reeder pounding out some rapid fire tom fills over the fuzzed out guitar riffs. The album opens with the high-octane surge of “Intelligent Worship,” immediately immersing listeners in Fu Manchu’s signature sound. The band’s knack for crafting catchy, upbeat rockers is evident in tracks like “(I’ve Been) Hexed” and “Don’t Panic.” These songs represent the first half or “side” of the album, showcasing Fu Manchu’s trademark bombast with a modern twist.


Beyond Boundaries: “Il Mostro Atomico”
Just when you think you have Fu Manchu figured out, they unleash the epic finale, “Il Mostro Atomico.” Clocking in at a staggering 18 minutes, this ambitious composition showcases the band’s willingness to push beyond their self-imposed boundaries. With guest appearance from Rush guitar legend, Alex Lifeson, “Il Mostro Atomico” takes listeners on a psychedelic journey through a universe free from the constraints of traditional stoner rock. The song is divided into four parts, each offering a unique sonic landscape that showcases Fu Manchu’s versatility and artistic growth.


The Evolution of Fu Manchu
Throughout their career, Fu Manchu has displayed an impressive level of tenacity and endurance. Their sound, rooted in the bombast of Black Sabbath, has evolved over time, incorporating elements of prog and psychedelia. While their earlier albums laid the foundation for their groove-oriented style, recent releases have seen Fu Manchu explore new sonic territories. “Clone of the Universe” is a testament to their creative evolution, seamlessly blending their signature fuzz-laden riffs with a willingness to experiment and push the boundaries of their sound.


The Resilience of a Stoner Rock Icon
Fu Manchu’s consistency and resilience are key factors in their enduring legacy. While some may argue that their sound has become predictable, there is a sense of comfort in knowing what to expect from this venerable band. Fu Manchu’s ability to deliver hard-hitting, feel-good rock has endeared them to fans worldwide. However, as “Il Mostro Atomico” demonstrates, they are not content to rest on their laurels. Fu Manchu continues to surprise and captivate listeners, proving that they are more than just a one-trick pony.


Conclusion: A Stellar Addition to Fu Manchu’s Discography
“Clone of the Universe” is a testament to Fu Manchu’s enduring presence in the stoner rock landscape. The rhythm section provides the foundation, Bob Balch can shred with the best of them and Scott Hill’s laid back vocals float above the distorted grinding riffs, this is the essence of “Th Fu” This album showcases their evolution as a band while staying true to their roots. With infectious grooves, cosmic themes, and an epic finale that pushes the boundaries of their sound, Fu Manchu proves once again why they are considered one of the genre’s most significant acts. As they continue their journey through the hazy highway of stoner rock, Fu Manchu remains a shining star in the vast universe of heavy music.

Track List:

  1. Intelligent Worship 03:07
  2. (I’ve Been) Hexed 02:47
  3. Don’t Panic 02:04
  4. Slower Than Light 03:25
  5. Nowhere Left To Hide 04:18
  6. Clone Of The Universe 02:57
  7. IL Mostro Atomico 18:07

Lineup:

Scott Hill – vocals, guitar
Bob Balch – guitar
Brad Davis – bass
Scott Reeder – drums
Alex Lifeson – guitar (Track 7)

(Desert Spotlight) STÖNER–Boogie to Baja

by desertrockunited3960, posted in Music Reviews

You ever want to let your hair down, crank up the volume, and just ride the riff? The latest EP from stoner rock trio STÖNER is here to scratch that itch. Their new record Boogie to Baja packs a punch of fuzzy, hard-driving rock that’ll get your head nodding and foot tapping in no time. STÖNER knows how to lay down gnarly desert rock grooves that sound like the open highway at sunset. 5 tracks of sun-baked guitars and punchy drums, Boogie to Baja is a nonstop ticket to good times. So buckle up, turn it up, and get ready to boogie – the riff ride of the summer is here.

STÖNER: The Supergroup Bringing Back Vintage Stoner Rock STÖNER is a stoner rock supergroup made up of legendary musicians Brant Bjork and Nick Oliveri. Their new album ‘Boogie to Baja’ brings back the vintage stoner rock sound of the 90’s and early 2000’s. Bjork and Oliveri were both members of Kyuss, widely considered pioneers of the stoner rock genre. After Kyuss broke up, Bjork went on to play drums for Fu Manchu and front his own band Brant Bjork and the Bros. Oliveri played bass for Queens of the Stone Age and fronted Mondo Generator.

This release has a raw, gritty sound with fuzzy, distorted guitars, melodic basslines, and pounding drums. The power trio of Nick Oliveri, Brant Bjork, and Ryan Güt churn out an irresistible set of stoner rock anthems guaranteed to get your head bobbing. From the opening licks of “Stöner Theme” you know you’re in for a good time. The hard-charging rhythm section provides the perfect backdrop for Oliveri and Bjork to unleash wave after wave of fuzzed-out riffs. Tracks like “Night Tripper vs No Brainer” and “It Ain’t Free” call to mind desert highways and hazy memories of rocking out at secret generator parties. Gut’s pounding drums and Oliveri’s distorted bass form a wall of sound for Bjork’s guitar grooves. His solos are typically more melodic meanderings than all-out shred fests. The album reaches its peak during the sprawling ten-minute jam “Boogie to Baja.” After a few minutes of ominous bass throbs and tribal drumbeats, the full band explodes into a monster riff that tears through the rest of the song. The interplay between the musicians is telepathic, with sudden bursts of speed and changes in rhythm and tempo that showcase their talent. The chunky bassline and soulful guitar licks provide the perfect backdrop for Bjork’s raw, emotive singing and Oliveri’s punk influenced vocal stylings. Infectious percussion and a groovy bass groove transport you to sunny Mexico in this funky, feel-good song. Memorable lyrics like “We’re gonna boogie to Baja, leave all the madness behind” evoke a sense of escapism and wanderlust. The minimalist production and laid-back tempo make this track perfect for zoning out or chilling under the stars. With its mix of hard-driving rock, bluesy soul, and psychedelic dream pop, “Boogie to Baja” has something for any STÖNER fan or casual listener in the mood for an epic soundtrack to adventure, escapism or just rocking out.

The Bottom Line: Does Boogie to Baja Deliver the Riffs? In short, yes – Boogie to Baja brings the riffs and then some. The variation in tempo and style gives the album a nice flow and balance. The stripped-down production and lo-fi quality add to the overall gritty, old-school vibe. It sounds like it was recorded live in Bjork’s desert studio, which gives the album an authenticity and rawness. The focus here is really on the instrumentation. Boogie to Baja is a solid debut that delivers a heavy dose of what STÖNER is all about – massive riffs, hard rock jams, and psychedelic desert grooves. Bjork and Oliveri haven’t lost their touch, and this new project allows them to return to their roots. The band has said ‘Boogie to Baja’ was inspired by the laid-back lifestyle and natural beauty of Baja California. STÖNER invites listeners to shake off their worries, hop in their ride of choice and boogie on down to Baja with them.

El Astronauta – Snakes and Foxes

by desertrockunited3960, posted in Music Reviews

El Astronauta’s new EP, “Snakes & Foxes,” was released June 23rd, 2023 on Snow Wolf Records. This release showcases the band’s blend of doom/stoner metal, in the vain of Sleep or Super Judge era Monster Magnet. The band also draws some inspiration from bands such as High on Fire, Black Sabbath, and Sleep. The music can best be described as lo-fi doom/stoner rock with additional accents and flousihes of space rock. The vocals on the EP can best be described as “in your face”, with a Buzz Osbourne (Melvins) or Page Hamilton (Helmet) style aggression. The guitar riffs are definitely at the fore front and the “star of the show”.

Track 3 the Gambler and the General could fit right in with mid 90’s era doom/sludge rock of the Melvins or Acid King. Interesting to note the hi-hat count in for the song has a bass note or two and guitar feedback before the intro of the song begins. Whether by design or not it gives the track a raw, DIY. The guitar solo at about 2:40 into the song is direct and to the point without any wasted notes and fits well within the confines of the track.

The closing track, “The Axe of the Hammer” is the standout track on the release. The intro of the song begins with a clean delay effected guitar tone over a reverb and delay heavy vocal line building to the aggressive verse, before transitioning back to a slowed down vocal passage. With the guitar effects and changes in tempo this track is a solid closer for the EP.

Release Date: June 23rd 2023. Record Label: Snow Wolf Records

For more info on the band check out their Bandcamp page.

Track List

1. The Mountain and The Feather 05:08
2. The Corenne and The Prophecy Fulfilled 03:44
3. The Gambler and The General 03:47
4. The Axe or The Hammer 05:12

Lineup

Seth Wilson – Vocals, Guitar, Bass, Drums

Monster Magnet – A Better Dystopia (2021)

by desertrockunited3960, posted in Music Reviews

“These were not the popular hits of the time. This was like a playlist from the 4th dimension… strange bits of musical obscurity, mostly dredged up from that inglorious and freaky “twilight zone” time that preceded Arena Rock, Heavy Metal, Reggae and Disco. A no-man’s land of hard rock that still had remnants of psychedelia and garage punk but had abandoned any notion of “flower power” or frat house fun. And of course, they rocked. Yeah, these songs were it.

The great bands whose music we lovingly interpret here were (and some still are) on the fringe, underrated, and in our opinion, really, really cool. I think that’s reason enough for us to do this album. Furthermore, A Better Dystopia is a collection of songs that I think reflect (knowingly or unknowingly) a paranoid time in history, but also deflect that same paranoia by owning it, fully. And of course, it ROCKS.”

— Dave Wyndorf, Official Statement via The Obelisk

Track “Mr. Destroyer” (Poo-Bah) has big riffs and swirling vocal stylings that fuse a blend of hard rock and psychedelia. “Motorcycle (Straight To Hell)” (Table Scraps) is straight old school punk, sounding like a cross between Iggy Pop and Motörhead. The Magnet takes off on the hard rock classic “”Learning To Die”” (Dust) and a rocking version of a Stooges style Goth jam, “”Solid Gold Hell”” (The Scientists).

Lineup

Dave Wyndorf – Guitar, Keyboards, Vocals, Producer
Phil Caivano – Guitar, Bass, Backing Vocals, Engineer, Producer
Bob Pantella – Drums, Percussion, Engineer, Producer
Garrett Sweeny – Guitar
Alec Morton – Bass
Carrie Wyndorf – Additional Vocals (3)
Betty Wyndorf – Additional Vocals (13)

Track List

  1. The Diamond Mine (1:58) (Dave Diamond)
  2. Born to Go (5:47) (Hawkwind)
  3. Epitaph for a Head (2:08) (JD Blackfoot)
  4. Solid Gold Hell (3:27) (The Scientists)
  5. Be Forewarned (3:26) (Macabre)
  6. Mr. Destroyer (5:41) (Poobah)
  7. When The Wolf Sits (4:58) (Jerusalem)
  8. Death (2:58) (The Pretty Things)
  9. Situation (2:16) (Josefus)
  10. It’s Trash (2:10) (The Cave Men)
  11. Motorcycle (Straight to Hell) (3:24) (Table Scraps)
  12. Learning to Die (6:28) (Dust)
  13. Welcome to The Void (3:21) (Morgen)