Onioroshi Unleash Two New Singles and Announce March 2026 European Tour

Onioroshi, the heavy psych force from Italy active since 2019, step into 2026 with a double strike: two new singles and a full European tour. After the release of their second LP Shrine in 2025 through Bitume Productions, the band spent the past year sharpening their live presence across Italy and quietly reshaping their sound in the studio. The result is a pair of new tracks—Wicked Child and Eris—that mark a turning point in their evolution.

A New Sonic Direction

Both singles, released on February 25, 2026, show Onioroshi embracing a more concise, flowing approach without abandoning the noise-driven experimentation that defines their identity. Clocking in at just over five minutes each, Wicked Child (5:04, vocals by Enrico) and Eris (5:21, vocals by Manuel) are the shortest compositions the band has ever released. The shift toward tighter structures brings a new urgency to their sound—leaner, sharper, and more immediate—while still carrying the dense textures and hypnotic heaviness that fans expect.

The release is accompanied by two visually striking videos shot by filmmaker Jacopo Gioacchini, featuring actress and dancer Rebecca Piraccini. Her presence adds a physical, expressive layer to the music, amplifying the tension and movement embedded in the new material.

March 2026 European Tour

To celebrate this new chapter, Onioroshi are hitting the road for a European tour running from March 12 to March 27, 2026. The itinerary spans seven countries and ten shows, bringing the band’s immersive live energy to a mix of underground venues and independent scenes across the continent.

Tour stops include:

  • Peyrelevade (FR)
  • Uzerche (FR)
  • Geneva (CH)
  • Subotica (SRB)
  • Budapest (HU)
  • Bratislava (SK)
  • Vienna (AT)
  • Osijek (CR)

Across these dates, Onioroshi will share the stage with a wide range of local and independent acts, reinforcing their commitment to grassroots collaboration and the DIY spirit that has fueled their growth since 2019.

Looking Ahead

With Shrine still resonating, two new singles expanding their sonic palette, and a European tour underway, 2026 is shaping up to be a defining year for Onioroshi. The band’s shift toward more streamlined compositions hints at a new era—one that keeps their experimental core intact while opening the door to fresh creative territory.

 

SUPERCHAINED – Symbolic

Superchained is a solo musical project by Hugo Lanvin, launched in 2017. As its sole member, Hugo composes and records all tracks independently. After a period of sonic exploration, he released the first EP, The 0,00$ EP, in 2019, followed by the debut album Strangekind in 2022. These releases laid the foundation for the new project and helped define his unique musical identity.

Following Strangekind, the future of Superchained was uncertain. A second album had never been part of the original plan—the intent was to release a single, ten-track album that fully captured the essence of the project. This led Hugo to a pivotal question: “Should I continue this project or move on to something else?”

In confronting this dilemma, he experienced a mix of doubt and introspection, but also a renewed drive to create another album—one that would further solidify Superchained’s identity. The goal was not to replicate Strangekind, but to evolve naturally: staying true to the project’s roots while venturing into musical styles he had long admired.

Genre-bending grit meets emotional depth in Hugo Lanvin’s latest solo release

If you haven’t heard of Superchained yet, now’s the time to tune in. The one-man project helmed by Hugo Lanvin returns with Symbolic, a bold follow-up that refuses to play it safe. This isn’t just another alt-rock record—it’s a layered, genre-hopping exploration of identity, emotion, and sonic evolution.

🎶 Sound & Style
Symbolic blends grunge-rooted riffs with alternative rock textures, but that’s just the foundation. Lanvin throws in ballads, funk grooves, fusion flourishes, indie punk energy, and even flashes of metal. It’s a melting pot of influences that somehow never feels scattered. Think Alice in Chains meets Smashing Pumpkins but filtered through a deeply personal lens.

The production is tight without being sterile. Lanvin aimed for a modern, balanced mix—each instrument has its space, and nothing feels over-polished. It’s raw where it needs to be, refined where it counts.

🧠 Themes & Emotion
This album is introspective to its core. Drawing from lived experiences, Lanvin explores themes of doubt, identity, and artistic purpose. It’s the kind of record that invites repeat listens—not just for the sound, but for the emotional layers tucked beneath.

🎸 DIY Spirit
What makes Symbolic even more impressive? Hugo Lanvin did it all. Electric and bass guitars, piano, drums, vocals—every note is his. That DIY ethos pulses through the album, giving it a sense of urgency and authenticity that’s hard to fake.

💭 Final Thoughts
For fans of emotionally charged rock with a fearless approach to genre, Symbolic is a must-listen. It’s not just an album—it’s a statement of artistic resilience and evolution.

Tracklist:

1. Born Again

2. Let’s Make Something

3. New Sensation

4. 9:17

5. Falling Down

6. The Trip

7. All About the Money

8. Runaway

9. The Narcissist

10. Prosthetic Head

For more information on Superchained
👉 https://linktr.ee/superchained

Symbolic is available now on CD digipack and streaming via Bitume Prods label.

GAUPA’s FYR: Where Doom Rock Meets Swedish Psychedelia

 

 

 

 

 

 

 

 

 

Since releasing their self-titled EP in 2018, GAUPA has continuously broken new ground within the Swedish psych rock and stoner rock communities. Their unique blend of doom metal and groove rock has earned them significant recognition, with their track ‘Exoskeleton’ surpassing one million Spotify streams and their EP accumulating over 4 million streams to date. Following the release of their 2022 album “Myriad,” the band delivered unforgettable performances at major festivals including Sweden Rock, Hellfest, Wacken, Mystic, and Desert Fest. Set for release on July 4th via Nuclear Blast Records, FYR promises to take listeners on a genre-bending journey through enthralling psychedelia and heavy prog metal.

The Band’s Evolution Leading to FYR

From Underground Sensation to Genre-Bending Force

GAUPA’s musical journey has been anything but conventional. The Uppsala-based quintet first emerged on the Swedish underground scene with their self-titled debut EP in 2018, immediately capturing attention with their distinctive sound. This initial release showcased the band’s knack for blending heavy riffs with ethereal vocals, establishing a foundation for their evolving musical identity.

After their impressive debut, the band continued refining their unique approach to doom the rock genre. Their sophomore release, 2020’s “Feberdröm,” marked a significant step forward in their sonic exploration. During this period, GAUPA began incorporating more experimental elements into their music, further distinguishing themselves from contemporaries in the Swedish psych rock scene.

The release of “Myriad” in 2022 represented a watershed moment for the band. This full-length album demonstrated remarkable growth in both songwriting and production quality. Throughout this evolutionary phase, vocalist Emma Näslund’s haunting, versatile voice became increasingly central to GAUPA’s sonic signature – weaving between delicate whispers and powerful wails over the band’s groove rock foundation.

Recent months have brought significant changes to GAUPA’s lineup. The departure of guitarist Erik Sävström created both challenges and opportunities for the remaining members. Rather than viewing this shift as a setback, the band channeled the transition into creative energy for their upcoming EP. This period of adjustment allowed them to reassess their sound and push into even more adventurous territory.

“FYR” emerges as the culmination of this creative evolution. The four-track EP represents both a continuation of GAUPA’s established sound and a bold step into new realms of doom metal experimentation. Interestingly, the band opted for a shorter format following their full-length release, allowing them to create a more concentrated and focused artistic statement.

Over time, GAUPA has masterfully balanced accessibility with avant-garde sensibilities. While maintaining the core elements that first attracted their fanbase, they’ve consistently pushed against genre boundaries. This willingness to evolve while honoring their roots has positioned them as one of the most intriguing bands in modern stoner rock.

Inside FYR: Sound, Style, and Production

A Heavier Sonic Landscape Emerges

Taking a dramatic sonic shift, GAUPA’s “FYR” stands as their heaviest material to date. This transformation didn’t happen by accident — the band enlisted new mixing engineer Karl Daniel Lidén, who gave the tracks a significantly grittier, more aggressive sound compared to their previous releases. Gone is the slick, bright production of earlier works, replaced by a rawer, dirtier sonic palette that intensifies their doom the rock foundations.

Despite downsizing to a four-piece following guitarist Daniel Nygren’s 2024 departure to focus on family life, the band sounds anything but diminished on this mini-album. Recorded in autumn 2024 across two locations — Svenska Grammofonstudion in Göteborg and Estethuset studios in Falun — the EP retains GAUPA’s core elements while pushing into new territory.

The swedish psych rock outfit describes “FYR” as a “patchwork of parts” where each member contributes equally. This collaborative approach yields impressive results across the four tracks. Opening with “Lion’s Thorn” (7:37), the album immediately establishes its credentials with mesmerizing bagpipes that introduce spacious, tripped-out verses before waves of hard stoner rock riffs crash through. “Heavy Lord” (3:58) delivers one of 2025’s most hypnotic choruses, while “Ten Of Twelve” (4:21) dazzles with astounding guitar work and weighty percussion.

Perhaps most impressive is closer “Elastic Sleep” (8:10), a genre-flipping masterpiece where enthralling psychedelia swells into crests of ripping djent metal and cosmic doom. Throughout these tracks, the band maintains their signature elements: enchanting intricacy, trippy verses, and a steady stream of groove rock sensibility.

The title itself carries multiple meanings in Swedish — “four” (this being their fourth release), “lighthouse,” “beacon,” and “fire” — all fitting the musical and lyrical content in various ways. This multi-layered approach extends to the sound itself, where doom metal heaviness coexists alongside surreal lyricism and atmospheric passages, creating a seamless blend that feels both cohesive and exploratory.

Themes and Surrealism in the Lyrics

Dreamscapes and Reality Blur in GAUPA’s Poetic Universe

At the heart of GAUPA’s entrancing doom metal soundscape lies vocalist Emma Näslund’s playfully perplexing and surreal lyricism. Throughout “FYR,” the band loosely explores the concept of time alongside the fundamental question of “what is real, what is not, and what is a dream”. This philosophical approach perfectly complements the swedish psych rock instrumentals that define their sonic identity.

Inspired largely by Ursula K. Le Guin’s award-winning science fiction novel “The Word for World Is Forest,” the EP draws from themes of anti-colonialism and environmentalism. Näslund’s lyrics often contemplate mankind’s destructive relationship with the environment, yet she maintains an intentionally abstract approach to her writing.

“I want people to use their fantasy and imagination,” Näslund explains about her cryptic writing style. “You need to go through the lyrics, and you need to think, what does it mean to you?”. This deliberate ambiguity invites listeners to discover personal meaning behind her dreamlike poetry instead of being handed explicit interpretations.

The band’s fascination with animal imagery continues throughout “FYR,” most notably in “Ten Of Twelve,” which references the rooster’s position as the 10th animal in the Chinese zodiac. Näslund playfully subverts folklore by transforming the traditionally lucky rooster into “a bad luck rooster instead of a lucky charm”.

GAUPA’s enthralling psychedelia extends beyond musical elements into their lyrical approach. Näslund’s writing process varies considerably – sometimes lines spontaneously emerge, while others require careful crafting. She draws inspiration from diverse literary sources including sci-fi, dystopian fiction, magic realism, and poetry.

The surreal quality of groove rock is enhanced by lyrics that maintain a certain mystique. “I don’t enjoy lyrics when it’s obvious,” Näslund notes. “The lyrics that speak to me the most are lyrics that I can choose to think are for me”. This approach creates a stoner rock experience where listeners can find themselves within the music’s intentionally nebulous narrative landscape.

Conclusion

FYR: A Defining Chapter in GAUPA’s Sonic Evolution

GAUPA stands poised to deliver something truly special with “FYR” on July 4th via Nuclear Blast Records. Throughout their journey from underground sensation to recognized force within the doom rock scene, this Swedish outfit has consistently defied genre expectations. Certainly, the departure of their guitarist could have derailed lesser bands, yet GAUPA has transformed this challenge into creative fuel for their heaviest material to date.

What makes “FYR” particularly compelling lies in its perfect balance between accessibility and artistic exploration. The four tracks showcase a band comfortable with their identity while still pushing boundaries – heavier production alongside dreamlike verses, surreal lyrics paired with crushing riffs. Furthermore, Emma Näslund’s enigmatic vocal approach adds another layer of mystery, allowing us as listeners to find our own meaning within their musical universe.

The multi-layered meaning behind the EP’s title – representing both their fourth release and concepts of fire, light, and guidance – perfectly encapsulates GAUPA’s artistic approach. Similarly, their willingness to blend Swedish psych rock elements with heavier doom metal textures creates something genuinely fresh in today’s music landscape.

Despite functioning as a four-piece now, GAUPA sounds more potent than ever before. The collaborative spirit evident throughout “FYR” demonstrates a band hitting their creative stride rather than struggling with transition. Subsequently, tracks like “Elastic Sleep” and “Lion’s Thorn” reveal a group unafraid to experiment while maintaining the core elements that first attracted their growing fanbase.

For fans of enthralling psychedelia, groove rock, or innovative metal, “FYR” promises to be an essential listening experience of 2025. Though only four tracks long, this mini-album appears ready to cement GAUPA’s place as one of the most intriguing bands emerging from Sweden’s fertile rock scene today.

Onioroshi – Shrine

 

 

 

 

 

 

 

 

 

Background of the Band 

Onioroshi is a progressive-psych power trio hailing from Cervia, Italy. The three members of Onioroshi met for the first time in early 2014 during the Kimono Lights project, a dreampop-shoegaze independent band which recorded 2 LPs and an EP in three years and played in venues around Italy. In early 2018 Kimono Lights called it quits and soon after Onioroshi was formed and their debut album Beyond These Mountains was created.

While the band was trying to find its place in the music industry the pandemic struck the world of music and forced them to change their plans. In early 2020 Onioroshi started working on a new LP, investing the next three years into creating music with passion and a new sonic direction. The new LP “Shrine” is the result of this meticulous work of sound and structured research, with the three musicians searching for ways beyond limits, trying to create a completely new experience for the listener. Similar to their debut album, their second LP was recorded, mixed and mastered at Dunastudio by Andrea Scardovi.

Introduction to Onioroshi’s “Shrine”

Lasting 54 minutes while featuring 3 tracks focusing various sound layers, shifting time signatures, auditory dynamics.

Musical Style and Influences

A blend of experimental, psychedelic, noise rock and progressive riffing that creates an immersive auditory trip through the vastness of space and time. According to the band, “We like mind trips, odd times, drowning in noise and partial darkness.” Fans of desert denizens Big Scenic Nowhere will most likely enjoy this release as there are long psychedelic passages, many guitar riffs/solos with various phase, reverb and delay effects.

Track Analysis

Opening Track: “Pyramid”

Opening up with a clean flanger/phase guitar line with heavy reverb played various times with crashing cymbals with a rumbling distorted bass line. At around 4 minutes in the vocals begin with an up-tempo noise rock vibe until the vocals become more aggressive with drummer Enrico Piraccini forcing the issue with crashing cymbals and drum fills working to create a wall of sound. At 5:50 the time signature shifts to a heavy arpeggio riff and then shifting again the music stops entirely with a distorted bass line coming in with the phase effected guitar line and various tom fills and aggressive vocals to bring up the intensity again. The band really enjoys dynamics with calm slow passages building to massive and aggressive crescendos.

Opening Track: “Laborintus”

At 15 minutes this is the shortest track of the album. The track gets started right away with a treble sounding bass line with and lead guitar line with high pitched vocals leading to a phaser effect washing over the track which morphs into dark aggressive vocals and the familiar crashing cymbal fills. The vocal in this section has some similarity to Tomahawk era Mike Patton. As the track moves along the vocals become more ethereal with an underlying synth taking center stage. With this section starting around 9 minutes in the band moves in a more melodic way that give way to the outgoing section of guitar solos and driving rhythms until the track closes out.

Closing Track: “Egg”

Album closer begins with the heaviest riff of the release with a crunching guitar riff with the vocals a little more out in front and more direct than other sections during the album.
Ay 2 minutes in a wave of phaser effects and tom drum fills take center stage. Next the music starts to fade out and starts up again with a repetitive reverb heavy guitar line and haunting vocals along with distorted bass notes play in the background. At approximately the 11 minutes in the band ups the intensity with a driving drum beat and propulsive bass layered with a driving reverb heavy guitar riff. At 15 minutes in a long passage with a guitar solo takes over with drummer Piraccini using his China cymbal as a crash and beating it into submission. As this is the longest track on the album with various movement of sonic bombast, at the end you may want to take a break to ground yourself and return to sanity!

Track List

1.Pyramid-18:19

2.Laborintus-15:36

3. Egg-20:32

Manuel Fabbri: Bass, Vocals
Enrico Piraccini: Drums, Vocals
Matteo Sama: Guitar

https://onioroshi.bandcamp.com/

Samsara Joyride-The Subtle and The Dense

Samsara Joyride, the Vienna Austria-based blues, stoner, psych rock band, has been making waves in the music industry with their unique blend of Psych/Stoner/Blues jams since 2020. Released on February 23rd, 2024 the album is available on most streaming platforms and the band’s Bandcamp page. Let’s take a trip to the desert via Vienna and enjoy the ride as they take us into “The Subtle and The Dense.”

To Capture the Essence 

The limited-edition Vinyl comes in Oxblood color and with an 8-page booklet (Artwork by Daniel Batliner and Laura Fichtenkamm) + additional download card.

Heaviness Found: “I Won’t Sign Pt.1”

The journey begins with high volume yell to call out what is to come next! The distorted bass rumble of Daniel Batliner and drum groove played  by Andi Mittermühlner are the foundation upon which the songs get its drive. Then once the dual riffing and solos of Florian Miehe and Michael Haumer kick in you are in for quite the sonic extravaganza.

The Rising Crescendo: “I Won’t Sign Pt. 2”

The second part of the first track Pt 2. is purely an instrumental affair that starts on a slow boil of atmospheric riffs building to an aggressive crescendo of heavy drum fills and blazing guitar solos until the end of the track.

The Stomp of Doom: “Too Many Preachers”

This track begins with a slow doom style riff and drum beat that has a Black Sabbath/Alice in Chains dirge. As the song progresses there are guitar harmonics, stop and start accents and a general sense that dread is about to befall all who dare to listen. The section from 4:15 to 5:50 is a section that is calling all to bow down to “The Rock”! Any stoner/hard rock fan will clearly know the band means business after listening to this track.

Dark Rhythms Are Calling: “Sliver”

The rhythm section here provides a very solid foundation for the guitars and vocals to shine. Mittermühlner has a great bass drum sound and crack to the snare with a hint of reverb that provides an additional accent to each drum hit. Once again Batliner has the right tone, deep and bass heavy without being muddy. The vocal highlight is at about 2:30 when both Haumer and Miehe are giving it their all and with the dynamics of each it makes for an interesting vocal. The outro is a chug fest that any hard rock/doom fan would enjoy.

The Dream is Real: “Who Tells The Story”

This track highlights SJ at their best. The full sonic palette is on display with tasty guitar fills, reverb enhanced lead guitar lines, distorted bass lines and high-powered vocals. At around the 4 1/2-minute mark the song begins to slow down with Batliner’s distorted and possibly flanger effected bass taking the point to send the song in a new direction. With the lead and background vocals taking center stage to exclaim, “Who Tells The Story”. This section is slowed down with cleaner guitar tones until the dual lead guitar lines break back in for the tempo to pick up and drive the song to its conclusion.

If You Want to Be Free: “No One Is Free”

This track starts out as a slow burn blues rock jam with tasty lead guitar licks before picking up the tempo about halfway thorough to become a hard charging heavy rocker that is certain to get your attention.

Light It Up: “Safe and Sound”

The album closer is a great change of pace from the sonic blast of the previous tracks. With a blues jazz swing type of vibe with saxophone accents and very solid background vocals from Laura Fichtenkamm. The vocal interplay between the deep baritone of Miehe and the higher register of Fichtenkamm works very well here. Tracks like this demonstrate the unique influences and creativity of the band and the ability to stand out among the crowd. For those of you who may be fortunate enough to visit the Southern California high desert of Joshua Tree this is your jam to play while star gazing!

Line Up:

Florian Miehe – Vocals/Guitar

Daniel Batliner – Bass

Andi Mittermühlner – Drums

Michael Haumer – Vocals/Guitar

Conclusion

In “The Subtle and The Dense,” Samsara Joyride has created an album that solidifies their place in the pysch/blues/desert rock landscape. The album takes listeners on a journey through heavy blues rock jams with hints of psychedelia and harder edged rock with enough guitar shredding to make any guitar fan enjoy the proceedings. The band has expanded their sound with a concerted effort to drive songs with heavier riffing, while at the same time knowing when to dial things down and marinate in a slower atmospheric brew of guitar reverb, fuzz bass and even saxophone at times.

The musicianship as expected has only grown stronger since 2022’s self-titled release. The rhythm section of Batliner and Mittermühlner complement each other well and with the addition of some well-placed bass effects adds a subtle heaviness under the guitar lines. With two fully capable players in Miehe and  Haumer the challenge may often be who gets to shine and who would take a backseat as both can craft great lead and melodic lines. There is no shortage of interesting guitar lines and high intensity solos, and yet when called upon both players know when to let the groove take over and give songs room to breathe a bit. Overall this is a great effort by the band that has an appeal to a wide range of listeners.

(Desert Spotlight) Big Scenic Nowhere – The Long Morrow

BSN is often described as a mix of stoner/psychedelic and desert rock, drawing on the desert landscape and rock music traditions of Southern California’s Coachella Valley. The Long Morrow is the band’s fourth release and, along with 2020’s EP Lavender Blues, is the output from recording sessions in 2019. For trivia buffs out there The Long Morrow was an episode of 60’s show The Twilight Zone, maybe an influence on the band?

The band is known for creating songs with extended jams that taken as a whole create a unique sonic canvas almost as if creating a concept album. Having said that, the songs here can stand on their own, while still fitting within the broader album. Murder Klipp might be considered a darker song on the album, with odd time signatures and more progressive rock stylings along with twin vocals. This track is heavier than the others on the album.

Defector (Of Future Days) is a short, direct, hard rocking track. This track is more of a straight-ahead riff-rocker without the familiar psych stylings. The vocal reminds me a little of Mike Patton era Tomahawk. Lavender Bleu opens with calmness and haunting vocals and the verses are in this style, while the choruses and solo passages are a bit heavier, making for a varied and quite satisfying experience. The fourth and shortest track on the album LeDu follows another straightforward desert rock tune for its near three-minute run time.

To close things out the band embarks on The Long Morrow, the near 20-minute trip through various sonic landscapes that include heavy riffing, organ flourishes, blazing solos and twin guitar attack riffing that complements all the sonic canvasses of the previous tracks on the album. With all of the various sections and vibes here you could turn this on close your eyes and see the desert, moon, cactus and really be transported there. This track has so many interesting elements I could see the band releasing it as a one track EP. The very definition of extended play!

In regards to the guitar playing, to quote Biggie Smalls, “If you don’t know, now you know”. Bob Balch and Gary Arce can shred in various styles and as much as you need. The closer has so many great riffs it’s really fun to listen to wondering where they go next. Throw in some phaser and reverb along with the metal solo riffing and you really get your money’s worth! Both players have their unique styles and really complement each other here. On a path to the end of all things is the last lyric to close out The Long Morrow before concluding with more guitar soloing to close things out.

Lineup:
Gary Arce: Guitar
Bob Balch: Guitar
Tony Reed: Bass/Vocals/Synth/Guitar
Bill Stinson: Drums

Track List

  1. Defector (Of Future Days)
  2. Murder Klipp
  3. Lavender Bleu
  4. LeDu
  5. The Long Morrow