On September 13, 2025, Unwound returned to Los Angeles for a sold-out show at the Teragram Ballroom, marking a powerful stop on their “30 Years of The Future of What” tour. For longtime fans and curious newcomers alike, the night was more than a nostalgia trip—it was a visceral reminder of why Unwound remains a cornerstone of post-hardcore, noise rock, and experimental sound.
The Venue & Vibe
Teragram Ballroom, with its intimate 600-person capacity and general admission setup, was the perfect crucible for Unwound’s sonic intensity. The crowd leaned in—literally and emotionally. From the front rows to the edges, people swayed, surged, and occasionally moshed, feeding off the band’s energy. While the acoustics weren’t flawless throughout the venue, the sound hit hard and clean where it mattered most.
Opening the night was lowercase, whose own version of noise rock with post-hardcore elements offered a precursor of noise that set the stage for what was to come. Imaad Wasif was in fine form with angsty almost screamed vocals at points with Brian Girgus’s hard hitting drums driving each song forward, along with Tiber Scheer’s propulsive bass lines holding down the low end. At certain points the dynamics of the songs would have benefitted by an additional boost to Wasif’s guitar level in the live mix.
Setlist Deep Dive
Unwound’s set leaned heavily into The Future of What, with over a dozen tracks from the album anchoring the performance. But they didn’t stop there—gems from Fake Train and Repetition surfaced, giving the show a layered emotional arc.
Highlights included:
- “New Energy” as the opener: taut, confrontational, and instantly immersive.
- “Demolished,” “Natural Disasters,” “Re-Enact the Crime”: balancing noise and nuance, these tracks showcased the band’s dynamic range.
- “Kantina,” “Valentine Card,” “Were Are and Was or Is”: early fan favorites that landed with raw emotional force.
- A mid-set taped interlude with “Pardon My French” added unexpected texture, breaking the live momentum in a way that felt intentional and atmospheric.
Musicianship & Dynamics
Unwound’s performance was tight, deliberate, and emotionally charged. The band navigated chaos and calm with precision, never letting one overwhelm the other.
- Sara Lund’s drumming was a standout: aggressive yet controlled, anchoring the band while injecting bursts of disruption.
- Guitar and noise elements were masterfully balanced—abrasive when needed, ambient when the moment called for it. The twin guitar attack of Justin Trosper and Scott Seckington provided a sonic blast of dissonance and distortion and gave many of the most familiar tracks an extra heaviness.
- Bass work Jared Warren (Big Business, Melvins) held the low end with clarity and weight, supporting the mix without muddying it. Filling the massive shoes of Vern Rumsey is not easy to do and Warren was more than capable.
The transitions between songs felt seamless, with tension building and releasing in waves. It was a set that demanded attention and rewarded it.
What Worked / ⚠️ What Could’ve Been Better
What Worked:
- A clear thematic focus on The Future of What gave the show cohesion.
- Smart pacing and dynamic contrasts kept the hour-long set compelling.
- The mix of old and new material satisfied both diehard fans and curious newcomers.
Could’ve Been Better:
- Vocals occasionally got buried under guitar layers, especially in louder moments.
- A couple of quieter songs in succession slightly dulled momentum.
- Another track or two from the “Repetition” album might have provided a more balanced set.
Final Thoughts
Unwound’s performance at Teragram Ballroom was a masterclass in tension, texture, and emotional resonance. Thirty years on, The Future of What still feels urgent—and Unwound still knows how to make it hit. The show wasn’t just a look back; it was a statement of continued relevance.
Rating: 8.5/10 For fans, it was a cathartic celebration. For newcomers, a compelling initiation.