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SOLACE – Further (2025 Reissue)

by desertrockunited3960, posted in Music Reviews

 

 

 

 

 

 

 

 

 

When Further first dropped in 2000, it marked the arrival of Solace as one of the East Coast’s most punishing and inventive stoner doom outfits. Twenty-five years later, Magnetic Eye Records has given the record a new lease on life, remastering the band’s debut and pairing it with a treasure trove of bonus material. Sadly, this reissue doubles as an unintended tribute to original frontman Jason L., who passed away earlier this year. His presence looms large across the record—raw, feral, and commanding—and this edition ensures his voice will continue to rattle speakers for years to come.

If Further were released as a brand-new album today, it would still feel like a major statement. The remaster sharpens its edges without sanding down the grit, giving the riffs more bite and the low end more weight.

The album’s opening run of songs sets the tone brilliantly:

“Man Dog” erupts with chugging riffs and Jason’s throat-tearing vocals, a track that feels halfway between Motörhead’s reckless charge and Sabbath’s oppressive stomp. It’s the kind of opener that makes a mission statement loud and clear.

“Black Unholy Ground” follows with a darker, more lumbering feel. The riffs here are suffocating, crushing down like concrete slabs, while Jason’s vocal delivery leans into apocalyptic sermon territory.

“Followed” drags things into the swamp. The tempo sinks, the distortion thickens, and the song oozes menace—perfect for fans who prefer their doom with an extra layer of grime.

“Whistle Pig” kicks the energy back up, riding a surging groove with a riff that borders on classic rock swagger, though twisted through Solace’s dirt-metal filter. It’s one of the album’s more driving tracks.

“Hungry Mother” pivots again, starting with a slow, foreboding build before exploding into one of the record’s heaviest climaxes. The song embodies Solace’s signature push-and-pull between sludge and fury.

This pendulum swing between ferocity and sludge, between heavy rock swagger and doom-laden crawl, is what keeps Further gripping even as it stretches past the hour mark.

Highlights from the remainder of the set include “Suspicious Towers,” which slips in a spoken-word lift from the cult sci-fi flick The Creation of Humanoids. Normally a gimmick, here it lands with eerie effectiveness, a perfect prelude to the song’s lurching menace.

The reissue doesn’t stop at polishing the core album. Six bonus tracks expand the picture, including covers of Iron Maiden (“Another Life”), Lynyrd Skynyrd (“On the Hunt”), Misfits (“We Bite”), and James Gang (“Funk #49,” captured live in Tokyo back in ’98). Far from throwaways, these renditions showcase Solace’s ability to bend other genres into their own brand of what they once called “dirt metal”—part doom, part hardcore muscle, part Jersey grit.

The remastered Further clocks in at over 90 minutes, but it never feels bloated. Instead, it plays like a reminder of just how vital this band was at the turn of the millennium—and how much Jason L.’s guttural roar defined their sound. This reissue doesn’t just honor an album; it honors a legacy.

Verdict: A powerhouse debut given new fire, Further (2025) is both a fitting tribute and a record that still competes with the best of the genre today. Pour one out for Jason, crank this loud, and let Solace’s dirt metal thunder roll.

Tracklist
1. Man Dog (2025 Remaster)
2. Black Unholy Ground (2025 Remaster)
3. Followed (2025 Remaster)
4. Whistle Pig (2025 Remaster)
5. Hungry Mother (2025 Remaster)
6. Angels Dreaming (2025 Remaster)
7. Suspicious Tower (2025 Remaster)
8. Heavy Birth/2-Fisted (2025 Remaster)
9. Another Life
10. We Bite
11. On the Hunt
12. Heavy Birth/2-Fisted (Distanced from Reality version)
13. Dirt
14. Funk #49 (Live in Tokyo ’98)

Recording line-up
Jason – voice, lyrics
Tommy Southard – guitars
Bill “Bixby” Belford – drums
Rob Hultz – bass

Christopher Thomas Interview

by desertrockunited3960, posted in Interviews

DRU: Who are your biggest influences?

Oh, man. Well, considering I would call my music desert rock, I’d have to start with Queens of the Stone Age. Josh Homme is my biggest inspiration. After that, you’ve got Black Label Society, Pantera, Nirvana, Iggy Pop…the weirdos that can write a catchy tune. I love a catchy tune.

DRU: Any specific guitar player, bass player, or drummer influences?

For guitar, I’ve got to go Josh Homme–I’d be lucky to write riffs half as catchy as he does. Marc Ribot for sure, and my bassist, Michael, loves the hell out of that guy from Hum. He also loves Chi Cheng from Deftones; he listens to a lot of their music. Drummer boy Brad owes his talents to Phil Collins, Dave Grohl, Phil Selway, and Jaki Liebezeit.

DRU: How would you describe your sound?

Little noisy, little melodic, little stoner. I’ve got ADHD so I have a hard time sticking to just one vibe, haha. It’s for sure all over the place, but then, so am I, so it works!

DRU: How did the band form and come together?

My bassist Michael is my younger brother, so he signed the contract when he was born. It would be really cool if our other brother played drums, but by serendipity our drummer Brad is actually a lot cooler. I’ve been working with him on random local projects here and there for years, and he just works so well. He mixes and masters all our stuff too, actually, which for me is super awesome because it gives us a tighter grip on the “vision”.

DRU: What’s your songwriting process?

Most of the time, I stick a random drum track from YouTube on in the background, sometimes from a song that’s stuck in my head or a drummer I particularly dig. I riff off of that until it sounds at least something like a song, and from there, I bring it to practice and evolve it. I think songs come out best when a few different people have put their paws in the pot because it pulls together sounds you never would have thought of on your own.

DRU: Best format? Vinyl records, cassettes, CDs or downloads? (Regardless of current popularity)

Vinyl definitely has in irrevocable swagger too it, especially because I’ll never be able to wrap my mind around the tech for it. That being said, I do have to pay my thanks to the convenience of downloads, I’d be nowhere as a guitarist or songwriter without my iPod Nano back in the day.

DRU: One or two artists/bands you would like to collaborate with?

Locally, there’s another band out of New Jersey called Swansun that I’d kill to take the stage with. Not exactly the same sound, but I think it would just be a really fun lineup overall. In the realm of “never going to happen”, though, I think you can guess that I’m going to say I would sell my limbs to open for Josh Homme. Just, like, a five-minute set, that’s all I need!

DRU: Any plans for an upcoming tour?

No tour plans at the moment, but I might be open to it in the future. I love the NJ/Philadelphia scene too much to stray too far from it just yet…I’ve got a lot more on my list I’d like to accomplish here first before I take my music on the road.

DRU: Describe the recording process, is it completed by sending files to each other or is everyone in the studio?

My brother and I actually record guitar and bass on an $80 iRig running into Garageband on the iPhone. No joke, that’s all it is. Maybe a pedal or two in front…it’s a whole big, wired mess in our living room but I swear to God it works magic. After that, we send it over to our drummer Brad and he records drums over top using a drum pad, and from there we take it to a studio for the vocals so we can really get into the nitty and gritty of the mix. Then Brad casts some spells and mixes and masters it all to perfection.

DRU: Describe the New Jersey music scene, do the local artists influence it?

Oh, absolutely and without a doubt. There’s so much local love here, it’s a really lucky place to be a musician starting out. You’d be hard-pressed to not find a show to go to, and fortunately, one to play as well. There are lots of independent venues, bookers, promoters, it’s really cool. Not only bars, but houses, too. Like in people’s basements. It’s honestly such a blast and I’m really grateful to be from here!

DRU: Any social channels or band sites fans should check out for release, merchandise or tour information?

Our Instagram handle is @christopherthomas.nj , our updates all go straight through there with some bonus content of course. We’re actually working on getting a site up and running and by the time you’re reading this it will definitely be somewhat functional (we’re musicians, and unfortunately not very great IT guys). That domain’s https.//christopherthomasnj.wixsite.com/info. That has pretty much everything, music, pictures, videos, lore…I’m hoping to get a newsletter up and running too, just because, why not make ‘em read, too? Our music is accessible on streaming everywhere. Our second EP, In My Eyes is out July 17th, and we’re really excited for you all to hear it.

GAUPA’s FYR: Where Doom Rock Meets Swedish Psychedelia

by desertrockunited3960, posted in Music Reviews

 

 

 

 

 

 

 

 

 

Since releasing their self-titled EP in 2018, GAUPA has continuously broken new ground within the Swedish psych rock and stoner rock communities. Their unique blend of doom metal and groove rock has earned them significant recognition, with their track ‘Exoskeleton’ surpassing one million Spotify streams and their EP accumulating over 4 million streams to date. Following the release of their 2022 album “Myriad,” the band delivered unforgettable performances at major festivals including Sweden Rock, Hellfest, Wacken, Mystic, and Desert Fest. Set for release on July 4th via Nuclear Blast Records, FYR promises to take listeners on a genre-bending journey through enthralling psychedelia and heavy prog metal.

The Band’s Evolution Leading to FYR

From Underground Sensation to Genre-Bending Force

GAUPA’s musical journey has been anything but conventional. The Uppsala-based quintet first emerged on the Swedish underground scene with their self-titled debut EP in 2018, immediately capturing attention with their distinctive sound. This initial release showcased the band’s knack for blending heavy riffs with ethereal vocals, establishing a foundation for their evolving musical identity.

After their impressive debut, the band continued refining their unique approach to doom the rock genre. Their sophomore release, 2020’s “Feberdröm,” marked a significant step forward in their sonic exploration. During this period, GAUPA began incorporating more experimental elements into their music, further distinguishing themselves from contemporaries in the Swedish psych rock scene.

The release of “Myriad” in 2022 represented a watershed moment for the band. This full-length album demonstrated remarkable growth in both songwriting and production quality. Throughout this evolutionary phase, vocalist Emma Näslund’s haunting, versatile voice became increasingly central to GAUPA’s sonic signature – weaving between delicate whispers and powerful wails over the band’s groove rock foundation.

Recent months have brought significant changes to GAUPA’s lineup. The departure of guitarist Erik Sävström created both challenges and opportunities for the remaining members. Rather than viewing this shift as a setback, the band channeled the transition into creative energy for their upcoming EP. This period of adjustment allowed them to reassess their sound and push into even more adventurous territory.

“FYR” emerges as the culmination of this creative evolution. The four-track EP represents both a continuation of GAUPA’s established sound and a bold step into new realms of doom metal experimentation. Interestingly, the band opted for a shorter format following their full-length release, allowing them to create a more concentrated and focused artistic statement.

Over time, GAUPA has masterfully balanced accessibility with avant-garde sensibilities. While maintaining the core elements that first attracted their fanbase, they’ve consistently pushed against genre boundaries. This willingness to evolve while honoring their roots has positioned them as one of the most intriguing bands in modern stoner rock.

Inside FYR: Sound, Style, and Production

A Heavier Sonic Landscape Emerges

Taking a dramatic sonic shift, GAUPA’s “FYR” stands as their heaviest material to date. This transformation didn’t happen by accident — the band enlisted new mixing engineer Karl Daniel Lidén, who gave the tracks a significantly grittier, more aggressive sound compared to their previous releases. Gone is the slick, bright production of earlier works, replaced by a rawer, dirtier sonic palette that intensifies their doom the rock foundations.

Despite downsizing to a four-piece following guitarist Daniel Nygren’s 2024 departure to focus on family life, the band sounds anything but diminished on this mini-album. Recorded in autumn 2024 across two locations — Svenska Grammofonstudion in Göteborg and Estethuset studios in Falun — the EP retains GAUPA’s core elements while pushing into new territory.

The swedish psych rock outfit describes “FYR” as a “patchwork of parts” where each member contributes equally. This collaborative approach yields impressive results across the four tracks. Opening with “Lion’s Thorn” (7:37), the album immediately establishes its credentials with mesmerizing bagpipes that introduce spacious, tripped-out verses before waves of hard stoner rock riffs crash through. “Heavy Lord” (3:58) delivers one of 2025’s most hypnotic choruses, while “Ten Of Twelve” (4:21) dazzles with astounding guitar work and weighty percussion.

Perhaps most impressive is closer “Elastic Sleep” (8:10), a genre-flipping masterpiece where enthralling psychedelia swells into crests of ripping djent metal and cosmic doom. Throughout these tracks, the band maintains their signature elements: enchanting intricacy, trippy verses, and a steady stream of groove rock sensibility.

The title itself carries multiple meanings in Swedish — “four” (this being their fourth release), “lighthouse,” “beacon,” and “fire” — all fitting the musical and lyrical content in various ways. This multi-layered approach extends to the sound itself, where doom metal heaviness coexists alongside surreal lyricism and atmospheric passages, creating a seamless blend that feels both cohesive and exploratory.

Themes and Surrealism in the Lyrics

Dreamscapes and Reality Blur in GAUPA’s Poetic Universe

At the heart of GAUPA’s entrancing doom metal soundscape lies vocalist Emma Näslund’s playfully perplexing and surreal lyricism. Throughout “FYR,” the band loosely explores the concept of time alongside the fundamental question of “what is real, what is not, and what is a dream”. This philosophical approach perfectly complements the swedish psych rock instrumentals that define their sonic identity.

Inspired largely by Ursula K. Le Guin’s award-winning science fiction novel “The Word for World Is Forest,” the EP draws from themes of anti-colonialism and environmentalism. Näslund’s lyrics often contemplate mankind’s destructive relationship with the environment, yet she maintains an intentionally abstract approach to her writing.

“I want people to use their fantasy and imagination,” Näslund explains about her cryptic writing style. “You need to go through the lyrics, and you need to think, what does it mean to you?”. This deliberate ambiguity invites listeners to discover personal meaning behind her dreamlike poetry instead of being handed explicit interpretations.

The band’s fascination with animal imagery continues throughout “FYR,” most notably in “Ten Of Twelve,” which references the rooster’s position as the 10th animal in the Chinese zodiac. Näslund playfully subverts folklore by transforming the traditionally lucky rooster into “a bad luck rooster instead of a lucky charm”.

GAUPA’s enthralling psychedelia extends beyond musical elements into their lyrical approach. Näslund’s writing process varies considerably – sometimes lines spontaneously emerge, while others require careful crafting. She draws inspiration from diverse literary sources including sci-fi, dystopian fiction, magic realism, and poetry.

The surreal quality of groove rock is enhanced by lyrics that maintain a certain mystique. “I don’t enjoy lyrics when it’s obvious,” Näslund notes. “The lyrics that speak to me the most are lyrics that I can choose to think are for me”. This approach creates a stoner rock experience where listeners can find themselves within the music’s intentionally nebulous narrative landscape.

Conclusion

FYR: A Defining Chapter in GAUPA’s Sonic Evolution

GAUPA stands poised to deliver something truly special with “FYR” on July 4th via Nuclear Blast Records. Throughout their journey from underground sensation to recognized force within the doom rock scene, this Swedish outfit has consistently defied genre expectations. Certainly, the departure of their guitarist could have derailed lesser bands, yet GAUPA has transformed this challenge into creative fuel for their heaviest material to date.

What makes “FYR” particularly compelling lies in its perfect balance between accessibility and artistic exploration. The four tracks showcase a band comfortable with their identity while still pushing boundaries – heavier production alongside dreamlike verses, surreal lyrics paired with crushing riffs. Furthermore, Emma Näslund’s enigmatic vocal approach adds another layer of mystery, allowing us as listeners to find our own meaning within their musical universe.

The multi-layered meaning behind the EP’s title – representing both their fourth release and concepts of fire, light, and guidance – perfectly encapsulates GAUPA’s artistic approach. Similarly, their willingness to blend Swedish psych rock elements with heavier doom metal textures creates something genuinely fresh in today’s music landscape.

Despite functioning as a four-piece now, GAUPA sounds more potent than ever before. The collaborative spirit evident throughout “FYR” demonstrates a band hitting their creative stride rather than struggling with transition. Subsequently, tracks like “Elastic Sleep” and “Lion’s Thorn” reveal a group unafraid to experiment while maintaining the core elements that first attracted their growing fanbase.

For fans of enthralling psychedelia, groove rock, or innovative metal, “FYR” promises to be an essential listening experience of 2025. Though only four tracks long, this mini-album appears ready to cement GAUPA’s place as one of the most intriguing bands emerging from Sweden’s fertile rock scene today.

LO-PAN – Get Well Soon

by desertrockunited3960, posted in Music Reviews

 

 

 

 

 

 

 

 

 

Background of the Band 

The four-piece from Columbus, Ohio have long been known for their powerful blend of driving rhythms, melodic vocals, and immersive sonic landscapes, and with “Get Well Soon”, they add captivating songwriting to the list. On this album, LO-PAN further define their brand of American Hard Rock, a wicked stylistic mix of deep-fried heaviness sprinkled with metal and grunge. LO-PAN came together in the vibrant underground Columbus scene out of a shared love of vintage rock, stoner metal, and modern heaviness.

The four musicians were united by a passion for pushing boundaries. It was no accident that they took their name from the sorcerous villain in the cult film “Big Trouble in Little China” as the band set out to blend cinematic drama with larger-than-life energy. From their earliest days, LO-PAN distinguished themselves with an intense live presence and a sound that combined classic rock grit with the crushing weight of stoner and doom influences.

This 45-minute album takes listeners through rich, textured guitar rock soundscapes. The eight-minute epic “Six Bells” shows off the band’s versatility brilliantly. “The Good Fight” opens the album with a tone of resilience – which hits home especially given drummer Jesse Bartz’s recent battle with cancer. Jeff Martin’s melodic vocals create the perfect balance against the heavy riffs throughout the album. The standout track “Rogue Wave” shines with its dynamic guitar work.

This Magnetic Eye Records release shows both growth and continuity in Lo-Pan’s distinctive sound. Let’s dive into the musicianship, production choices, and individual tracks that make “Get Well Soon” such a powerful addition to their catalog.

Lo-Pan’s evolving sound: From stoner rock to groove rock

Lo-Pan’s musical experience spans two decades, showing a band that constantly refines their identity. The group emerged from Columbus, Ohio’s underground scene with a sound firmly rooted in stoner rock tradition – heavy, fuzzy, and shaped by the desert rock movement.

Their earlier albums established Lo-Pan through thunderous riffs and a foundation that drew comparisons to stoner rock giants. In spite of that, each release revealed subtle changes in their approach. The band started to incorporate more dynamic elements but kept their characteristic heaviness.

“Get Well Soon” represents their clearest musical transformation yet. Lo-Pan has developed a more nuanced approach centered around groove instead of simply doubling down on the stoner rock formula. The band’s rhythm section shows sophisticated interplay between bassist Skot Thompson and drummer Jesse Bartz. This creates space for guitarist Chris Thompson to explore more textured territory.

On top of that, this album stands apart because the band makes use of space in their compositions. Lo-Pan now understands that holding back can boost impact, unlike pure stoner rock’s wall-to-wall heaviness. These quieter moments make their full-throttle sections even more powerful.

Jeff Martin’s vocals have grown beyond typical stoner rock delivery into something more melodic and expressive. His performance on this album reveals a singer who has found his own voice in the digital world of guitar rock.

The band builds on their roots rather than abandoning them. Lo-Pan delivers the crushing heaviness their longtime fans expect, wrapped in sophisticated arrangements. Their move toward groove rock shows a band unafraid to grow while honoring their foundation. The result feels both familiar and refreshingly progressive.

Musicianship and production: A tight, textured experience

Lo-Pan’s “Get Well Soon” grabs attention right from the first note with the band’s incredible unity. Their sound shows the natural chemistry that comes from years of playing together. The result is both massive and carefully crafted.

The rhythm section builds an unshakable foundation. Jesse Bartz’s drums are “thick and punchy, hammering home with authority”. They deliver both power and precision. Skot Thompson’s bass works in perfect sync and remains “gnarly as ever”. His “gritty top-end” cuts through the mix while keeping that rich low-end presence.

The production might seem to contradict itself at first – raw yet crystal clear. This approach captures Lo-Pan’s authentic live sound and gives each instrument space to breathe. Many bands in this genre tend to go for “where murkiness prevails”, but “Get Well Soon” stays remarkably clear without losing any power.

Chris Thompson’s guitar work stands out brilliantly. His riffs are “propulsive”, and he uses “thick fuzz at all the right times” for maximum effect. He switches smoothly between effect-heavy layers and stripped-back segments. This creates dynamic tension that makes tracks like “The Good Fight” truly compelling.

Jeff Martin’s vocals soar above everything else, staying “smooth as glass”. His voice perfectly balances the heavy instrumental foundation below. Critics have noted his “remarkable” vocal ability that keeps evolving and adds emotional depth to the band’s groove rock sound.

Smart engineering choices highlight the band’s strengths throughout the album. One reviewer points out how the production wraps everything “in a super tight package”. This approach captures both raw energy and technical skill that define Lo-Pan’s signature sound. Listeners get a true taste of the band’s powerful live performances.

Standout tracks and their unique flavors

Lo-Pan’s latest release features tracks that show their sound evolution without losing their trademark intensity. “The Good Fight” opens the album with raw energy – a song that took the band “about 10 times over four years” to perfect. Guitarist Chris Thompson calls it a track with a “Lo-Panthem type quality”, showing how the band creates catchy groove rock that resonates with fans.

“Ozymandias” packs both musical weight and deep meaning. The song’s name cleverly draws from Percy Bysshe Shelley’s famous sonnet and the villain in “Watchmen”. Thompson reveals this was “the last song for the album”, yet its powerful riffs made it impossible to leave out.

The band’s guitar expertise shines through in “Rogue Wave.” Critics praise its “appropriately turbulent guitar solo, masquerading as the sea’s infinitely entropic waters”. This track shows how Lo-Pan builds momentum and tension through their instrumental arrangements.

“God’s Favorite Victim” emerges as the album’s boldest political statement. This second-to-last track tackles modern conflicts head-on with “lyrics about having no mercy for the innocent and children dying”. The band blends crushing heaviness with melodic vocals to deliver their message clearly.

The album ends with “Six Bells,” an eight-minute epic that drummer Jesse Bartz admits was “probably the hardest song to write”. This finale “plays with doom modalities at Lo-Pan’s heavy rock pace” and features an “instrumental interlude in the center” that’s “gooey and atmospheric”. The song proves the band isn’t afraid to challenge their sonic limits.

Conclusion

“Get Well Soon” proves Lo-Pan’s resilience and musical growth. The band returns with renewed purpose after a six-year break and personal challenges, including Bartz’s cancer battle. They have evolved their sound while keeping their signature heaviness. This album becomes especially impressive because they managed to grow musically without losing the core elements that drew their fans.

Lo-Pan masterfully balances innovation and tradition. Their move from straightforward stoner rock to a more nuanced groove rock approach shows their artistic maturity. Raw power remains their calling card. Songs like “The Good Fight” and “Six Bells” reveal a band that knows its identity yet wants to expand.

The album’s production delivers crystal-clear sound quality without compromising heaviness. Each band member’s contributions shine through the mix. Jeff Martin’s vocals deserve recognition as they provide melodic counterpoint to the instrumental heft beneath.

Twenty years together led Lo-Pan to create something remarkable – an album that feels both familiar and fresh. “Get Well Soon” celebrates their past and points toward exciting future possibilities. These nine powerful tracks show how stepping away helped them return stronger. Lo-Pan has without doubt achieved this goal.

Tracklist:

1. The Good Fight             04:08
2.Northern Eyes               03:39
3.Wormwood                    03:18
4.Ozymandias                   05:23
5.Rogue Wave                   04:43
6.Harpers Ferry                05:22
7.Stay With The Boat      05:22
8.God’s Favorite Victim 05:00
9.Six Bells                         07:57

 

Onioroshi – Shrine

by desertrockunited3960, posted in Music Reviews

 

 

 

 

 

 

 

 

 

Background of the Band 

Onioroshi is a progressive-psych power trio hailing from Cervia, Italy. The three members of Onioroshi met for the first time in early 2014 during the Kimono Lights project, a dreampop-shoegaze independent band which recorded 2 LPs and an EP in three years and played in venues around Italy. In early 2018 Kimono Lights called it quits and soon after Onioroshi was formed and their debut album Beyond These Mountains was created.

While the band was trying to find its place in the music industry the pandemic struck the world of music and forced them to change their plans. In early 2020 Onioroshi started working on a new LP, investing the next three years into creating music with passion and a new sonic direction. The new LP “Shrine” is the result of this meticulous work of sound and structured research, with the three musicians searching for ways beyond limits, trying to create a completely new experience for the listener. Similar to their debut album, their second LP was recorded, mixed and mastered at Dunastudio by Andrea Scardovi.

Introduction to Onioroshi’s “Shrine”

Lasting 54 minutes while featuring 3 tracks focusing various sound layers, shifting time signatures, auditory dynamics.

Musical Style and Influences

A blend of experimental, psychedelic, noise rock and progressive riffing that creates an immersive auditory trip through the vastness of space and time. According to the band, “We like mind trips, odd times, drowning in noise and partial darkness.” Fans of desert denizens Big Scenic Nowhere will most likely enjoy this release as there are long psychedelic passages, many guitar riffs/solos with various phase, reverb and delay effects.

Track Analysis

Opening Track: “Pyramid”

Opening up with a clean flanger/phase guitar line with heavy reverb played various times with crashing cymbals with a rumbling distorted bass line. At around 4 minutes in the vocals begin with an up-tempo noise rock vibe until the vocals become more aggressive with drummer Enrico Piraccini forcing the issue with crashing cymbals and drum fills working to create a wall of sound. At 5:50 the time signature shifts to a heavy arpeggio riff and then shifting again the music stops entirely with a distorted bass line coming in with the phase effected guitar line and various tom fills and aggressive vocals to bring up the intensity again. The band really enjoys dynamics with calm slow passages building to massive and aggressive crescendos.

Opening Track: “Laborintus”

At 15 minutes this is the shortest track of the album. The track gets started right away with a treble sounding bass line with and lead guitar line with high pitched vocals leading to a phaser effect washing over the track which morphs into dark aggressive vocals and the familiar crashing cymbal fills. The vocal in this section has some similarity to Tomahawk era Mike Patton. As the track moves along the vocals become more ethereal with an underlying synth taking center stage. With this section starting around 9 minutes in the band moves in a more melodic way that give way to the outgoing section of guitar solos and driving rhythms until the track closes out.

Closing Track: “Egg”

Album closer begins with the heaviest riff of the release with a crunching guitar riff with the vocals a little more out in front and more direct than other sections during the album.
Ay 2 minutes in a wave of phaser effects and tom drum fills take center stage. Next the music starts to fade out and starts up again with a repetitive reverb heavy guitar line and haunting vocals along with distorted bass notes play in the background. At approximately the 11 minutes in the band ups the intensity with a driving drum beat and propulsive bass layered with a driving reverb heavy guitar riff. At 15 minutes in a long passage with a guitar solo takes over with drummer Piraccini using his China cymbal as a crash and beating it into submission. As this is the longest track on the album with various movement of sonic bombast, at the end you may want to take a break to ground yourself and return to sanity!

Track List

1.Pyramid-18:19

2.Laborintus-15:36

3. Egg-20:32

Manuel Fabbri: Bass, Vocals
Enrico Piraccini: Drums, Vocals
Matteo Sama: Guitar

https://onioroshi.bandcamp.com/

Desert Collider – Generation Ship: Endless Drift Through Infinity

by desertrockunited3960, posted in Music Reviews

Background of the Band 

Desert Collider out of Cesena Italy was conceived in 2023 as a convergence of the individual and diverse experiences of Federico C (Deploy the Cowcatcher, FR), Federico G (So Long, IT), Andrea, and Manuel (Moon Circle, IT). From the very beginning, the band’s primary focus has been the search for a distinctive sound, finding in stoner rock the perfect answer to the emotional and musical needs that emerged from the band members previous individual projects.

Desert Collider’s “Generation Ship Endless Drift Through Infinity” offers a mesmerizing musical journey that transcends boundaries of genre and imagination. In this album review, we delve into the depths of Desert Collider’s sonic universe, exploring their unique blend of influences, intricate instrumentation, and thought-provoking lyrical themes. From the opening track to the final notes, this album captivates listeners with its artistry and innovation, leaving a lasting impact that resonates through infinity.

Introduction to Desert Collider’s “Generation Ship Endless Drift Through Infinity”

Desert Collider’s latest album, “Generation Ship Endless Drift Through Infinity,” is like a musical odyssey through the vast expanse of space. With its cosmic themes and eclectic sounds, this album promises to take listeners on a journey beyond the stars. From the opening track to the final notes, this album captivates listeners with its artistry and innovation, leaving a lasting impact that resonates through infinity.

The album features eight tracks that revolve around themes of self-loss and rediscovery, a yearning for the primordial, and the inner journey as the sole mission and pathway to redemption. The album takes quiet yet deliberate steps on the pages of Robert A.
Heinlein’s masterpiece “Orphans of the Sky” and lays the groundwork for a creative approach that aspires to the “conceptual,” free of artistic limits or preconceptions.

Musical Style and Influences

Drawing inspiration from stoner rock pioneers like Kyuss, and Nebula along with a fusion of genres including the garage/post-punk of Karma to Burn, and Buzzcocks. At times the band delves into subtle psychedelic tones, and space rock undertones which often gives rise to a tight and aggressive sound that evolves into a forceful stoner rock sound: both raw and sophisticated. Desert Collider’s music is a homage to the past while pushing the boundaries of the future.

Exploring the Instrumentation and Arrangements

From swirling synths to pulsating basslines, each track on the album is a masterclass in sonic experimentation. Desert Collider’s attention to detail in their arrangements creates a lush and immersive listening experience. Aside from the heavy punishing stoner type riffs, the band is often slowing things down and developing mellow soundscapes with acoustic guitar, synth and reverb heavy, ethereal vocals.

Track Analysis

Let’s take a cosmic journey through some of the tracks of “Generation Ship Endless Drift Through Infinity.”

Opening Track: “Orphans of the Sky Part I: Generation Ship”

The album kicks off with “Orphans of the Sky Part I: Generation Ship,” a track that sets the tone for the interstellar adventure that lies ahead. With hypnotic rhythms and ethereal melodies, this song captures the essence of space exploration through sound. At a run time of 7:48 this song has various movements beginning with a slow psychedelic clean guitar tone which turns into a full heavy guitar assault with the main riff of the song at around 1:48. At 4 minutes the song takes another turn to a slower passage with synth effects, then begins a slow burn of a repetitive riff overlayed with distorted vocals sung in Italian building to a massive crescendo then fading out into the void.

Orhans of the Sky Part II: Disembark

As the track takes off with a rocket ship launch sound effect into a slow Melvins style stomp with drummer Andrea pounding his ride cymbal into oblivion you might be fearful of what may come next! The band next downshifts to a slow clean melodic guitar riff with reverb heavy vocals then once again turn on the jets with a full blast of aggressive vocals and distorted guitar lines. At 10:54 this track has multiple sections alternating between heavy and slow to psychedelic and slow with synth taking center stage around 6 minutes in.

Nomads of the Red Sun

This track is a mellow atmospheric instrumental that is primarily acoustic guitar with some percussion and synth effects. A great transition from some of the aggressiveness and bombast of earlier tracks.

Nebuchadnezzar

Headbangers unite! The album closer wastes no time getting right to the point with the drums coming in first with a distorted driving riff, guitar feedback and aggressive vocal. About halfway through a wah wah fuzzed out guitar solo is played over the riffing which leads to a slower breakdown with only a phaser or chorus pedal effected bassline. This leads back to the whole band coming back in on the main riff and driving the track home.

Tracklist:
1. Orphans of the Sky Part I: Generation Ship
2. Floating Space Hand
3. Sonic Carver
4. Orphans of the Sky Part II: Disembark
6. ThumpeRRR
7. Nomads of the Red Sun
9. Far Centaurus: Drifting without Guidance through Interstellar Space
10. Nebuchadnezzar

https://desertcollider.bandcamp.com/album/album-preview-generation-ship-endless-drift-through-infinity

 

Tundra Rock: A Sonic Exploration for Stoner Rock Enthusiasts

by desertrockunited3960, posted in Music Reviews

 

 

 

 

 

 

 

 

Tundra Rock: A Sonic Exploration for Stoner Rock Enthusiasts

For fans of stoner rock, the genre has always been rooted in heavy riffs, gritty vocals, and an overall sense of euphoria that invites listeners to drift into a blissful haze. However, SLOMOSA’s latest album, *Tundra Rock,* represents an evolution in the stoner rock landscape, intricately weaving together melody, emotion, and atmospheric depth. With this release, SLOMOSA pushes the boundaries of the genre, offering a listening experience that’s both familiar and refreshingly new.

At its core, *Tundra Rock* captivates the heart with its melodic foundation. Unlike some of their contemporaries who may lean heavily on raw aggression or repetitive structures, SLOMOSA has utilized melody as a key component in their songwriting. This approach transforms the listener’s experience into something more introspective, allowing for a richer exploration of complex emotions and subject matter. Each track serves as an auditory canvas, inviting fans to immerse themselves in the music’s atmospheric qualities.

SLOMOSA has garnered attention for their intriguing blend of grunge and stoner rock elements, and this album sees them embracing these influences more than ever. Drawing palpable inspiration from legendary bands like Nirvana, Soundgarden, and Alice in Chains, the quartet—comprised of Benjamin Berdous (Vocals, Guitar), Marie Moe (vocals, bass), Tor Erik Bye (guitar), and Jard Hole (drums)—crafts a sound that is both nostalgic and innovative. The vocal delivery of Marie Moe echoes the raw emotional power of 90s grunge while melded with the heavy, slow-driving riffs characteristic of the stoner rock genre.

One of the standout aspects of *Tundra Rock* is its ability to balance intensity with atmospheric exploration. The percussion, skillfully executed by Jard Hole, sets a foundation that is both relentless and hypnotic, serving the dual purpose of grounding the listener while also allowing them to drift into the ethereal layers of the music. Tor Erik Bye’s guitar work is outstanding, layering complex riffs and textures that give each song a unique identity. There are moments of outright heaviness, but these are often juxtaposed with segments of quiet reflection that deepen the listener’s emotional engagement.

Furthermore, the lyrical content on *Tundra Rock* should not go overlooked. SLOMOSA bravely delves into themes taken from both personal and universal experiences. These narratives, revealed through Marie Moe’s evocative lyrics, resonate with listeners, making them feel understood and connected. The topics traverse a range of human experiences—from strife and sorrow to moments of euphoria and enlightenment—capturing the essence of being human in a way that is inherently relatable.

In conclusion, *Tundra Rock* is a testament to SLOMOSA’s extraordinary ability to blend the familiar sonic signatures of stoner and grunge rock with innovative melody and atmospheric depth. For stoner rock fans seeking new emotional vistas within the genre, this album is an indispensable addition to any collection. As they explore the intricacies of *Tundra Rock*, listeners will find themselves drawn into its rich layers, ultimately emerging with a deeper appreciation for the artistry that defines SLOMOSA. This is not just music to enjoy; it is music to experience, paving the way for further exploration in the evolving world of stoner rock.

Track List:

1.  Afghansk Rev 03:11
2. Rice 05:25
3. Cabin Fever 05:17
4. Red Thundra 05:23
5. Good Mourning 00:41
6. Battling Guns 04:55
7. Monomann 03:49
8. MJ 04:06
9. Dune 05:27

Line Up:
Benjamin Berdous – Guitar, Vocals
Marie Moe – Bass, Vocals
Tor Erik Bye – Guitar
Jard Hole – Drums

▶︎ Tundra Rock | Slomosa

Warped Vision by Psychlona: 2024’s Must-Hear Stoner Rock Album

by desertrockunited3960, posted in Music Reviews

From the industrial landscapes of Bradford, Yorkshire emerges a sonic force that defies geographical expectations. Psychlona, despite hailing from one of England’s rainiest regions, has masterfully crafted their distinctive brand of desert rock, proving that the genre’s spirit transcends physical boundaries.

The band’s journey, which began in 2016, emerged from an innovative experiment blending California’s sun-drenched sounds with raw UK punk energy, NWOBHM intensity, and classic British psychedelia.

This unique fusion has evolved through four remarkable albums, each showcasing the band’s growing mastery of their craft. The band’s rise in the international stoner rock scene has been nothing short of remarkable. Their previous releases, including Mojo Rising (2018), Venus Skytrip (2020), and Palo Verde (2022), have consistently earned critical acclaim, with Venus Skytrip notably reaching number one on the Doom Charts. This consistent excellence has established Psychlona as one of the need-to-know acts in the entire scene.

What sets Psychlona apart is their ability to seamlessly blend diverse musical elements. Heavy psychedelic foundations with stoner/desert rock flavoring. Influences ranging from Hawkwind and Pink Floyd to modern desert rock pioneers. A distinctive mix of British punk energy and classic psychedelia.

The current lineup, featuring Phil Hey on vocals/guitar, Martin Wiseman on guitar, Izak Gloom on bass, and Scott Frankling on drums. The band demonstrates remarkable cohesion despite recent personnel changes. The integration of new members has added fresh dynamics to both writing and recording processes, contributing to the band’s evolving sound.

Warped Vision represents a significant milestone in Psychlona’s journey. The album showcases their most complete and thrilling work to date, with the band taking calculated risks while maintaining their signature sound. Their approach has become notably more psychedelic, featuring Floydian elements while retaining their capacity for powerful, riff-driven rock. The album features 8 tracks with Track 2 “Let’s Go” coming in as the feel-good stoner party anthem to make you feel the good vibes. Fans of Southern California stoners Fu Manchu will definitely enjoy the groove of this track. Track 8 “Magic Carpet” which is the album closer shows off a more chill, laid-back jazz vibe before launching into a distortion heavy chorus and is a worthy close of the album.

Track 4 “Cut Loose” is one of the heavier tracks on the album with the band moving into Sludge Rock sounds with intense vocals forging a path ahead to victory. The fuzz and distortion guitar lines have a level aggression and bombast to them especially when the mood moves in a heavier direction.

Their music demonstrates a remarkable versatility, shifting effortlessly between gentle, thoughtful passages and hard-hitting rock segments without losing coherence. This dynamic range, combined with their distinctive sound, has earned them spots at prestigious events like Desertfest and established their presence across European tours.

In an era where authenticity often takes a backseat to commerciality, Psychlona stands as a testament to genuine musical craftsmanship. Their ability to create deeply passionate music while maintaining their artistic integrity has positioned them at the forefront of the contemporary heavy psych sound. The band’s evolution represents not just growth in musicianship, but a deepening understanding of their artistic vision, making them one of the most compelling acts in modern stoner rock.

Mountaineer’s Ethereal Journey: Dawn And All That Follows

by desertrockunited3960, posted in Music Reviews

 

 

 

 

 

 

 

 

In the ever-evolving realm of post metal, where atmospheric grandeur intertwines with raw emotional depth, the Bay Area-based ensemble Mountaineer has carved a niche for themselves as masters of introspective and transcendent sonic narratives. Their latest offering, “Dawn And All That Follows,” stands as a testament to their artistic evolution, a poignant voyage through the realms of introspection, longing, and ultimately, cosmic transcendence.

Dreamy Soundscapes, Evocative Melodies
From the opening notes of “Cradlesong,” Mountaineer’s dreamy post metal soundscapes envelop listeners in a captivating embrace. Glistening guitar arpeggios cascade like celestial raindrops, setting the stage for an immersive musical journey. The band’s masterful command of dynamics and melodic motifs is on full display, as each track unfolds with a deliberate pace, allowing the emotional weight of the compositions to resonate deeply.

Emotional Depth and Artistic Restraint
One of the hallmarks of Mountaineer’s artistry is their ability to evoke profound emotions through a delicate balance of melancholy and beauty. “Dawn And All That Follows” exemplifies this duality, with tracks like “Hypnos” and “Prism” seamlessly transitioning between moments of serene introspection and visceral intensity. The band’s artistic restraint is palpable, as they eschew grandiose gestures in favor of nuanced, carefully crafted arrangements that allow each note to resonate with purpose.

Lyrical Resonance and Thematic Parallels
Beyond the captivating instrumentals, Mountaineer’s lyrical prowess shines through on “Dawn And All That Follows.” Poetic phrases and recurring motifs weave a tapestry of thematic parallels, echoing across tracks and albums. The haunting repetition of “This moment will last forever” in “Parallels” strikes a poignant chord, juxtaposing the yearning for eternal moments with the acceptance of finality – a bittersweet reflection on the spectrum of human emotion.

Progressive Songwriting and Emotional Impact
While Mountaineer’s previous release, “Giving up the Ghost,” may have showcased their well-crafted and skillfully executed songwriting, “Dawn And All That Follows” delivers a heightened emotional impact akin to their earlier works. Tracks like “Testimonial” and “You Will Always Be One of Us” captivate with their progressive structures, seamlessly blending heavier elements with atmospheric interludes, leaving an indelible mark on the listener’s psyche.

Cosmic Transcendence and Vivid Artwork
As the album reaches its crescendo with “Parallels,” the celestial synths and climactic moments evoke a sense of cosmic transcendence, transporting the listener to otherworldly realms. The album’s vivid artwork, a kaleidoscope of colors and ethereal imagery, perfectly captures the essence of this transformative journey, inviting listeners to immerse themselves in the multifaceted tapestry of Mountaineer’s sonic universe.

A Masterclass in Atmospheric Storytelling
Throughout “Dawn And All That Follows,” Mountaineer demonstrates their mastery of atmospheric storytelling, crafting compositions that resonate on both emotional and intellectual levels. Each track is a meticulously woven tapestry, inviting listeners to embark on a voyage of self-discovery, where the boundaries between the tangible and the ethereal blur, and the soul finds solace in the embrace of transcendent melodies.

Artistic Evolution and Genre Transcendence
With “Dawn And All That Follows,” Mountaineer has gracefully evolved into their ultimate expression, transcending genre boundaries and cementing their place as visionaries in the realms of dream metal and post metal. Their ability to craft emotionally resonant and artistically cohesive narratives sets them apart from their peers, solidifying their status as torchbearers in the ever-expanding universe of atmospheric and introspective music.

Immersive Soundscapes 
One of the most captivating aspects of “Dawn And All That Follows” is its re-playability. Each listen unveils new layers of depth, inviting listeners to immerse themselves in the album’s immersive soundscapes time and time again. The intricate interplay between the band’s three guitarists, coupled with the nuanced dynamics and atmospheric textures, creates an auditory experience that is both engaging and endlessly captivating.

A Watershed Moment for Post Metal
In the annals of post metal, “Dawn And All That Follows” stands as a watershed moment, a culmination of artistry, skill, and emotional acuity that sets Mountaineer apart from their contemporaries. Like their peers Pallbearer, whose recent release has garnered widespread acclaim, Mountaineer’s latest offering solidifies their position as torchbearers in this intersection of genres, pushing the boundaries of what is possible within the realm of atmospheric and emotionally charged music.

Concluding Thoughts
“Dawn And All That Follows” is a testament to Mountaineer’s unwavering dedication to their craft, a masterful fusion of post metal, dream metal, and atmospheric grandeur. With each note and lyrical phrase, the album invites listeners to embark on a transformative journey, one that transcends the boundaries of genre and awakens the soul to the endless possibilities of sonic exploration. In the ever-evolving landscape of introspective and atmospheric music, Mountaineer’s latest offering stands as a beacon, guiding listeners towards a realm of cosmic transcendence and emotional resonance.

Track List
1. Cradlesong
2. Hypnos
3. Prism
4. Dawn and All That Follows
5. Testimonial
6. You Will Always Be One of Us
7. Dark Passenger
8. Parallels

Lineup:

Clayton Bartholomew Guitars, Bass
Miguel Meza Vocals
Jordan Norton Drums
Forrest Harvey Guitars
Isaac Rigler Guitars
Dillon Variz Bass

Fu Manchu – The Return of Tomorrow

by desertrockunited3960, posted in Music Reviews

 

 

 

 

 

 

 

 

 

In the ever-evolving landscape of stoner rock, few bands have left a mark quite like Fu Manchu. Founded in 1985, this legendary quartet has consistently delivered a potent blend of fuzz-drenched riffs and undeniable grooves, cementing their status as kings of the stoner rock genre. With their latest offering, ‘The Return of Tomorrow,’ Fu Manchu proves that their creative well remains as deep as ever, serving up a double-album that blends their signature heavy sound with more mellow and melodic explorations.

The Stoner Rock Titans’ Triumphant Comeback

After a four-year hiatus since their last full-length release, ‘Clone of the Universe,’ Fu Manchu’s highly anticipated return has been met with excitement from the devoted fanbase of “The Fu”. Comprised of bassist Brad Davis, vocalist/guitarist Scott Hill, guitarist Bob Balch, and drummer Scott Reeder, the band has defied the odds, maintaining their momentum and quality over an impressive nearly four -decade span.

A Daring Dual-Disc Approach

In a bold move, Fu Manchu opted to craft ‘The Return of Tomorrow’ as their inaugural double album, a decision that allowed them to explore two distinct sonic realms. As Hill explained, “We kept both the records to around 25-30 minutes each as to make it a full-length release, but not have each record be too long. We don’t write a lot of mellow(er) stuff in Fu Manchu, but a lot of the riffs worked minus the fuzz.”

Side A: Unleashing the Fuzz Onslaught

The album’s first half is a tour de force of Fu Manchu’s signature stoner rock sound, delivering a barrage of fuzz-drenched riffs and thunderous rhythms that will undoubtedly resonate with their die-hard fans. From the hectic opener “Dehumanize” to the irresistibly anthemic “Loch Ness Wrecking Machine,” this side is a celebration of the band’s ability to craft infectious and hard-hitting tracks.

Standout moments include the unpredictable and complex “(Time Is) Pulling You Under,” which showcases Fu Manchu’s penchant for intricate songwriting, and the feisty “Hands of the Zodiac” and “Roads of the Lowly,” both of which are sure to satisfy the cravings of those seeking unadulterated stoner rock bombast.

Side B: Exploring Mellower Realms

While the first half caters to Fu Manchu’s heavy side, the second disc delves into more mellow and melodic territories, offering a refreshing contrast and showcasing the band’s versatility. The sludgy and psychedelic “Solar Baptized” is a particular highlight, with its enticing timbres and leisurely pace creating an immersive and calming atmosphere.

Elsewhere, “What I Need” seamlessly transitions from a gentle instrumental detour to a more energetic finale, while the closing track, “High Tide,” is a spacey and somewhat jazzy jam that evokes the spirit of iconic 70s acts like Pink Floyd, Soft Machine, The Grateful Dead, and Camel.

A Triumphant Return for the Stoner Rock Legends

‘The Return of Tomorrow’ is a testament to Fu Manchu’s enduring relevance and their ability to continually push the boundaries of their craft. While it may not be a revolutionary departure from their established sound, the album showcases the band at the peak of their powers, delivering a consistently thrilling and commendable collection of tracks.

The decision to divide the album into two distinct stylistic halves was a smart and effective move, allowing each side of Fu Manchu’s artistry to shine in its own dedicated spotlight. With this release, the stoner rock titans have once again demonstrated that they still have plenty of fuel left in their tank, solidifying their status as true legends of the genre.

Track List 

  1. Dehumanize
  2. Loch Ness Wrecking Machine
  3. Hands Of The Zodiac
  4. Haze The Hides
  5. Roads Of The Lowly
  6. (Time Is) Pulling You Under
  7. Destroyin’ Light
  8. Lifetime Waiting
  9. Solar Baptized
  10. What I Need
  11. The Return Of Tomorrow
  12. Liquify
  13. High Tide

Released in 2024 via At The Dojo Records

The Enduring Influence of “The Action Is Go”

For many listeners, Fu Manchu’s seminal 1997 album and one of their best, ‘The Action Is Go,’ served as their introduction to the band’s unique brand of groove/stoner rock. The inclusion of the track “Evil Eye” on the hugely popular Tony Hawk’s Pro Skater 2 video game soundtrack exposed the band to a whole new audience, influencing the musical tastes of millions of gamers and skaters alike.

Maintaining Momentum and Quality

Despite the passage of time, Fu Manchu has managed to keep their momentum and quality going strong, consistently delivering solid releases that never threaten to reinvent the fuzzy wheel. This consistency is part of what makes the band so endearing to their fans, as they can always count on Fu Manchu to deliver the goods, album after album.

Embracing New Sonic Territories

While ‘The Return of Tomorrow’ may not be a radical departure from Fu Manchu’s established sound, it does offer glimpses of the band’s willingness to explore new sonic territories. The inclusion of more mellow and melodic tracks on the album’s second half showcases the band’s versatility and their ability to transcend the confines of their stoner rock roots.

A Celebration of Longevity and Creativity

Ultimately, ‘The Return of Tomorrow’ is a celebration of Fu Manchu’s longevity and their continued creative vitality. With this release, the band has reaffirmed their status as one of the most celebrated and influential acts in the stoner rock genre, while also hinting at the exciting possibilities that lie ahead as they continue to push the boundaries of their sound.

Conclusion: A Triumphant Return for Stoner Rock Royalty

In an era where music trends come and go with dizzying speed, Fu Manchu’s enduring presence and unwavering commitment to their craft are truly remarkable. ‘The Return of Tomorrow’ is a testament to the band’s enduring relevance and their ability to continue delivering fresh and engaging material, even after almost four decades in the game.

While the album may not be a groundbreaking reinvention of the stoner rock genre, it is a triumphant return for a band that has consistently set the standard for others to follow. With their signature blend of fuzz-drenched riffs, undeniable grooves, and a willingness to explore new sonic territories, Fu Manchu has once again solidified their status as stoner rock royalty.